This research analyzes why diplomacy is failing in the Dominican Republic. In this thesis, I describe how Dominicans construct their foreign affairs, and the limitations that diplomacy has had in the country. In order to achieve these goals, I have analyzed official documents such as the 2013 and 2015 payrolls of the Ministry of Foreign Affairs, and legal documents including Article 146 from the Constitution, Organic Law 314 from 1964, and the Protocol of Transparency and Institutions. I argue that the Ministry of Foreign Affairs in the Dominican Republic lacks seriousness and is characterized by the following variables: (1) patronage, (2) corruption, and (3) the systematic violation of Dominican law. The thesis emphasizes how these variables have had a tremendous impact on the exercise of diplomacy. The research analyzes the reaction of the Dominican state and its citizens and how the nation responds to criticisms by the international community. Dominican citizens think that the opinion of international media is a campaign against their country. The implications of this false public perception is an intense nationalism, and the government encourages this. The true problem, as this thesis demonstrates, is institutional weakness. The government uses intense and widespread nationalism to hide institutional weakness and state corruption. After exploring this dialogue between the government, citizens and international media, I move forward framing concepts such as soft power and new public diplomacy to reinforce the importance of listening to foreign publics. In addition I explain why the country needs to change the traditional approach to foreign affairs. The adoption of a new public diplomacy is required to establish credibility and the integration between state, citizens and international publics.

The Master's Thesis deals with the motivation of art patrons, with a special emphasis on contemporary patrons promoting art and culture in the Czech environment. The theoretical part focuses on defining the basic terminology and presents selected studies of volunteering and donation in the non-profit sector with a special focus on culture. The current status in this field is described from the general economic aspects of the support of arts in the Czech Republic to the psychological aspects of individuals. The second part of the thesis is devoted to the patronage of art and introduces the most important patrons of art, considering the historical context and development of the patronage in the history of Czech art. The practical part is based on the media analysis and the interview analysis and the resulting summary of the motivation of the patrons of art.

This dissertation examines ethnic patronage, local conflict, and election fraud in Kenya in three separate essays. Fraud, violence, and ethnicity are difficult to measure, and they often play a central role in narratives and theories about African politics. The essays in this dissertation draw on natural language processing, spatial statistics, and demography to improve measurement of these concepts and, in turn, our understanding of how they function in Kenya. The approaches developed here can be generalized to conflict, ethnicity, and fraud in other contexts. The first essay presents a method for extracting ethnic information from names. Existing methods give biased estimates by ignoring uncertainly in the mapping between names and ethnicity. I apply my improved, approximately unbiased method to data on political appointments from 1963 to 2010 in Kenya, and find that existing narratives about distributive politics do not accord with empirical patterns. The second essay examines patterns of violent ethnic targeting during Kenya's 2007-2008 post-election violence. I focus on patterns of arson, one of the key types of violence used in the Rift Valley. I find that incidence of arson is related to the presence of ethnic outsiders, and even more strongly related to measures of land quality, accessibility, and electoral competition. Using a difference-in-differences design, I show that arson caused a significant decrease in the number of Kikuyu and other immigrant ethnic groups registered to vote; no such decline is observed in indigenous ethnic groups. The third essay documents the prevalence of dead voters on Kenya's voter register prior to the contentious 2007 presidential elections, and shows how dead registered voters may have facilitated electoral fraud. Simply accounting for the number of dead voters demonstrates that turnout was greater than 100% in several opposition constituencies, and implausibly high in most of the incumbent president's home province. Ecological inference suggests that ballot-stuffing occurred in candidate strongholds, rather than competitive constituencies. These results are consistent with the opposition party's allegations of fraud. / Government

Notre étude vise à interroger le goût artistique des financiers du xviiie siècle, à travers l'analyse de leurs comportements face aux différents acteurs du monde de l'art. qu'ils soient financiers collectionneurs, financiers amateurs, financiers artistes, ou encore financiers mécènes, ces manieurs d'argent, parfois jalousés, parfois adulés pour leur fortune, évoluent dans une sphère complexe, où rivalité et excentricité mondaine se mêlent aux codes de bienséance et de magnificence de la société nobiliaire. sévèrement critiqués au xviiie siècle, les financiers du siècle des lumières sont pleinement réhabilités dans la société, grâce, peut-être, à leur conformisme avec les us et coutumes de leurs contemporains. cherchant à égaler leurs semblables dans le paraître, nous pouvons nous interroger sur la manière dont les financiers, qu'ils soient fermiers généraux, receveurs des finances ou encore trésoriers, collectionnent leurs œuvres. ainsi, existe-t-il une manière ' financière ' de collectionner / Our study aims at questioning the artistic taste of the financiers of the eighteenth century, through the analysis of their behaviors vis-a-vis the different actors of the world of art. Whether financial collectors, financial amateurs, financial artists, or financial sponsors, these money handlers, sometimes jealous, sometimes adulated for their fortune, evolve in a complex sphere, where rivalry and eccentricity mundane mingle with the codes of decency And the magnificence of the noble society. Severely criticized in the eighteenth century, the financiers of the age of enlightenment were fully rehabilitated in society, perhaps thanks to their conformity with the habits and customs of their contemporaries. Seeking to equal their fellows in appearance, we may question the manner in which the financiers, whether general farmers, receivers of finance, or even treasurers, collect their works. Thus, is there a 'financial' way of collecting

The dissertation is entitled "Patronage and social mobility in the aristocracies of the Principate". Patronage is defined as a reciprocal exchange relationship between men of unequal social status (municipal patronage is excluded). The work falls into three parts. In the first the language of patronage (patronus, cliens, amicus, beneficium, etc.) is defined; the reciprocity ethic implicit in the language is described; and the spheres of social life in which the patronal ideology was applied by Romans are located. The core of the dissertation is devoted to a description of the patronage networks extending from the emperor through the imperial aristocracy to the provincial aristocracy (in particular, that of North Africa). At each level a description is offered of the economic, social and political goods and services exchanged and the types of people who entered into the patron-client relationships. Further, there is an attempt to show that the fact that Rome remained a patronal society in the Principate has broad implications: the distribution of a variety of offices and honors depended solely on patronage; senators continued to be important patrons distributing their own as well as imperial beneficia to their clients; senators and equites were bound together in a single patronal network; and patronage is perhaps the best explanation for the increasing entry of provincials into the imperial aristocracy. Traditionally it has been argued that the importance of patronage in the Principate was diminished by increasingly rigid bureaucratic machinery in which appointments and promotions were based on merit and especially seniority. Chapter three provides a demonstration that the influence of these bureaucratic criteria on senatorial and equestrian careers have been greatly overestimated and that there is no reason to minimize the effects of patronage.

Evangelical reformism has always been recognized as a massive influence on early nineteenth-century culture. Philanthropic pressure groups dominated public life. But while much attention has recently been devoted to the language and ideas which informed the Evangelical mindset, too many historians have accepted the heroic emphases of nineteenth-century memoirists, and have concentrated on Wilberforce and the crusade against slavery. This thesis contends that the real strength of the movement lay in business, the professions and burgeoning officialdom, and traces the clerical and business networks that connected this metropolitan nexus with provincial Britain. As is shown in chapters on the Church and Universities, patronage and politics, the City of London, the Navy and colonial affairs, this was a dynamic, highly-organized milieu in which patronage, place and influence were used to the full.

Since its opening in 1931, the Vancouver International Airport has been a site where significant representations of the city, its geography and its population have been made. Instead of being utilitarian structures the airport terminals have been purposefully designed and decorated with art chosen specifically to communicate Vancouver's distinct qualities and culture to travelers. As culture is never static and changes continuously, the representations have also shifted over time. By considering the specific history of Vancouver's airport in conjunction with the wider history of Canadian and international airport development, patterns (such as the continuous use of symbols from native cultures to represent aspects of the colonizer's culture) and tensions (such as Vancouver's relative position as a major Canadian urban centre and the growth of visible immigrant populations) which accompany the representation of locality at the airport become apparent. Henri Lefevbre's understanding of space as an active social product, David Harvey's assessment of the impact of globalization upon the local and Siegfried Kracauer's interpretation of architecture as illustrative of broad social trends underpin my analysis. The adoption,of an historical and theoretical framework within this thesis is directed at developing an interpretation of the current art program at the Vancouver International Airport which can move beyond the point where debate regarding "authenticity" and the agency of the native artists or their communities constricts the discussion. Through an examination of airport design, both theoretical and actual, the genesis of and reactions to art programs executed at the airport since the 1960s, as well as aspects of the city's social history, I illustrate that the current art program is representative of more than a superficial thematic strategy. Instead, it points to a complex and ongoing struggle to define and represent Vancouver both to its residents and the rest of the world. / Arts, Faculty of / Art History, Visual Art and Theory, Department of / Graduate

Gottlob Harrer (1703-1755) composed at least twenty-seven sinfonias for his patron Count Heinrich von Bruhl in Dresden from 1731-1747, placing them among the earliest concert symphonies written. Harrer's mostly autograph sinfonia manuscripts are significant documents that provide us with a more thorough understanding of musical activities in and around Dresden. Several of the works indicate topical references, including dance, march, and hunt allusions, that comment on the Dresden social occasions for which Harrer composed these works. Harrer mixes topical references with other gestures in several of his sinfonias to create what I believe is an unrecognized affective language functioning in instrumental works of the time. An examination of the topical allusions in Harrer's works solidifies their connection to the social milieu for which he wrote them, and therefore better defines the genre of the concert sinfonia of the time. The first part of this study of Harrer's sinfonias addresses evidence about the composer, his patron, Dresden society, and the circumstances surrounding the first performances of several works, musical evidence of the composer's stylistic and formal approach to the genre, and the rhetorical meaning of topical gestures in the scores in ways not yet explored. In this dissertation, I demonstrate that the stylistic and formal characteristics of Harrer's sinfonias were often influenced by the function and context of their premieres. Part Two of the dissertation provides transcriptions of Harrer's sinfonias, making them available for performance and further study in the hope that such a holistic approach will enrich our appreciation of musical life in Dresden in the 1730s.

The author of this diploma thesis will conduct an interdisciplinary synthesis about signficance of patronage in history of Czech art. The core of the thesis will be an analysis of the chosen phenomenon through four case studies dedicated to selected personalities, who represent different eras and different forms of patronage: Josef Hlávka, Václav Špaček ze Starburgu, August Švagrovský and Pavel Vašíček. Main chapters will prepare critical evaluation of existing literature as well as general exposition of the subject of the thesis. Case studies will be genereallised and sumarized in the final chapter, which will define specifics of patronage in Czech environment. Picture attachment will be a part of the thesis. Keywords patron, patronage, Josef Hlávka, August Švagrovský, Václav Špaček ze Starburgu, Pavel Vašíček

Indiana University-Purdue University Indianapolis (IUPUI) / This thesis reevaluates the role that women played in the collection and patronage of natural history, fine arts and antiquities in the long eighteenth century. While most scholarship that addresses early modern collecting and patronage operates within an androcentric framework, this project fills a historiographical gap by focusing its analyses on the experiences, activities, contributions, and achievements of female figures. Primary documentation provides evidence of a highly sophisticated, invested and functional network of enthusiastic and experienced female collectors and patrons who participated in activities that were at once parallel to that of their male peers and yet retained a distinctly feminine character. Influenced by prevailing intellectual movements and aesthetic trends, women throughout the period studied, accumulated, and commissioned items of scientific, artistic, and antiquarian value. Their meaningful engagement with naturalists, explorers, artists, statesmen, and colleagues is at the center of this study which situates female collectors and patrons within a wider socio-cultural context and confirms the broader historical significance of their work. In this way, this thesis may be understood as a restoration of women to their central place in the history of collecting and patronage and as a more complete historicization of the corresponding culture between the years 1715 and 1825.