This study demonstrates, through the detailed examination of a specific example of written Old English, that a very large proportion of the general vocabulary of Old English survives in some form in Late Modern English. The "Finnsburg Fragment" is parsed and translated and its lexicon glossed. After a brief discussion of several special semantic categories and the traditional categories of semantic change, the study enlarges upon the historical setting which influenced the loss, retention, shift, or stability of these two hundred Old English words. Appendices group the lexicon by parts of speech as well as by semantic history.

abstract: In this dissertation I argue that medieval peoples used a different style of identity from those applied to them by later scholarship and question the relevance of applying modern terms for identity groups (e.g., ethnicity or nationality) to the description of medieval social units. I propose we think of identity as a social construct comprised of three articulating facets, which I call: form, aspect, and definition. The form of identity is its manifestation in behavior and symbolic markers; its aspect is the perception of these forms by people; and its definition is the combination of these perceptions into a social category. Taking an interdisciplinary approach, I examine each facet individually before synthesizing the results. I study the form of identity through an analysis of styles in material culture using a consensus analysis to determine how well objects decorated with the same motif do communicating a shared idea to members of a social group. I explore the aspect of identity through a whole-corpus linguistics approach to Old English, in which I study the co-occurrence of words for "a people" and other semantic fields to refine our understanding of Old English perceptions of social identity. Finally, I investigate the definition of identity by comparing narrations of identity in Old English verse and prose in order to see how authors were able to use vocabulary and imagery to describe the identity of their subjects. In my conclusion I demonstrate that the people of Medieval England had a concept of identity based on the metaphor of a village meeting or a feast, in which smaller, innate groups were thought to aggregate into new heterogeneous wholes. The nature and scale of these groups changed over the course of the Anglo-Saxon period but some of the names used to refer to these units remained constant. Thus, I suggest scholars need to apply a culturally relevant concept of identity when describing the people who lived in Medieval Britain, one that might not match contemporary models, and be cognizant of the fact that medieval groups were not the same as their modern descendants. / Dissertation/Thesis / Ph.D. Anthropology 2013

The political implications of the OE prose translations of King Alfred (849-899) are overlooked by scholars who focus on the literary merits of the texts. When viewed as propaganda, Alfred's writings show a careful reshaping of their Latin sources that reaffirms Alfred's claim to power. The preface to Pastoral Care, long understood to be the inauguration of Alfred's literary reforms, is invested with highly charged language and a dramatic reinvention of English history, which both reestablishes the social hierarchy with the king more firmly in place at its head and constructs the inevitability of what is actually a quite radical translation project. The translations themselves reshape their readers' understanding of kingship, even while creating implicit comparison between Alfred and the Latin authors.

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In the individual grammars of time-bound speakers, as well as in the historical transmission of a language, prosodic and morphological domains are forced to interact. This research focuses, in particular, on stress, and its instantiation in different domains of the morphological structure. It asks what factors are involved in prioritising one system – morphology or stress assignment – over the other and how radical the consequences of this may be on the overall structure of the language. The data comes from two typologically distinct languages: Mapudungun (previously 'Araucanian'), a polysynthetic and agglutinating language isolate from Chile and Argentina documented for over 400 years; and English, far further into the isolating and fusional spectra, and documented from the 7th century onwards. In both languages, we focus on morphologically complex words and how they evolve in relation to stress. In Mapudungun we examine the entire historical period, while in English we focus on the changes from Old to Middle English (8th -14th centuries). The analyses show how different types of data (from acoustics, to native and non-native intuitions; from historical corpora, to present-day experimentation techniques), can be used in order to assess whether the prosodic system will accommodate to the demarcation of morphological domains or whether morphological structure is to be shoehorned into the prosodic system's rhythmic pattern. Original contemporary field and experimental work on Mapudungun shows stress to fall on right-aligned moraic trochees in the stem and word domains. This contradicts claims in the foot-typology literature, where Araucanian stress goes from left to right, building quantity-insensitive iambs. A reconstruction of the history of the stress system suggests a transition from quantity insensitivity to sensitivity and the establishment of two domains of stress, which ultimately facilitates the parsing of word-internal structure, emphasising the demarcative function of stress. In the case of Early English, the focus is on the prefixal domain. Here the optimisation of the stress system – also trochaic – is shown to reduce the instances of clash in the language at large. As a result, a split in the prefixal system is identified, where prefixes constituting heavy, non-branching feet are avoided – and are ultimately lost – due to clash with root-initial stress, while light and branching feet remain in the language. In this case, it is the rhythmic or structural role of stress that is emphasised. Language internal factors are evaluated – in particular morphological type and stress properties – alongside external factors such as contact (with Chilean Spanish and Norman French), in order to provide a more general context for the observed changes and synchronic structure of the languages. A key concept in the analysis is that of 'pertinacity', the conservative nature of transmission in grammars, which leads learners to perpetuate perceived core elements of the system.

The primary aim of the present study is to give a semantic/conceptual analysis to the genitive case in Old English (= OE) within a Cognitive Grammar (=CG) framework (specifically Langacker's version; Langacker 1987, 1991) and explain the diversity of its use (adnominal, adverbal, adjectival, prepositional, and adverbial), as constituting a coherent network, wherein all variants share a unified semantic structure. My analysis is partly based on Roman Jakobson's (1936/1971) study on the Russian case system, which is recast and updated within a CG framework. Pivotal to my analysis of the semantic structure of the genitive case is the notion of "deprofile", whereby an already profiled (i.e. most prominent) entity in a given predicate becomes unprofiled, to reduce the amount of attention drawn onto the designatum, making it conceptually less prominent. Specifically, the function of the genitive case in OE is to deprofile the profile of the nominal predicate to which the genitive inflection is attached. The crucial claim is that a genitive nominal is a nominal predicate, in that it still profiles a region in some domain, in accordance with the schematic characterisation of the semantic structure of a noun in CG. The nominal character of a genitive nominal means that it can occur in various syntactic contexts where any other nominal expression can occur, namely in a position for a verbal, adverbial, and prepositional complement, as well as in a modifier/complement position for a noun. This account ties in with the subsequent history of the genitive case after the end of the OE period, in which some of its uses became obsolete, especially the partitive function of adnominal genitive, and all functions of the adverbal, adjectival, prepositional genitives. The cumulative effect of this is that a genitive nominal ceased to be a nominal predicate, and its determinative character which had already existed in OE side by side with its nominal character, became grammaticalised during the ME period as a general function of a genitive nominal. Chapter l outlines the history of the genitive case from OE to early ME, to introduce the problems to be dealt with in this dissertation, particularly the diversity of the genitive functions. Reviews of some previous studies relevant to the problems are also provided. Chapter 2 and 3 introduce the framework of CG. Chapter 2 summarises some basic assumptions about grammar, and Chapter 3 focuses on how syntactic issues are dealt with in CG, based on the assumptions summarised in Chapter 2. Here I also introduce Langacker's (1991) and Taylor's (1996) account of a Present Day English possessive construction, using Langacker's reference point analysis, and examine its applicability to the OE genitive. As an alternative, the notion of deprofile will be introduced. Chapters 4 and 5 are the application to the actual examples of genitive nominals, taken from Ælfric's Catholic Homilies first series; Chapter 4 deals with adnominal genitive, and chapter 5 covers all the non-adnominal genitives. Finally, Chapter 6 discusses how the diversity of the genitive functions in OE and its subsequent history may be accounted for in the light of the findings in this study.

This thesis presents a series of case studies of early medieval narratives about the non-Roman, non-biblical distant past. After an introduction that briefly outlines the context of Christian traditions of historiography in the same period, in chapter two, I examine the Gothic histories of Jordanes and Isidore, and show how they present different methods of reconciling notions of Gothic independence with the heritage of Rome. Chapter three looks at the Trojan origin narratives of the Franks in the Fredegar chronicle and the 'Liber historiae Francorum', and argues that this origin story, based on the model of the Roman foundation myth, was a means of making the Franks separate from Rome, but nevertheless comparable in the distinction of their origins. Chapter four studies Paul the Deacon’s 'Historia Langobardorum', and argues that although Paul drew more on oral sources than did the other histories examined, his text is equally not a record of ancient oral tradition, but presents a synthesis of a Roman, Christian, and of non-Roman and pagan or Arian heritages, and shows that there was actually little differentiation between them. Chapter five is an examination of 'Waltharius', a Latin epic drawing on Christian verse traditions, but also on oral vernacular traditions about the distant past; I suggest that it is evidence of the interpenetration between secular, oral, vernacular culture and ecclesiastical, written and Latin learning. 'Beowulf', the subject of chapter six, is similar evidence for such intercourse, though in this case to some extent in the other direction: while in 'Waltharius' Christian morality appears to have little of a role to play, in 'Beowulf' the distant past is explicitly problematised because it was pagan. In the final chapter, I examine the further evidence for oral vernacular secular historical traditions in the ninth and tenth centuries, and argue that the reason so little survives is because, when the distant past had no immediate political function—as origin narratives might—it was normally seen as suspect by the Church, which largely controlled the medium of writing.

This thesis considers the early dissemination and critical/cultural/literary reception of the nouveau roman in Britain, roughly between the years 1957–73. The nouveau roman is considered in its capacity as an avant-garde grouping of writers and texts coming from France, and as articulated at the interface of the novel and its theoretical metalanguage; the main nouveaux romanciers considered are Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon. Particular attention is paid to the ways in which the nouveau roman's status as nouveau was presented in Britain in the period in question. One of the major arguments of the thesis is thus: that the question of the nouveauté of the nouveau roman became a nodal point for negotiations over the legacy of modernism, and over the meaning of the 'contemporary' in literature in the postwar period. Part I charts the emergence of the nouveau roman in Britain. It looks first at the origins and the methods of the nouveau roman's initial dissemination, drawing on a range of previously undocumented archival sources. The main focus here is Calder & Boyars – the nouveau roman's main British publisher – and in particular the notions of publics that framed its activities involving the nouveau roman. Subsequently, the nouveau roman's British reception is considered with reference to an extensive survey of periodicals and books. Part II looks at the literary impact of the nouveau roman. First, a range of novels is considered as bridging the critical and the literary response in Britain to the nouveau roman. The authors considered are: Pamela Hansford Johnson, J. I. M. Stewart, Muriel Spark, John Fowles, J. B. Priestley, William Cooper, Rayner Heppenstall, and Christine Brooke-Rose. Then, other novels are considered more directly within the domain of the nouveau roman, seen against the background of Robbe-Grillet's approach to objects and materiality, and with reference to notions of 'project-work' in Butor's novels. Novels are considered by: Brian W. Aldiss, Muriel Spark, Denis Williams, Eva Figes, B. S. Johnson, and Alan Sheridan. Finally, the nouveau roman is looked at in relation to an emergent avant-garde in the British novel. Here, the nouveau roman is seen as providing terms with which British writing from the period in question was able to present itself as avant-garde beyond the manifestations of individual works. The conclusion briefly surveys more peripheral and non-novelistic British responses to the nouveau roman, considering the way in which they inscribe the nouveau roman as 'contemporary'. The thesis turns finally to the legacy of the nouveau roman for the British novel of the present day.

This thesis adopts an interdisciplinary approach, drawing on literary, art historical and textual sources to examine how the act of looking, images, and artistic and textual creation are both dramatized and problematized in the works of the Gawain-poet: Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight (with some discussion of St Erkenwald, a work often attributed to the same author). Analyzing in detail the texts and illustrations in the Gawain-manuscript (British Library, Cotton MS Nero A.x), the thesis argues that the poet weaves together classical and biblical narratives, along with exegetical and iconographic traditions, in shaping his distinctive reflections on the use and making of images, body and performance, in response to late fourteenth-century religious controversies. The thesis starts by tracing a network of ideas about gaze, sin, body and text through late-medieval biblical and mythographical texts and images. Working text-by-text through the poet’s oeuvre, it then discusses the use of Ovidian materials and the motif of metamorphosis in his complex meditation on ethical and specifically gendered practices of reading, writing and looking. It concludes by assessing the poet’s idea of poetic creation and his own role as a creative artist. In doing so, it suggests that the poet’s self-conscious artistry works together with a consistent emphasis on humility in human’s relations with the divine. The thesis contributes to a growing scholarly interest in the Gawain-illustrations, and a developing focus on visuality in studies of late-medieval devotional and literary works. By linking the analysis of classical/biblical intertexts, visual traditions and the manuscript’s own illustrated texts, it suggests a fresh area of study for the Gawain-poet and his milieux.

"What can the England of 1940 have in common with the England of 1840? But then, what have you in common with the child of five whose photograph your mother keeps on the mantelpiece? Nothing, except that you happen to be the same person". This comes from George Orwell's wartime pamphlet The Lion and the Unicorn in which, according to Tosco Fyvel, he sought "to identify himself with England in its finest hour". Orwell offered a more prosaic justification – "I don't share the average English intellectual's hatred of his own country" – in one of his regular "London Letters" to the American Partisan Review and from these three sources a complex constellation of questions emerges. The issue at stake is Orwell's relationship with his country and it involves ideas of identity, history, ownership, love, hatred, community and, crucially, his position as spokesperson. Drawing and expanding upon work on Orwell and Englishness, focusing on Orwell's often overlooked originality as a novelist and challenging Raymond Williams' influential account in Orwell and Culture and Society, "Re-Conditioning England" seeks to negotiate a path through this complex of questions. This path, as the title and opening quotation imply, is guided by the past and by Orwell's engagement with the mid-nineteenth century mode of social realism. It is informed by Williams' conception of the novel as a "knowable community" and Benedict Anderson's of the nation as an "imagined community". A chronological and contextual study, the thesis pays attention, throughout, to both when and where Orwell wrote. It places his work within contemporary debates over the status of Charles Dickens, poetry, language and the nation to the end of arguing: in his engagement with contemporary social-problems, Orwell first consciously updates and then self-consciously critiques the nineteenth-century genre of condition-of-England writing.