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“Blood-Cement”: Does Liking For and Compliance To Authority Increase After Killing?Richardson, Michael Noel January 2011 (has links)
It is a common observation that organizations of violence make use of moral transgression to bond new recruits to the group’s authority figures and to encourage compliance to them. The present study drew on the work of Festinger (1957), Aronson and Mills (1959) and Martens et al. (2007) and, for the first time examined this observation empirically. It was hypothesized that
when participants agreed to make a moral transgression for the experimenter that they would come to view him more positively, see him as more professional and become more compliant to him, and that this would happen even more when that choice to comply was made salient. Participants were asked to place a number of bugs into a modified coffee grinder that ostensibly exterminated the bugs and then to activate the device. No bugs were killed in any condition, but participants were either led to believe that they were killing the bugs or informed that it was just a simulation. Subsequent positivity in the perception of the experimenter and how professional they considered him to be was then measured by questionnaire and compliance to him was measured in an optional data-entry task. Results yielded partial support for the research hypotheses suggesting that at least under some circumstances, agreeing to make a personal moral transgression for an authority figure leads to increases in the positivity in the perception of that figure and compliance to him and that making that choice salient enhances this effect. The implications of this finding for the understanding of the processes by which a person can become bonded to unsavory authority-figures and potential applications to community education programs are discussed; as are the limitations of this study and possibilities for future research.
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The complexity of cancel culture: : Unveiling the personal and social drivers that influences the decision to cancelGvozden, Najda, Zetterlind, Lovisa January 2023 (has links)
The rise of social media has emerged the social phenomena called cancel culture, where individuals hold influencers and endorsed brands accountable for perceived immoral actions. Cancel culture originates from a desire for social justice, where the consequences of those cancelled could be temporary and long-lasting reputational damage. The behavior to cancel is individually complex and has many different drivers influencing the performance of behavior. Despite its significant impact, cancel culture within research is just in its early stage and has received limited research from a qualitative perspective. Previous studies have researched cancel culture through the perspective of consumer power, celebrity transgressions, psychological drivers, and social identity. Moreover, previous research has studied the intended behavior to cancel, not the actual performance to cancel. There still remains a research gap in understanding the personal and social drivers that influence the process to cancel an influencer and endorsed brand. By this, it led us to our research question: “What are the personal and social drivers that could influence the behavior to engage in cancel culture?”. With an aim to provide a deeper understanding of the complex phenomena of cancel culture between consumers, influencers and the endorsed brands. By examining drivers such as norms, beliefs, values and traits our study seeks to shed light on the drivers and how they influence the behavior of cancel culture. The findings revealed an interesting insight from the consumer perspective. An actual cancellation has a higher chance of occurring if the influencer's action is perceived to cross an moral barrier of a follower. However, our study found that subjectivity increases complexity of the behavior as every individual has their own moral barrier. For example, if the action is perceived to clash with the followers’ personal beliefs and values, cancellation might occur, however another individual might not perceive the action to cross their moral barrier. Moreover, our study found that the desire of social belongingness and social acceptance has a significant role when making a decision to cancel. From our study we have revealed that cancel culture is both an individual and social phenomenon, where the influence of one's own personal drivers is just as influential as the social influence. More specifically, followers' idea of their self- concept is just as influential as the pressure from their social environment. In conclusion, personal and social drivers influence the decision to cancel an influencer and endorsed brands. However, as subjectivity matters, these personal and social drivers influence the process differently for each individual. From a managerial perspective, our findings could contribute to influencer marketing strategies trying to improve their selection process or response strategy if an cancellation would occur.
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[en] ROLEPLAYING AND TRANSGRESSION IN EÇA DE QUEIRÓS: A READING OF O PRIMO BASÍLIO AND OS MAIAS / [pt] ENCENAÇÕES E TRANSGRESSÕES EM EÇA DE QUEIRÓS: UMA LEITURA DE O PRIMO BASÍLIO E OS MAIASMARIANA MONTENEGRO DE CARVALHO REGO 06 October 2005 (has links)
[pt] Eça de Queirós pretendia moralizar a sociedade, construindo
uma literatura
que deveria funcionar como um espelho, no qual estaria
refletido o quadro social
português da segunda metade do século XIX. Assim, o autor
criou cenas que
acabam por mostrar que a própria sociedade tinha como base
um jogo de
encenações, com certas regras pré-estabelecidas. Luísa e
Juliana, de O Primo
Basílio, Pedro da Maia, Maria Monforte, Carlos Eduardo e
Maria Eduarda de Os
Maias são personagens que cometem transgressões, ou seja,
não agem
exatamente de acordo com o que era considerado moralmente
correto. Nessa
dissertação, objetivamos investigar as motivações que levam
às transgressões e,
ainda, as possíveis conseqüências desse desvio ao modelo
social. / [en] Eça de Queirós aimed to improve the morals of Portuguese
society through
a sort of literature that was to function as a mirror
reflecting the Portuguese way
of life in the latter half of the 19th century. Thus the
author portrayed Portugal as
a society based on role-playing, following certain
preestablished rules. Luísa and
Juliana, in O Primo Basílio, Pedro da Maia, Maria Monforte,
Carlos Eduardo
and Maria Eduarda, in Os Maias, are characters who engage
in transgression,
deviating from what was considered moral. In this thesis we
investigate the
reasons that led to transgression of social rules, as well
as the possible
consequences of such deviant behavior.
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