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WHAT YA WANT ME TO DO?: A GUIDE TO PLAYING JAZZ TRUMPET/CORNET IN THE NEW ORLEANS STYLEKOSMYNA, DAVID J. 19 July 2006 (has links)
No description available.
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The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo PerformanceMoore, Donald Scott January 2009 (has links)
No description available.
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The New Negro of Jazz: New Orleans, Chicago, New York, the First Great Migration, and the Harlem Renaissance, 1890-1930Lester, Charlie 05 October 2012 (has links)
No description available.
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A critical edition and study of Arnulf of Orléans’ philological commentary to Ovid's “Metamorphoses”Gura, David Turco 30 August 2010 (has links)
No description available.
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Medborgardriven stadsdelsutveckling- Lower Ninth Ward, New OrleansPérez, Fania, Kadir, Sara January 2010 (has links)
Through this thesis, we want to discuss how the marginalization of people, several precedent political, city planning- and engineering decisions resulted in a catastrophic outcome after hurricane Katrina in New Orleans 2005. We also put forward a case study of the Make It Right Foundation, to demonstrate how the residents of the Lower Ninth Ward are involved in the urban development of their community. We would like to draw attention to the power of citizens and how they can influence the urban development of a community after a trauma. This study also focuses on the mission of The Make It Right Foundation: which is to rebuild the Lower Ninth Ward with firm concepts on sustainable development where all dimensions are accounted: ecological, social, cultural and economic.The empirical data was collected by a field study in New Orleans 2010-03-22 and semistructured interviews were made during the same days.
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Motion and Emotion, Urban Dwelling in New OrleansKeeney, Benjamin S. 19 October 2006 (has links)
This thesis brings forth the regional architecture of New Orleans, Louisiana, and applies it directly towards the reconstruction and reconstitution of the Lafitte Housing Project closed as a result of Hurricane Katrina in late August 2005. The half-mile long Lafitte Housing Project rests just outside the French Quarter in the Sixth Ward.
This thesis proposes reopening the canal along Jefferson Davis Parkway and extending it into the French Quarter to the southern edge of Louis Armstrong Park. As many of the former apartments were damaged by flooding from Hurricane Katrina, some units will be demolished to make way for site changes.
A problematic condition of the former public housing complex was the way that it stood within the site as a massive homogenous entity, far out of scale to the surrounding urban fabric. The solution to rebuilding the site is not to construct another massive housing community. Rather, this proposal would include restoring many of the existing units, providing a historic anchor to the new neighborhood, and allowing them to remain along with new construction.
Earth removed from the canal will stay on the site and be used to construct a half-mile long mound, running most of the length of the projects. This mounded area will feature spaces for recreational activities, Marti Gras celebrations, relaxation, and it will allow bridged access to the second floors of the new buildings. More important than what the mound does, is what it is: a metaphor for rising up from the mud and water and towards an elevated way of living, for inhabitants of the new and old structures.
The vehicle for the form and structure of the new dwelling units is the historic Foursquare house. A house that symbolizes aristocracy and well-being, these new units are a refinement of the two bedroom apartments in the existing public housing complex. In this proposal, both will coexist throughout the site. / Master of Architecture
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The formalization of New Orleans jazz musicians: a case study of organizational changeLevy, Louis H. January 1976 (has links)
This study involves the social structures and processes contained in the organization of New Orleans jazz musicians. The literature concerning the sociology of musicians as well as general sociology suggests some initial hypotheses. These hypotheses involve sociological concepts such as formalization, socialization into jazz, band cohesion, band-audience relations, commercialism and organizational type. However, the hypotheses function merely as starting points for the major purpose of this paper -- the generation of emergent theory.
The emergent theory involves the concept of formalization as well as the other concepts previously mentioned. The data from which the theory emerges are provided by histories of jazz, biographies and autobiographies, institutional sources and interviews with seventeen commercial jazzmen. The findings in relation to New Orleans jazzmen indicate that changes in the type of organization that the musicians manifest have important consequences for the variables selected for the hypotheses. In addition, some general theoretical findings emerge; e.g., the nature of the dialectical relationship between orientation and organization is explored.
More specifically, the findings suggest that first (on the macro level) as the musicians have become more formal (and less communal) in organization and progressively white vis-a-vis racial composition, the socialization into music has become more secondary, the codification associated with the production of music has increased, the end product has become objectified (in the form of recordings), and the social class of the musicians has increased from "lower-middle" to "upper-middle" class. Second (on the biographical level), the following changes are associated with the orientations of the musicians throughout their careers: perception of codification within the organization decreases; the social distance between the musician and the band decreases; the orientation of the musician changes from traditional to commercial; and the commitment to the band increases. Finally, a formal theoretical statement suggests that there is a dialectical relationship between orientations and social organization. / Ph. D.
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Response of Pile-Supported T-Walls to Fill Loading and Flood Loading Based on Physical Model Studies and Numerical AnalysesReeb, Alexander Brenton 21 January 2016 (has links)
Pile-supported T-walls, which are concrete floodwalls that are shaped like an inverted "T" and supported by batter piles, are commonly used by the United States Army Corps of Engineers (USACE) to protect low-lying portions of New Orleans and other areas. The design of a T-wall in southern Louisiana is complex, as the structure needs to resist both 1) large settlements caused by fill placed beneath and beside the T-wall before T-wall construction or by fill placed beside the T-wall after T-wall construction, and 2) large lateral flood loads that are imposed during a hurricane. As a result of these loading conditions, large bending moments can develop in the batter piles and these moments need to be accounted for as part of the T wall design.
The goal of this research is to develop a more complete understanding of the pile bending moments in T wall systems, specifically for cross sections where large settlements may occur. As a first step towards this goal, Rensselaer Polytechnic Institute (RPI) performed a series of eight centrifuge tests to investigate and physically model the effects of settlement-induced bending moments on pile-supported T-walls. The centrifuge tests were evaluated and interpreted, and in order to better capture uncertainty, upper and lower bounds were estimated for the interpreted data. The centrifuge results offered some valuable insights on their own, but were ultimately used as the basis for validating and calibrating corresponding numerical models.
The numerical models were developed following a rigorous modeling approach and using rational and reasonable assumptions based on widely-accepted and well-justified procedures. The numerical model results were in good agreement with the centrifuge results without the need for significant calibration or modifications. This good agreement indicates that similar numerical models can be developed to reliably analyze actual T-wall cross sections.
Detailed recommendations were developed for using numerical models to analyze pile-supported T walls, and an example problem is presented herein that illustrates the application of this approach. These same techniques were then used to perform a parametric study to analyze the combined and separate effects of flood loading for a wide range of different T-wall cross sections. The range was selected in collaboration with the USACE in order to reasonably cover cross sections and conditions that 1) are typically encountered in practice, and 2) were expected to generate both upper and lower bound pile bending moments. In total, 3,648 cross sections were analyzed, and 29,184 sets of analysis results were generated since each cross section was analyzed for eight different loading conditions. Summary results are provided to show the influence of the loading conditions and parameters on T-wall response, including the influence of flood loading, new fill symmetry, pile fixity, number of piles, subsurface profile, pile batter, pile type, levee slope, T-wall elevation, and the presence of existing levee fill. In addition, the key results for all of the analyses are provided in the appendices and in an electronic database.
Based on the parametric study results, a simplified analysis procedure was developed that can be used to calculated maximum pile bending moments for T walls installed directly on foundation soils due to settlements. In this procedure, the loads from new fill placed during or after T-wall construction are distributed onto the pile, and the pile response is analyzed using traditional p-y curves and a beam on elastic foundation formulation. This procedure shows good agreement with the numerical model results for a range of conditions. To demonstrate the application of the procedure, the same example problem that is analyzed numerically is reanalyzed using the simplified analysis procedure. Due to the complexity of the problem, it was not possible to modify this procedure or develop a similar procedure for T-walls installed on top of new or existing levees.
Overall, this research demonstrates that numerical models can be used to calculate the bending moments that can develop in pile-supported T-walls due to settlements and flood loading, provides valuable insights into the behavior of T-walls and the influence of various parameters on T-wall response, presents a large database of T-wall analysis results, and recommends a simplified analysis procedure that can be used in some cases to calculate pile bending moments due to settlements. / Ph. D.
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Race, Representation, and Recovery: Documenting the 2006 New Orleans Mayoral ElectionsCecil, Katherine 06 August 2009 (has links)
This thesis examines the rhetorical and visual manifestations of race as they figured in the months prior to and within the 2006 New Orleans mayoral election discourses, and examines how the Nagin campaign tapped into a strategy that capitalized upon pre-existing racial tensions exacerbated by Katrina in order to win re-election. Much of the research for this thesis emerged from the making of a documentary film that examines the intersection between race and politics within this same election, and draws upon primary source video interviews conducted between February - May, 2006, and secondary source media and communications materials to posit that race rendered all political response to Katrina impotent, and that the reductive discourse of a racialized campaign was founded upon traditional, outmoded, and predictable interpretations of racial differences facilitated by socioeconomic hierarchies that both provided a structure for and allowed the psychological framework for such a strategy to work.
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William Beer: An Englishman's Role in Libraries, Literature and Society in New Orleans, 1891-1927Shields, Remesia 17 May 2013 (has links)
In 1891, an Englishman named William Beer arrived in New Orleans, Louisiana, to take up the position as librarian of Tulane University's Howard Library. Beer quickly gained a reputation as a competent and knowledgeable librarian by bolstering the Louisiana collection at the Howard Library with maps, rare books and Louisiana historical documents. In 1896, Beer played a central role in the organization and opening of the first free and public library in New Orleans, the Fisk Free and Public Library. Beer befriended many well-known authors of New Orleans literature including George Washington Cable, Grace King, Mollie Moore Davis and Mary Ashley Townsend. Beer's influence in New Orleans and its literature, and his roles as librarian and instigator of literature have hitherto been largely ignored. This paper will argue that Beer created the foundations of a New Orleans literary culture.
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