Au cours des décennies 1970 et 1980, alors que le statut des immigrants et la question de leur intégration alimentent débats et controverses en France, trois écrivains proposent chacun le récit d’un Maghrébin vivant à Paris qui interroge la société et dénonce ses dysfonctionnements. Ce mémoire vise à montrer l’apport de Mohammed Dib (Habel, 1977), d’Abdelwahab Meddeb (Phantasia, 1986) et d’Annie Cohen (L’Édifice invisible, 1988) aux représentations nouvelles de la capitale apparues dans l’imaginaire social depuis la décolonisation. Face à la suprématie de la culture française, les protagonistes proposent une ouverture radicale à l’altérité et questionnent les processus d’aliénation et de renforcement du statu quo identitaire et culturel. Une modalité d’écriture commune aux romans à l’étude, la promenade conduit les trois auteurs à travailler sur la mise en forme du récit tout en plaçant les héros en opposition face à l’évolution urbaine et la société occidentale consumériste. / During the 1970s and 1980s, while the status of immigrants and the question of their integration are feeding debate and controversy in France, three writers offer the story of a North African living in Paris who questions society and denounces its shortcomings. This dissertation aims to show the contribution of Mohammed Dib (Habel, 1977), Abdelwahab Meddeb (Phantasia, 1986) and Annie Cohen (L’Édifice invisible, 1988) to new representations of Paris that appeared in the social imaginary after decolonization. Given the supremacy of French culture, the protagonists offer a radical openness to alterity and question the alienation process and the status quo in the matters of culture and identity. A theme common to the three novels analyzed, the “promenade” leads their authors to work on the formatting of the story while placing the heroes in opposition to the changing urban and consumerist Western society.

When subjected to a combination of moment and shear force, a reinforced concrete (RC) beam with either little or no transverse reinforcement can fail in shear before reaching its full flexural strength. This type of failure is sudden in nature and usually disastrous because it does not give sufficient warning prior to collapse. To prevent this type of shear failure, reinforced concrete beams are traditionally reinforced with stirrups. However, the use of stirrups is not always cost effective since it increases labor costs, and can make casting concrete difficult in situations where closely-spaced stirrups are required. The use of steel fiber reinforced concrete (SFRC) could be considered as a potential alternative to the use of traditional shear reinforcement. Concrete is very weak and brittle in tension, SFRC transforms this behaviour and improves the diagonal tension capacity of concrete and thus can result in significant enhancements in shear capacity. However, one of the drawbacks associated with SFRC is that the addition of fibers to a regular concrete mix can cause problems in workability. The use of self-consolidating concrete (SCC) is an innovative solution to this problem and can result in improved workability when fibers are added to the mix. The thesis presents the experimental results from tests on twelve slender self-consolidating fiber reinforced concrete (SCFRC) beams tested under four-point loading. The results demonstrate the combined use of SCC and steel fibers can improve the shear resistance of reinforced concrete beams, enhance crack control and can promote flexural ductility. Despite extensive research, there is a lack of accurate and reliable design guidelines for the use of SFRC in beams. This study presents a rational model which can accurately predict the shear resistance of steel fiber reinforced concrete beams. The thesis also proposes a safe and reliable equation which can be used for the shear design of SFRC beams.

Au cours des décennies 1970 et 1980, alors que le statut des immigrants et la question de leur intégration alimentent débats et controverses en France, trois écrivains proposent chacun le récit d’un Maghrébin vivant à Paris qui interroge la société et dénonce ses dysfonctionnements. Ce mémoire vise à montrer l’apport de Mohammed Dib (Habel, 1977), d’Abdelwahab Meddeb (Phantasia, 1986) et d’Annie Cohen (L’Édifice invisible, 1988) aux représentations nouvelles de la capitale apparues dans l’imaginaire social depuis la décolonisation. Face à la suprématie de la culture française, les protagonistes proposent une ouverture radicale à l’altérité et questionnent les processus d’aliénation et de renforcement du statu quo identitaire et culturel. Une modalité d’écriture commune aux romans à l’étude, la promenade conduit les trois auteurs à travailler sur la mise en forme du récit tout en plaçant les héros en opposition face à l’évolution urbaine et la société occidentale consumériste. / During the 1970s and 1980s, while the status of immigrants and the question of their integration are feeding debate and controversy in France, three writers offer the story of a North African living in Paris who questions society and denounces its shortcomings. This dissertation aims to show the contribution of Mohammed Dib (Habel, 1977), Abdelwahab Meddeb (Phantasia, 1986) and Annie Cohen (L’Édifice invisible, 1988) to new representations of Paris that appeared in the social imaginary after decolonization. Given the supremacy of French culture, the protagonists offer a radical openness to alterity and question the alienation process and the status quo in the matters of culture and identity. A theme common to the three novels analyzed, the “promenade” leads their authors to work on the formatting of the story while placing the heroes in opposition to the changing urban and consumerist Western society.

When subjected to a combination of moment and shear force, a reinforced concrete (RC) beam with either little or no transverse reinforcement can fail in shear before reaching its full flexural strength. This type of failure is sudden in nature and usually disastrous because it does not give sufficient warning prior to collapse. To prevent this type of shear failure, reinforced concrete beams are traditionally reinforced with stirrups. However, the use of stirrups is not always cost effective since it increases labor costs, and can make casting concrete difficult in situations where closely-spaced stirrups are required. The use of steel fiber reinforced concrete (SFRC) could be considered as a potential alternative to the use of traditional shear reinforcement. Concrete is very weak and brittle in tension, SFRC transforms this behaviour and improves the diagonal tension capacity of concrete and thus can result in significant enhancements in shear capacity. However, one of the drawbacks associated with SFRC is that the addition of fibers to a regular concrete mix can cause problems in workability. The use of self-consolidating concrete (SCC) is an innovative solution to this problem and can result in improved workability when fibers are added to the mix. The thesis presents the experimental results from tests on twelve slender self-consolidating fiber reinforced concrete (SCFRC) beams tested under four-point loading. The results demonstrate the combined use of SCC and steel fibers can improve the shear resistance of reinforced concrete beams, enhance crack control and can promote flexural ductility. Despite extensive research, there is a lack of accurate and reliable design guidelines for the use of SFRC in beams. This study presents a rational model which can accurately predict the shear resistance of steel fiber reinforced concrete beams. The thesis also proposes a safe and reliable equation which can be used for the shear design of SFRC beams.

Examensarbetet har utforts pa uppdrag av enheten for Data- och Elektroteknik pa skolan for Teknik och Halsa, KTH. Denna studie om transformatorer omfattar deras funktioner och anvandningsomraden, hur de ar uppbyggda, hur karnan och lindningarna som ar transformatorns viktigaste delar ar uppbyggda, vilka materiel som anvands vid konstruktion av dessa samt vilka typer det finns av dem beskrivs i rapporten. Vidare beskrivs flera olika transformatortypers funktioner och anvandningsomraden. Eftersom en viktig del av studien varit pa vilka satt transformatorer kan utvecklas for okad miljovanlighet och livslangd gar rapporten igenom olika vegetabiliska oljor, vilka fordelar de har gentemot mineraloljor och vilka egenskaper de har samt pa vilket satt de ar skonsammare mot miljon. HVDC-enheter transformerar hoga spanningar fran vaxelspanning till likspanning for mindre resistiva forluster och darmed lagre energiforluster vilket i sin tur leder till en renare miljo. Teorigenomgangen av transformatorn ligger till grund for utformningen av en laboration for undervisningsbruk, bl.a. i en kurs om elkraftteknik som ges i hogskoleingenjorsprogrammet Elektroteknik pa KTH. / This degree project was carried out on behalf of the unit for Computer and Electrical engineering at the School of Technology and Health, KTH. This study about transformers, their function and uses, the way they’re built, how the core and windings, which are the most important parts of a transformer, are made and what kind of materials are used to make them. Several types of transformers and their functions are described. A crucial part of the study has been to search for different ways to develop transformers to make them environmentally safer and to increase their life-span. As such this work describes different transformer oils, what advantages and disadvantages they have compared to mineral oils, what properties they have and in what way they’re less harmful for the environment. HVDC units transform high voltages from Alternating Current to Direct Current to lessen the resistive losses and energy losses which lead to a cleaner environment. The theory examination of the transformer is the basis for the formation of a lab for educational use, among others in a course about electrical power that’s included in Bachelor of Science in Electrical Engineering at KTH.

MOROCCO'S RELIGIOUS POLICY SINCE 2003 The year 2003 marks a beginning of a new era in moroccan religious policy, which aims at an unification of religious field in the kingdom and a fight against islamic radicalism. Moroccan king Mohammed VI. succeeded in management of both internal and external threats to his kingdom's stability in past twelve years and in a comparison with his counterparts he managed to emerge strengthened out of crisis of the first decade of a new millennium. Main topic of this essay is to map an effort to control moroccan religious scene by state and its achievements and failures.

Thesis (MA)--University of Stellenbosch, 2008. / Bibliography. Also available online.

The present study elaborates a poetics of cross-cultural writing. Its primary theoretical reference is the ‘cross-cultural poetics’ (poétique de la relation) of Edouard Glissant: a set of poetic tropes and narrative structural strategies that he identifies in the mixed cultural setting of the Caribbean, in Le Discours antillais. My thesis argues that if these poetic strategies are indeed a response to specific social, cultural and political situations, then if analogous situations were considered elsewhere, we might expect an analogous poetics to arise. Taking North Africa as an example context, and specifically the novels of the Algerians Kateb Yacine, Assia Djebar, Mohammed Dib, and the Sudanese Tayeb Salih, I argue that these writers’ complex poetic strategies engage with – indeed, help to articulate – analogous socio-political concerns arising in their homelands. The formal poetical analysis of these authors is based on several key thematic tropes and structural strategies that Glissant advocates in his cross-cultural poetics. My five chapters consider roots and origins, living landscapes, silence and screams, literary opacity, and structural polyphony. They also develop a new critical vocabulary to describe how Glissant’s poetical strategies might take form at a close textual level; my analysis reveals a complex, and reciprocal, relationship between poetic expression and socio-political context. Glissant’s work is therefore shown to be more broadly relevant, but the founding tenets of his theory are also interrogated and questioned; the comparison with a North African setting entails a (re)assessment of the underlying conceptions of Glissant’s poetics – of the implicit logic by which he connects poetic form to social, cultural and political factors. These factors, for Glissant, also display a clear overlap with the (post)colonial; in studying cross-culturality, the postcolonial, and the poetics engendered by their overlapping, my thesis presents a specific critical focus for the postcolonial literary field.

The Arab Spring of 2011 revealed stark variation in the durability of different types of authoritarian regimes. Kings and emirs demonstrably outperformed their republican peers. This paper provides a qualitative study of the Moroccan monarchy in order to better explain this pattern. The findings of an original media content analysis support the paper's thesis that Morocco's King Mohammed VI maintained his throne by effectively using a historically derived position of concentrated power and immense wealth to manipulate potential opposition and dominate public discourse. This multi-causal mechanism of manufactured consent helped create and sustain the monarch's domestic legitimacy while alienating his opponents. Importantly, the illusion of a free media bolsters his image with Western political elites, thus, drawing greater external support and reducing the cost of repression.

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 296-320).