This dissertation examines the racial identities of middleclass Mexican Americans, and provides a focus on how racial oppression plays a significant role in the formation, negotiation, and organization of these identities. Providing theoretical, analytic, and conceptual balance between structure and agency, this dissertation addresses how these Mexican Americans continue to experience racism despite being middleclass and achieving socioeconomic parity with many middleclass whites. Drawing on 67 semistructured open ended interviews (1-3 hours each), 10 months of ethnography in Phoenix and San Antonio, as well as a descriptive analysis of the Alamo monument website and Maricopa County Sheriff’s Office 2011 press releases this dissertation examines how middleclass Latinos/as negotiate racialized identities and racial oppression. This research concludes that these respondents experience significant amounts of racism in the cities of Phoenix and San Antonio. The racial climates of these cities impose racist discourse about Latinos/as and ultimately reinforce and reinscribe existing racial hierarchies of the United States. Middleclass Mexican Americans utilize different identity practices to navigate the racism of these discourse by providing various negotiation, deflection, and resistance practices. Ultimately this dissertation recognizes that middleclass Mexican American identities are a constant negotiation of imposed racial identities and their own understandings of their racial self.

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The aim of the study is to illustrate the importance of magic realism in American women's fiction in the late twentieth century. The term magic realism, which has traditionally been associated with Latin American men's writing, has been known by different, and often contradictory, definitions. It may be argued that, properly defined, it can be a valid term to describe a number of characteristics common to a corpus of work, and can be considered as an aesthetic category different from others such as Surrealism or Fantastic literature, with which it has often been compared. Furthermore, magic realism has viability as a contemporary international mode and is particularly suitable to women writers from minority ethnic groups. The present study intends to draw relevant comparative analyses of uses of magic realism that show various formal and thematic interactions between separate literary traditions. The introduction offers an overview of the different conceptions and applications of the term since its origins within the area of painting, and suggests a working definition that can be effective for intensive textual analysis of several novels. In order to offer a new approach which can enable us to move away the paradigm of magic realism from Latin America towards a more multicultural framework, the focus will be on three geographical-cultural areas: African American, Native American and Chicano/Mexican writing. The implementation of magic realist strategies in African American writing will be examined in Toni Morrison's Song of Solomon (1977) and Gloria Naylor's Mama Day (1988), with a particular emphasis on the significance of African mythical background and the experience of dispossession and transference of culture. Magic realist elements in the novels Tracks (1988) by Louise Erdrich and Ceremony (1977) by Leslie Marmon Silko will be studied in the context of Native American oral tradition and cosmologies. The practice of magic realism on both sides of the U. S. - Mexico border will be explored in the novels So Far from God (1993), by the Chicana Ana Castillo, and Like Water for Chocolate (1989), by the Mexican Laura Esquivel. A description of the borderland culture in the American Southwest, as well as comparisons between North and Latin American uses of magic realism will be provided. Finally, some connections amongst the discussed literary traditions and further lines of research will be suggested.

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The confluence of singers, composers and audiences within contemporary Mexican culture, produces a "bolero effect" in which the bolero tradition of the popular love song is established as a complex network of relationships between actors and spaces. The relationships between public discourses about romance, courtship and self identities, is produced and secured by the deployment of a variety of codes and languages that together constitute love as a shared memory. Collective and personal memory are strongly related. The process of interpreting and responding to the bolero is rooted· not only in individual biography but also in the life of the community to which a person belongs, and which provides him/her with frames of reference within which to organise memory, a kind of mental map drawn up by language. The aim of this thesis is to analyse the complex and contradictory interplay between the public presentation and proliferation of the bolero, and the intimate, unique, experience of love. The first part of the thesis explores the public culture of the bolero as it travels along trajectories linking live performance to radio, cinema, records and television. The second part explores the experiences and responses of male and female subjects from two contrasting class locations in contemporary Mexico City.

Purpose <br>The purpose of this focused ethnography is to understand the meaning and cultural influences of healthy eating and the role of nursing in the promotion of healthy eating practices from the Mexican American child's point of view. <br>Background <br>No current studies directly measure the meaning of healthy eating from the Mexican American child's perspective. Mexican American children have a unique perspective and understanding of the meaning of healthy eating and can help identify cultural norms and other factors that may be vital in directing culturally appropriate health promotion interventions. <br>Research Design <br>A focused ethnography method using Leininger's four phases of data analysis was utilized. <br>Informants <br>The researcher interviewed twenty-one children aged eleven to thirteen for the study. Fifteen individual interviews and two group interviews were completed. <br>Data Collection and Analysis <br>Data gathering and data analysis occurred simultaneously. Leininger's four phases of qualitative data analysis and utilized NVivo9 qualitative data management software. <br>Results <br>The data emerged into three themes within the culture. Theme one: Mexican American children connect healthy eating with familiar foods in the context of their Mexican American culture. Theme two: Foods that provide feelings of happiness and well being are essential for healthy eating. Theme three: Sources of food and health information education are valued when provided by familiar and trusted sources. <br>Conclusions and Implications <br>For the informants of this study the meaning of healthy eating is closely tied to the cultural life ways learned and valued by the Mexican American culture. Culture cannot be separated from the child when considering the meaning of healthy eating. Mexican American children view healthy eating within the context of culture, associating familiar foods that provide a feeling of happiness and well being with healthy foods. Mexican American children view eating habits as healthy when taught by familiar and trusted sources. <br>This study provides nurses an enhanced understanding of the meaning of healthy eating and valuable information to improve nutritional health education and promotion activities, better assists children and their families to improve and maintain health and provides culturally congruent care that is valued by the population. / School of Nursing / Nursing / PhD / Dissertation

Thesis (M.A.)--Ohio University, August, 2006. / Title from PDF t.p. Includes bibliographical references.

Thesis (Ph. D.)--University of California, San Diego, 2007. / Vita. Includes bibliographical references (leaves 167-179).