This interior design practicum investigates how narratives linked to the St-Boniface Fire Hall No.1, located in Winnipeg, can inform its adaptive reuse. Its oral history gathered in part through interviewing past users is spacialized into a physical realm. Narratives are translated into design elements by utilizing the creative process and analytical framework of the concept of mise en scène. Stories are analyzed and given structure through narratology as a theoretical approach. Post-Museum theory joined the concept of mise en scène by encouraging the visitors to become part of a living museum through sharing stories, thus becoming performers themselves. By utilizing narratives as a foundation, the interior weaves the existing heritage structure with new design interventions, therefore preserving the unique character of the building and incorporating its neighboring francophone community. The resulting design solution manifests itself as a mixed typology including a brewpub, an artist in residence studio and, a living museum.

This interior design practicum investigates how narratives linked to the St-Boniface Fire Hall No.1, located in Winnipeg, can inform its adaptive reuse. Its oral history gathered in part through interviewing past users is spacialized into a physical realm. Narratives are translated into design elements by utilizing the creative process and analytical framework of the concept of mise en scène. Stories are analyzed and given structure through narratology as a theoretical approach. Post-Museum theory joined the concept of mise en scène by encouraging the visitors to become part of a living museum through sharing stories, thus becoming performers themselves. By utilizing narratives as a foundation, the interior weaves the existing heritage structure with new design interventions, therefore preserving the unique character of the building and incorporating its neighboring francophone community. The resulting design solution manifests itself as a mixed typology including a brewpub, an artist in residence studio and, a living museum.

This thesis examines museum development in the two post-colonial settler societies of Australia and Aotearoa New Zealand, investigating the evolution of new histories as museums seek to aid the construction of post-colonial national identities. Drawing on a wide body of evidence on an under-researched topic, the thesis is arranged in two parts. The first presents a survey of how traditional images of national identity have been created, sustained and more recently challenged during the histories of Australia and New Zealand - illustrating that the question of non-indigenous national identity is a problematic one. It then provides a historical narrative of museums in both countries. Highlighting the differences and similarities between the two countries and focusing on the development of historical collections, it explores how museums have perpetuated traditional interpretations of nation, and how in recent decades various factors have combined to challenge conventional museum practice, making the role and function of museums at the beginning of the twenty-first century particularly complex. The second part focuses on the new National Museum of Australia in Canberra and the Museum of New Zealand Te Papa Tongarewa in Wellington. It combines an examination of their history with an analysis of how they attempt to convey ideas of nation and national identity. Both museums have opened recently, at a time when national museums around the world are confronted with an increasingly prominent and challenging political and social role in society, and an especially difficult, perhaps impossible, task of representing all the different histories that constitute the ‘nation’.

Thesis (M.A.)--University of Alabama at Birmingham, 2007. / Description based on contents viewed Feb. 4, 2008; title from title screen. Includes bibliographical references (p. 69-73).

Final Project (M.A.)--John F. Kennedy University, 2005. / "September 26, 2005"--T.p. Includes bibliographical references (p. 125-132 ).

Thesis (Ph. D.)--University of Zurich, 1995. / Vita. Includes bibliographical references (p. 74-88).

Thesis (doctoral)--Universität, Münster, 1999. / Inventory catalog.

Thesis (M. Arch. D.U.)--University of Notre Dame, 2006. / Thesis directed by Steven W. Semes for the School of Architecture. "April 2006." Includes bibliographical references (leaves 49-50).

Thesis (M.A.)--University of Florida, 2005. / Title from PDF title page (viewed on April 15, 2009). Includes bibliographical references (p. 53-56).

Zugl.: Wien, Universiẗat, Diss., 2004.