Texte remanié de: Tesis doct.--Facultad de filosofía y letras de Cáceres, 1989. Titre de soutenance : La lengua en la narrativa de Miguel Delibes.

The objective of this thesis is to analyze children's characters in the novels of El Camino, Mi idolatrado hijo Sisí and El príncipe destronado. After a brief summary of children characters within Delibes novels, we focus on analyzing common aspects of children heroes, on feelings of anxiety and fear, the importance of background, in which the child grows up, we concentrate on teenagers problems and children's evolution, we focus on the way how children speak and on the analysis of hilarious moments, which are originated from the children's innocence of the world. This thesis intends to take into account all these aspects. In the second part we dedicate to composition of the novel that Delibes completely conformed to the novels intention. The children characters are explored in the context of other characters, taking into account the point of the social background and related problems. In the final chapter we compare the novels to the film production.

Ce travail de recherche porte sur l’œuvre « 377A, Madera de héroe », du romancier espagnol Miguel Delibes. Il s’agit d’une thèse de génétique textuelle qui, après avoir établi l’édition du texte au fil des quatre campagnes d’écriture, étudie les mouvements du faire textualisant de cette genèse en se fondant sur le dossier manuscrit que Miguel Delibes a confié en main propre à l’auteur de la recherche. L’approche analytique suit une démarche organisée en deux phases fondamentales. La première (microanalyse) s’appuie sur les méthodes traditionnelles du champ d’investigation génétique pour étudier les enjeux sémantiques et discursifs des stratégies de réécriture et l’empreinte stylistique auctoriale que dénotent les variantes. La seconde (macroanalyse) aborde la question sous le jour renouvelé que permettent les approches quantitatives des données lexicales. Le recours à deux logiciels complémentaires (Stablex et Alceste) permet de faire apparaître ici des mouvements de fond non perceptibles ni objectivables par d’autres voies. Les données chiffrées, leur traitement et leur interprétation, offrent la vision d’un parcours de réécriture de décentrement, puis de recentrement par rapport aux thèmes qui s’imposent à l’auteur, tant par choix personnel que par une sorte de mécanique d’attraction interne due aux exigences intrinsèques de la cohérence textuelle. Cette thèse représente donc simultanément une contribution versée à la connaissance de l’œuvre de l’un des plus grands romanciers espagnols et une contribution au renouvellement méthodologique de l’approche en génétique textuelle. / This research deals with « 377A, Madera de héroe », a book by Spanish novelist Miguel Delibes. It is a thesis in textual genetics that first establishes the edition of the text through the four stages of its writing and then studies the movements of the text production process in this genesis by exploring the manuscript that was given directly and personally by Miguel Delibes to the author of this research. The analytical approach is organised in two major phases: - The first one (micro-analysis) uses the traditional methods of genetic investigation to study the semantic and discursive aspects of the re-writing strategies and the author’s stylistic mark as it is revealed in the variants. - The second one (macro-analysis) revisits the issue by implementing the recent developments in the quantitative handling of lexical data. By resorting to two complementary software programmes (Stablex and Alceste), it is possible to observe deep underlying movements that can neither be perceived nor objectified through other approaches.The processing and interpretation of data reveal a rewriting process of de-centering followed by a re-centering around the themes that are perceived as prevailing by the author, as a result of his personal choices and also through a mechanical process of internal attraction due to the intrinsic demands of textual consistency. This thesis therefore contributes to a finer analysis of the work of a leading Spanish novelist as well as to a new development in the methodology of textual genetics.

El interés por el medio ambiente y la relación que existe entre el ser humano y la naturaleza han incentivado que diferentes ramas interdisciplinares como la ecología y la literatura trabajen juntas para lograr nuevos métodos que ayuden a conservar, mantener y fomentar la biodiversidad en la naturaleza y su conservación. En la literatura, teorías como la ecocrítica facilitan el análisis literario en el cual la relación que existe entre la naturaleza y el ser humano es un punto central de investigación. El objetivo de este estudio fue investigar la relación que existe entre el ser humano y la naturaleza en la novela El camino del escritor Miguel Delibes. El método que utilizamos fue elmétodo de la hermenéutica. En nuestra investigación vimos de qué maneras se ve reflejada la integración del ser humano y el medio ambiente. También profundizamos en los términos ecosofía, biocentrismo y desarraigo en la novela El camino. Además, concluimos que la identidad de Daniel el Mochuelo está ligada a la naturaleza.Las conclusiones a las que llegamos están de acuerdo con el objetivo de nuestro análisis. Daniel, el personaje principal de la obra, tiene una personalidad ligada a la naturaleza y la integración entre el ser humano y la naturaleza se ve reflejada en la novela de diferentes maneras.

Esta tesina tiene como objetivo analizar la escala de valores subyacente al personaje de Cipriano Salcedo en la novela de Miguel Delibes El hereje. Además de realizar este análisis, la tesina analiza la posible existencia de intencionalidad por parte de Delibes de transmitir algún tipo de mensaje ético a través del relato. La metodología utilizada para alcanzar el objetivo es el método hermenéutico y las teorías sobre las que se asienta el análisis son el humanismo cristiano y las teorías axiológicas de los valores. La tesis realiza una identificación y clasificación de los valores que se muestra el personaje de Cipriano Salcedo y concluye demostrando la intención ética de Miguel Delibes al escribir esta novela.

Taking as a point of reference the voice and figure of Carmen Sotillo, the present study analyzes Miguel Delibes’ Cinco horas con Mario (1966), the theatrical adaptation with the same name directed by Josefina Molina, and the film Función de noche (1981), directed also by Molina. The study addresses, on the one hand, the analysis of the mentioned works, establishing a cause-consequence relationship between Carmen’s speech and the educational paradigms of the Francoist regime in regard to women. On the other hand, the study is interested, from a general perspective, in the ideological state apparatuses and the mechanisms destined to reinforce a specific women archetype, among which will be included the postwar school structure, the institution of la Sección Femenina, women’s legal status, and other spaces devoted to reproduce and reinforce ideological content –religion, family–. Lastly, the essay also reflects on the contents of the works from their own media specificity, pointing out the links between content and their particular staging and ideological approach, trying from a general point of view to give an answer to the questions brought up by Carmen Sotillo and Lola’s speech, her alter ego.

Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-09T20:32:23Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) TESE PDF - MICHELE ARRUDA.pdf: 2140524 bytes, checksum: ac82aeae9af2f1e6948903ef4d49a300 (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-19T17:52:25Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) TESE PDF - MICHELE ARRUDA.pdf: 2140524 bytes, checksum: ac82aeae9af2f1e6948903ef4d49a300 (MD5) / Made available in DSpace on 2017-05-19T17:52:25Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) TESE PDF - MICHELE ARRUDA.pdf: 2140524 bytes, checksum: ac82aeae9af2f1e6948903ef4d49a300 (MD5) / Fundação de Apoio à Escola Técnica, FAETEC, Armação dos Búzios, RJ / A Guerra Civil, que devastou a Espanha entre os anos de 1936 e 1939, e a posterior implantação do regime autoritário que dominou o país por quase quatro décadas, figuram entre os eventos mais catastróficos do século XX e que mais representações ganharam no âmbito das artes. Muitas dessas expressões artísticas foram produzidas no calor da guerra ou nos imediatos anos que a sucederam, mas, ao longo das oito décadas que nos separam do início do conflito, foram e continuam sendo produzidas cada vez mais obras que retratam os embates ideológicos entre las dos Españas. Da ampla gama de textos que versam sobre o conflito, destacamos duas narrativas produzidas em momentos específicos da vida cultural hispânica: Réquiem por un campesino español (1952), de Ramón J. Sender, publicada no México, durante o exílio de seu autor, e Cinco horas con Mario (1966), de Miguel Delibes, publicada na Espanha, em plena vigência da ditadura franquista. Essas narrativas, elaboradas em função dos mesmos motivos, mas em conjunturas distintas, respondem a demandas próprias de cada circunstância, portanto, os conteúdos e as formas que se criam para representá-los dialogam com as (im)possibilidades de representar os horrores de uma batalha fratricida. Nesta tese, queremos estabelecer a relação de cada uma das obras com a representação da Guerra Civil Espanhola, destacando os aspectos formais e a arquitetura textual das narrativas para estabelecer a tensão entre os dois momentos na literatura espanhola de pós-guerra: a produção literária da Espanha peregrina e a da era franquista, a fim de indicar as relações entre história, memória e literatura através da expressão narrativa dos dois segmentos em causa / The Spanish Civil War, which devastated Spain from 1936 to 1949, along with the subsequent establishment of a totalitarian regime that ruled the country for almost four decades, are both high on the list of the most catastrophic events of the 20th century, being widely portrayed by the world of the arts. Many of these works of art were created during the war; others were produced during the immediate post-war period. Nevertheless, during the eight decades that went by since these events took place, the production of such artistic pieces has significantly increased, especially the ones which depict the ideological conflict between “the two Spains” (las dos Espanãs). Among the wide variety of texts that deal with this conflict, two novels, each written in different and specific moments of the Hispanic cultural life, should be pointed out: Réquiem por un campesino español (1952), by Ramón J. Sender, published in Mexico during Sender’s exile, and Cinco horas con Mario (1966), by Miguel Delibes, published in Spain under General Franco’s dictatorship. These two novels, inspired by the same reasons but produced under different circumstances, meet the demands of the particular situations regarding their authors; therefore, both form and content in these novels are meant to cope with the “(im)possibility” of conveying the horrors of a fratricidal war. In this thesis, we wish to establish how each of these novels manages to portray the Spanish Civil War, highlighting the specific characteristics of both form and content in each text, so as to reveal the tension between these two kinds of literary productions of the post-war period: the works of the so-called España peregrina (“Pilgrim Spain”), and those produced under the Franco regime. In this way, we wish to bring to light the way in which history, memory, and literature are integrated through these different types of narrative expression