Global ETD Search

1	The recent change in the social status of Chinese women Tsai, Choming January 1918 (has links) No description available. Chinese women omen factories girls China llfe
2	Presságios literários e herança plástica: Emerson e Thoreau; Richard Serra, Waltercio Caldas e outros / Literary omens and visual inheritance: Emerson and Thoreau; Richard Serra, Waltercio Caldas and others Marcelo Lins de Magalhães 27 March 2013 (has links) Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro / O presente estudo ambiciona examinar as escritas literárias de Ralph Waldo Emerson (1803-1882) e Henry David Thoreau (1817-1862) considerando-as como uma forma de presságio de arte na América, ou seja, como uma escrita literária que parece ter sido herdada no ambiente artístico das obras plásticas contemporâneas de Richard Serra (1939-) e Waltercio Caldas (1946-), entre outras. Tal herança endossa a noção de linguagem ordinária, compreendida como o ponto de acolhimento, ou de uma inquietação, que se faz presente nas circunstâncias da contemporaneidade. Por sua vez, o gesto de endereçamento que envolve estas escrituras expressa a marca de uma indecibilidade acerca da continuidade ou descontinuidade da existência de categorias como literatura, filosofia e artes. Assim, a problematização dessas remissões ganha vulto no presente estudo, por meio de uma abordagem em perspectiva comparada entre Thoreau, Emerson, Waltercio, Serra e outros. E deste modo, a questão que se estabelece nesse panorama diz respeito aos problemas do pensamento, que em âmbito plástico parecem se estender para uma tradição crítica no Novo Mundo / The following study aims to examine Ralph Waldo Emerson (1803-1882) and Henry David Thoreaus (1817-1862) literary writings considering them as a form of omen of art in America, in other words, as a literary writing that seems to have been inherited from the artistic environment of the contemporary art works by Richard Serra (1939-) and Waltercio Caldas (1946-), among others. Such heritage endorses the notion of ordinary language, understood as the point of reception, or the point of an uneasiness, that was present in the contemporary circumstances. In turn, the addressing gesture which involves these scriptures express the mark of an undecidability on the continuity or discontinuity of the existence of categories such as literature, philosophy and arts. Thus, the problematization of these remissions obtains prominence in this study, by means of a comparative approach among Thoureau, Emerson, Waltercio, Serra and others. In this way, the question that is established in this panorama concerns the thought problems, which in the plastic scope seem to be extended up to a criticism tradition in the New World Artes plásticas Presságio Herança Literatura Visual Arts Omen Inheritance Literature LITERATURA COMPARADA
3	Homo Divinans : Teckentydande i militär kontext i det klassiska Grekland 480–323 f. Kr. Henriksson, Patrik January 2014 (has links) No description available. spådomskonst antiken Grekland spåmän offer offertydor fågeltydor järtecken omen Homeros hoplitsoldater djuroffer rovfåglar Zeus Atena Apollon
4	Presságios literários e herança plástica: Emerson e Thoreau; Richard Serra, Waltercio Caldas e outros / Literary omens and visual inheritance: Emerson and Thoreau; Richard Serra, Waltercio Caldas and others Marcelo Lins de Magalhães 27 March 2013 (has links) Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro / O presente estudo ambiciona examinar as escritas literárias de Ralph Waldo Emerson (1803-1882) e Henry David Thoreau (1817-1862) considerando-as como uma forma de presságio de arte na América, ou seja, como uma escrita literária que parece ter sido herdada no ambiente artístico das obras plásticas contemporâneas de Richard Serra (1939-) e Waltercio Caldas (1946-), entre outras. Tal herança endossa a noção de linguagem ordinária, compreendida como o ponto de acolhimento, ou de uma inquietação, que se faz presente nas circunstâncias da contemporaneidade. Por sua vez, o gesto de endereçamento que envolve estas escrituras expressa a marca de uma indecibilidade acerca da continuidade ou descontinuidade da existência de categorias como literatura, filosofia e artes. Assim, a problematização dessas remissões ganha vulto no presente estudo, por meio de uma abordagem em perspectiva comparada entre Thoreau, Emerson, Waltercio, Serra e outros. E deste modo, a questão que se estabelece nesse panorama diz respeito aos problemas do pensamento, que em âmbito plástico parecem se estender para uma tradição crítica no Novo Mundo / The following study aims to examine Ralph Waldo Emerson (1803-1882) and Henry David Thoreaus (1817-1862) literary writings considering them as a form of omen of art in America, in other words, as a literary writing that seems to have been inherited from the artistic environment of the contemporary art works by Richard Serra (1939-) and Waltercio Caldas (1946-), among others. Such heritage endorses the notion of ordinary language, understood as the point of reception, or the point of an uneasiness, that was present in the contemporary circumstances. In turn, the addressing gesture which involves these scriptures express the mark of an undecidability on the continuity or discontinuity of the existence of categories such as literature, philosophy and arts. Thus, the problematization of these remissions obtains prominence in this study, by means of a comparative approach among Thoureau, Emerson, Waltercio, Serra and others. In this way, the question that is established in this panorama concerns the thought problems, which in the plastic scope seem to be extended up to a criticism tradition in the New World Artes plásticas Presságio Herança Literatura Visual Arts Omen Inheritance Literature LITERATURA COMPARADA
5	Kategorizace "vzbouřenců" z období Korjŏ na příkladech životopisů kroniky Korjŏsa / The classification of the "rebels" in Koryŏ biographies in the chronicle Koryŏsa Vojtíšková, Markéta January 2017 (has links) (in English): The political and social circumstances of the Koryŏ period gave rise to the phenomenon of the so called rebels. The official chronicle Koryŏsa recorded their cases in thirty-eight biographies that were supposed to serve as a warning for the posterity. What models of rebels and sorts of revolts did exist according to the chronicle and what conditions did enable their occurrence?
6	Uchuro katika nathari teule za Euphrase Kezilahabi Kipacha, Ahmad 31 January 2019 (has links) This paper analyses signs of ill-omen in the selected literary Swahili prose of Euphrase Kezilahabi published between 1971-1991. We interrogate their indicative interpretation as foregrounded by the author. We shall specifically concentrate on how he artistically exploits the entrenched ill-omen belief system of his society to drive his themes and artistic techniques. Though critics have analysed some elements of literary symbolism in the works of Euphrase Kezilahabi, this paper, in particular, concentrates on the exploration of signs of ill-omen scattered in several of his prose works. info:eu-repo/classification/ddc/496 ddc:496
7	Alternativa fakta i 1300-talets krönikor : Olika perspektiv i senmedeltida historiografi på olyckan vid Clemens V:s kröning 1305 / Alternative facts in 14th century chronicles : Different perspectives in late medieval historiography on the accident at Pope Clement V's coronation in 1305 Wibacke, Elis January 2018 (has links) The aim of this thesis is to analyse the construction of a historical event in late medieval chronicles, in a way that increases our understanding of the mechanisms behind historiography. The analysis is based on how the coronation of Pope Clement V in 1305 and the accident which then took place, in which a wall crashed and killed a number of people, is depicted in a selection of 14th century chronicles, mainly from France. This event has been largely overlooked by previous research on Clement V and the Avignon Papacy, which has tended to emphasise its meaning as a bad omen for the pope. Through a close reading of the chronicles inspired by a comparative methodological approach and the theoretical framework of Suzanne Fleischman this thesis proves that the French chronicles do not give much actual support for the interpretation of the accident as a bad omen and that the event occurs in multiple versions, which can be explained by the chroniclers’ different attitudes towards the alliance between Pope Clement and King Philip the Fair of France. The different versions are dependent on the texts’ contrasting aims and uses of narratives and facts, and is ultimately defined by the communicative situation between writer and reader. middle ages historiography chronicles truth presage communicative situation Avignon papacy Clement V France Philip the Fair Bernard Gui Saint-Denis Grandes Chroniques Saint-Victor Chronique Normande Jean de Noyal Chronique de Flandre medeltid historiografi krönikor sanning omen kommunikativ situation Avignon påvedömet Clemens V Frankrike Filip den sköne Bernard Gui Saint-Denis Grandes chroniques Saint-Victor Chronique normande Jean de Noyal Chronique de Flandre History Historia

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