Global ETD Search

1	Between the tones A study of the theory and microtonal works of Alois Haba / Tam, Christina Yik Man. January 2005 (has links) Thesis (Ph.D.)--State University of New York at Buffalo, 2005. / Title from PDF title page (viewed on May 16, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Hyde, Martha, Clough, John. Includes bibliographical references. Hába, Alois, Microtones.
2	Alois Hʹaba's Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel-, und Zwölftel-Tonsystems Battan, Suzette Mary, January 1980 (has links) Thesis (Ph. D.)--Eastman School of Music, University of Rochester, 1980. / Typescript. Vita. Part 2 not included in photocopy. "List of compositions by Haba": pt. 1, leaves 144-150. Includes bibliographical references (pt. 1, leaves 151-160).
3	Extension Ogilvy, James F. 12 1900 (has links) Extension is a three-sectional, one-movement composition for orchestra exploring various permutations of a single motivic unit. The central priority has been to present this motive in a variety of textural situations with a harmonic accompaniment evolving from a macrotonal to a microtonal setting. Some of the devices utilized to realize this priority are mixed-instrument timbral combinations, tone clusters, multiphonics for brass and woodwinds, multiple stops for strings, and superimpositions of multiphonics. Extension is unique in two areas. First, the evolutionary progression from a macrotonal to microtonal harmonic texture is made possible by expanding the priorities of instrumental performing. Second, the use of multiphonics for full orchestra is unique to this work. harmonic textures microtones macrotones Orchestral music -- Scores.
4	Microtonal Violin Pedagogy: Mastering the Neutral Second through Persian Dastgāhhā January 2020 (has links) abstract: Most violinists of the Western classical tradition are untrained in the aural skills and left-hand techniques of microtonal intervals. This document surveys the nature of the problem and presents a manual for self-teaching the three-quarter tone step—the equal tempered ‘neutral second’ (N2) a quarter tone between the major and minor second intervals—through the melodic syntax of specific Persian classical music (PCM) modes. While the paper does not teach PCM performance, it does offer a method of melodic functional hearing through a new solmization system designed specifically for PCM. Additionally, the paper guides readers through the PCM repertoire by grouping modes with a shared functional usage of the N2. Combined with the pedagogical research of learning modalities and Edwin Gordon’s Music Learning Theory, these tools provide violinists with a method for achieving the aural accessibility and performance mastery of the N2. This process serves as a future model for learning unfamiliar intervals both within and without the Western classical tradition. / Dissertation/Thesis / Doctoral Dissertation Music 2020 Music Pedagogy dastgāh microtones neutral second Persian solmization violin pedagogy
5	The sonido trece theoretical works of Julián Carrillo a translation with commentary / Carrillo, Julián, Bellamy, Laurette, January 1972 (has links) Laurette Bellamy's thesis (Ph. D.)--Indiana University, 1973. / Includes vita. Includes bibliographical references (leaves [567]-573).
6	La composition au moyen des quarts de ton Berger, Pascal 12 1900 (has links) No description available. Musique Music Composition Composition Quarts de ton Quarter tones Microtonalité Microtonal Micro-intervalles Micro-intervals Microtons Microtones Harmonie Harmony Orchestre Orchestra Orchestration Orchestration

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