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41	Recherches sur le système de représentations symboliques de l’art néolithique aux textes des pyramides- Origines et formation des éléments de la religion solaire de l’Egypte antique / Research on the symbolic representations system in Egypt from Neolithic art to the pyramid texts.- Origin and formation of solar religion elements in pharaonic Egypt Sweydan, Francois 28 February 2011 (has links) Dès les premières dynasties, le pictogramme fut dans l’écriture le prolongement des représentations figuratives naturalistes, logogrammes dans les palettes funéraires décorées protodynastiques. Ce constat nous porte à les mettre en correspondance avec l’art pariétal du néolithique nubien, le prédynastique égyptien, et celui des aires culturelles périphériques. La reconsidération des pétroglyphes en tant que symboles et idéogrammes, c’est-à-dire des mythogrammes autant que des logogrammes-phonogrammes polysémiques permet de dégager un système structurel de représentations symboliques universel dans la vallée du Nil. Essentiellement funéraire, il est organisé autour d’une nouvelle lecture en relation aux mythes fondateurs de l’Œil d’Horus/solaire, s’exprime dans des rites primitifs de revivification, de renaissance, néolithiques et prédynastiques, explicités ensuite durant les premières dynasties sur des tablettes, des sceaux-cylindres votifs, et l’onction du mort avec les sept huiles canoniques et, enfin, dans les Textes des Pyramides. Contrairement à l’idée commune d’opposition des notions de Nature-Culture, il est question de les conjuguer, de réconcilier la dualité non binaire et de voir, par exemple, les fonctions héliotrope et/ou héliophore des animaux du bestiaire soudanien, avec Sokar le faucon funéraire, les garants bienveillants des métamorphoses et de renaissance du soleil/des défunts, par ailleurs, félidés, canidés, antilopes…, investis du numineux des divinités tutélaires. À la lueur d’une nouvelle lecture du mythe “osirien” primitif de métamorphose, nous reconsidérons les conceptions sur le sacrifice animal sur des bases d’anthropologie religieuse. Loin d’une maîtrise et soumission de la nature, et d’un diffusionnisme, l’interculturalité de la pensée mythique archaïque première dans la vallée nubiano-égyptienne et des régions périphériques multiethniques implique, vis-à-vis du monde naturel et des forces spirituelles numineuses, la transculturalité des conceptions solaires et le partage pluriculturel, transhistorique des croyances résurrectionnelles polycycliques. Ainsi, les pétroglyphes d’animaux, les scènes de chasse animale, les représentations de barques, de sandales, etc., sont de nature funéraire votive, apotropaïque. / Since the beginning of the first dynasties, the pictogram in writing was the extension of naturalistic figurative representations, logograms in the decorated funerary protodynastic palettes. This statement carry us to link them with the parietal art of Neolithic Nubia, the egyptian Predynastic, and peripheral cultural areas. We have reconsidered the petroglyphs as polysemic symbols and ideograms, i.e. mythograms as well polysemic logograms-phonograms, allowing us to draw up a structural system of symbolic representations, universal in the Nile valley. Basically funerary, the system is organised around a new reading in connection with the founding of the ‘Eye of Horus’/solar myths, and express itself in primitive Neolithic and Predynastic rites of revivification, rebirth, more explicit afterwards during the first dynasties on labels, votive cylinder-seals, and anointing the deads with the seven holy canonical oils, finally in the Pyramid Texts. Contrary to the common idea which opposite the Nature-Culture notions, there is some question to combine them, to reconcile the non-binary duality and to see, for example, the heliotrope functions and/or heliophore animals of the sub-Saharan bestiary, with Sokar the funerary hawk, the benevolent guarantors for the rebirth and metamorphosis of the sun/deads; otherwise felids, canids, antelopes…, invested by the numinous of the protecting divinities. In consequence of a new reading of the primitive ‘osirian’ myth of metamorphosis, we have reconsidered the conceptions about animal sacrifice on the basis of religious anthropology. Far from bringing under control and submission of nature, and diffusionnism, the intercultural (cross-cultural) of the first archaic mythic thought in the multi-ethnic nubian-egyptian valley and associated neighbouring areas involves, towards the natural world and the numinous spiritual strengths, the cross-cultural of solar conceptions and multicultural, trans-historic sharing of the polycyclic resurrectional believes. Thus, the animal petroglyphs, cynegetic scenes, boats and sandals representations, etc., are of funerary votive, apotropaic nature. Art pariétal Barques funéraires Correspondance symbolique (syncrétisme) Culture Cynégétique Dualisme Héliotrope Huiles canoniques Interculturel Logogramme Mafdet Matit Métamorphose Multiethnicité Mythe de l’Œil d’Horus Mythe solaire Mythogramme Mythopoésie Nature Néolithique Osiris Ouroboros Palette funéraire Phonogramme Pictogramme Pluriculturalisme Polycycles Prédynastique Remembrement Renaissance Rite funéraire Sacrifice animal Sandale Satis Sceau-cylindre Sokar Symbole Tablette Textes des Pyramides Théophagie Transculturel Transfiguration Animal sacrifice Canonical oils Cross-cultural Culture Cylinder-seal Cynegetic Dualism Eye of Horus myth Funerary boats Funerary palette Funerary rite Heliotrope Label Logogram Mafdet Matit Metamorphosis Multi-ethnic Multicultural Mythogram Mythopoetic Nature Neolithic Osiris Ouroboros Parietal art Phonogram Pictogram Polycyclic Predynastic Pyramid Texts Rebirth Rememberment Sandal Satis Sokar Solar myth Symbol Symbolic correspondence (syncretism) Theophagy Transfiguration
42	Pyramidový komplex Djedkarea Isesiho v jižní Sakkáře a jeho výzdobný program / The Pyramid Complex of Djedkare-Isesi at South Saqqara and Its Decorative Program Megahed, Mohamed Abdel Moneim January 2016 (has links) 1 The Pyramid Complex of Djedkare-Isesi at South Saqqara and its Decorative Program Mohamed Megahed Abstract The present thesis aims to publish pyramid complex of King Djedkare and its decorative program for the first time. The rule of King Djedkare was very significant and many important changes happened in the Egyptian state during his time. He is known to have reorganized the royal mortuary cults of his predecessors in Abusir; the remains of the papyrus archives discovered in three mortuary temples in Abusir are to a great extent related to this reorganization, as most of the preserved papyrus fragments come from the time of this king. Besides the other available evidence from his reign, numerous finds were discovered in the king's pyramid complex, which have, however, not been published until now. These include fragments of relief decoration and the present study thus can help us better understand and interpret the development of royal relief at the end of the Fifth Dynasty. The thesis is divided into five chapters, the first chapter provides a guideline to the thesis and its catalogue, and presents an up to date state of research on the decoration of the royal mortuary complexes of the Old Kingdom. Another section in this chapter is devoted to the methods that the author followed during his...
43	Staroegyptské mytologické narativy. Strukturalistické interpretace Příběhu o dvou bratrech, Příběhu o princi, kterému byl předurčen osud, Astartina papyru, Usirovského cyklu a Anatina mýtu / Ancient Egyptian Mythological Narratives. Structural Interpretation of the Tale of Two Brothers, Tale of the Doomed Prince, the Astarte Papyrus, the Osirian Cycle and the Anat Myth Pehal, Martin January 2015 (has links) is study is composed of two units: manuscript of the author's publication Interpreting Ancient Egyptian Narratives: A Structural Analysis of the Tale of Two Brothers, the Anat Myth, the Osirian Cycle, and the Astarte Papyrus (Nouvelles études orientales, Bruxelles-Fernelmont: EME, 2014) and an additonal chapter entitled Accommodating Ambivalence: Case of the Doomed Prince and His Dog, which follows directly a er the Index of the first unit and which extends the applied methodology to yet another New Kingdom mythological narrative, the so-called Tale of the Doomed Prince. Methodologically, the author follows the neo-structuralist approach. Both studies explain the strong configurational character of ancient Egyptian (mythological) thought which has the ability to connect various ontological levels of human experience with the surrounding world into complex synchronic structures. ese symbolical systems are shown to be mediating between the various cultural paradoxes which were inherent to ancient Egyptian society. Axial role in this process is a ributed to the institution of positional kingship represented by the Pharaoh. Its transformative function is also put into relation to the special status of female characters who are shown to play the part of the "powerful powerless ones" further personifying...

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Pyramidový komplex Djedkarea Isesiho v jižní Sakkáře a jeho výzdobný program / The Pyramid Complex of Djedkare-Isesi at South Saqqara and Its Decorative Program