This dissertation examines three generations of the Beeston family and its revolutionary impact on the developing world of seventeenth-century London theatre management. Like other early modern businesses, the Beeston enterprise thrived on commercial innovation, the strategic cultivation of patronage, and a capacity to perpetuate itself dynastically. England’s mid-century political crisis disrupted the family’s commercial supremacy but its management system would endure as the de facto standard structuring successful theatre business long after the Restoration. Following a critical introduction to the early history of theatrical management, the thesis’s four chapters chart the creation and institution of the Beeston management model. Chapter One examines the early career of Christopher Beeston, a minor stageplayer from Shakespeare’s company in the 1590s who set out ambitiously to reshape theatrical management at Drury Lane’s Cockpit playhouse in 1616. Chapter Two analyzes Beeston’s later career, particularly his unique appointment as “Governor” of a new royal company in 1637. New evidence suggests that the office was a reward for service to the aristocratic Herbert family and that traditional preferment was therefore as important as market competition to the creation of the Caroline paradigm of autocratic theatrical “governance.” Chapter Three explores the overlooked career of Elizabeth Beeston who, upon inheriting the Cockpit in 1638, became the first woman in English history to manage a purpose-built London theatre. New evidence concerning her subsequent husband, Sir Lewis Kirke, an adventurer to Canada, ship-money captain, and Royalist military governor, indicates political ideology motivated their joint effort to keep the Beeston playhouse open during the civil wars. Chapter Four addresses the question of why the larger Beeston enterprise eventually collapsed even as the management system it refined continued to support later theatrical entrepreneurs. During the Interregnum, contemporaries anticipated that William and George Beeston, Christopher’s son and grandson, would eventually dominate a renascent London stage; however, managers such as William Davenant and Thomas Betterton ultimately adapted the Beeston system more efficiently to the political environment after 1660. Thereafter, exhausted patronage, lost assets, and the abandonment of family tradition marked the end of the Beestons’ influential association with the London stage.

Ce mémoire retrace, du double point de vue des outils de recherche et des résultats, un itinéraire de recherches sur les questions, envisagées conjointement, de la persistance des relations paternalistes de travail et de l'emprise des relations clientélistes dans la cité. La question du pouvoir de redistribuer est au centre de la problématique qui traverse les différents travaux, et qui peut se résumer ainsi par un lien organique entre les reproductions physique et sociale de sociétés : comment les personnes s'y prennent-elles concrètement pour survivre, et comment ces moyens structurent-ils leur organisation sociale ? La première partie du mémoire est consacrée à la découverte des instruments d'investigation et d'interprétation par l'anthropologue sur son terrain.

Revision of the author's thesis (doctoral--Technische Universität Berlin, Wintersemester, 1999/2000), with title: Studien zu Schloss Oranienbaum (1681/83-1698) in Anhalt. / Includes bibliographical references (p. 206-225) and index.

This thesis deals with the role of sponsorship and patronage in the process of migration and in the formation of Biraderi based relationships and various sociological questions posed in the local context within which ethnicity is a defining element. For example, it demonstrates how far Rochdale Pakistanis as an ethnic group are maintaining their culture in Britain; in particular, how kinship and friendship networks determine the dominant pattern of social interaction among Pakistanis. Further, it deals with the extent to which these networks help and facilitate the immigration and settlement of Pakistanis in this country and result in their "incapsulation" within the wider society. The analysis of these issues was. conducted at different levels: at the individual (case studies) and interactional level, at the social situations and community level and at the level of the wider society's institutions and structures. This included a consideration of the activities of the local Pakistani community in terms of their kinship networks, their economic"activites political participation, religious institutions, community leadership and ethnic organisations. It also includes an analysis of the actors in these different fields, highlighting each area of activity that led to the incapsulation of Pakistanis. It was found that the Pakistani community tends to be mobilized on ethnic lines. This mobilization, it seems, reinforces their ethnic identity and results in their unity, especially when threatened by hostile "out-groups". I The analysis strongly suggests that the whole complex of ethnic institutions manifests the Pakistani community's wish to express and, at the same time, perpetuate their traditional values, beliefs and culture, although this varies to some extent according to occupational background, educational level and generational differences.

This thesis offers a new interpretation of the origins of eighteenth-century popular political consciousness in Scotland during the second half of the eighteenth century by considering the relationship between Presbyterianism, literacy and political activity, and it examines the long-standing enmity to the authority of the elite expressed through patronage disputes, the burgh reform movement and opposition to Catholic relief. In particular it discusses the ongoing debate over lay ecclesiastical patronage arguing that religious dispute was a major stimulus to the process of politicising ordinary people. This process was aided by the inherent radicalism within Presbyterianism which was egalitarian and anti-hierarchical, and which was used to justify inclusion in the political process. It also emphasises the continuing relevance of Scotland’s Covenanting tradition for people from all walks of life who engaged with ideas predominantly through polemical religious books, particularly Covenanting theology and history, and it argues that the clergy provided a crucial link between the general populace and the issues of the day through their ability to draw people into contemporary debate as a result of their preaching and publications.

No description available.

This thesis examines the relationship of George Villiers, First Duke of Buckingham (1592--1628) to the art and aesthetic ideas of his era. As the intimate and all-powerful favourite of two successive kings, James I and Charles 1, Buckingham profoundly influenced the course of English politics, both at home and abroad, and it is as a political force that he is generally viewed. But, as a major patron of many artists and the builder of one of the largest art collections of the time, his influence in the cultural sphere must have been equally significant. Yet no modern study of this aspect of Buckingham's persona exists. / After a review of the general historiographical material on Buckingham as well as his evaluation by art historians over the years, Chapter I presents an analysis of the concept and role of Favourite in social and cultural terms. It goes on to detail Buckingham's personal position within early Stuart court culture, and argues that while this culture formed and defined him, he simultaneously re-formed and redefined it through his choices and actions. / Chapter II examines the dynamics of art patronage and Buckingham's activity as a patron, beginning with his early dealings with the native English painter, William Larkin. The relationship of Buckingham and the young Anthony Van Dyck is discussed, with parlicular attention to the artist's brief visit to England in 1620--21, and it is suggested that Buckingham was instrumental in bringing about this event. The Duke's dealings with the controversial polymath, Balthazar Gerbier, are explored, as are his many-layered connections with the premier painter of the day, Peter Paul Rubens. / In Chapter III the traditions of art collecting, especially in England are discussed, as is Buckingham's reputation as a collector compared to some of his rivals in the field. The extant documentation of his collection is examined, along with the chronology and methodology of its formation. Particular attention is given to gifts of art to Buckingham by King Charles, the Earl of Arundel and others; the art-buying by Buckingham's agents like Balthazar Gerbier; and the incorporation by the Duke into his own inventory of parts of other collections such as that of the Duke of Hamilton and, more importantly, that of Rubens. / Both in the realm of court culture and in the world of art patronage and art collecting, it was Buckingham more than anyone else who supplied the energy and set the fashion. And he continued to do so even after his premature death: the Duke's image remained bright in the memory of King Charles, whose subsequent expanded relationships with Rubens and Van Dyck owe much of their intensity to both artists' previous connections with Buckingham.

"Are the Letters of Horace Satires?" (Hendrickson 1897: 313). In response to this question, this thesis investigates whether Horace's Sermones and Epistulae 1 all belong to the genre of satura. Ancient and modern evidence from the use of the terms Sermones, Epistulae, and satura, is surveyed, and is found to be inconclusive, but not to preclude Epist. 1 as satura. The nature of specifically Horatian satura is ascertained from the text of Serm. 1, especially Serm. 1.1 and the explicitly literary Serm. 1.4 and 1.10. The redefinition of Lucilian satura, and its political implications are also considered. To confirm Epist. 1 as satura a sequential reading of the three libelli is undertaken, tracing the evolution of the theme of locus: place, both as geographical location, and as status, place in the social hierarchy, in the context of the socio-political environment of the time of composition. Serm. 1.1 as a programmatic poem is shown to establish Epicurean moderation as a prerequisite for a vita beata. In Serm. 1 Horace's status as client-poet of Maecenas and Octavian initially permits this ideal lifestyle in the Urbs. The misperceptions of outsiders lead to a preference for a life of Epicurean quietude in the rus in Serm. 2, although Horace's aequanimitas is disturbed by urban officia, and abuse of libertas dicendi associated particularly with Stoicism. The ideal of rural withdrawal is reinforced in Epist. 1 through an exploration of appropriate behaviour in relationships with potentes amici. Horace's addressees cover the entire range of the social hierarchy, and in his letters he utilizes the arguments of moral philosophy, thus reconciling poetry and philosophy. He achieves a pragmatic compromise whereby he can enjoy libertas in his role as a poet, while acknowledging that personal libertas and true aequanimitas are still to be attained.

Containing over forty portraits, the frescoes by Domenico Ghirlandaio in the cappella maggiore of S. Maria Novella provide the opportunity to investigate the function and context of Quattrocento portraiture. Burkhart’s famous notion of Renaissance “individualism,” usually seen as a sufficient explanation for the rise of this genre, is rejected in favour of corporate, especially family, motivations and modes of address. This necessitates an examination of consorterial traditions and patterns of patronage which are registered in the Tornaquinci chapel and enabled the acquisition of patronage rights to the chapel by the entire consorteria in October 1486. A biography is also supplied of Giovanni Tornabuoni, the man who paid for the decoration of this, his family monument, and closely supervised its progress.

Revision of the author's Thesis (doctoral--Technische Universität Berlin, Wintersemester, 1999/2000), with title: Studien zu Schloss Oranienbaum (1681/83-1698) in Anhalt. / Includes bibliographical references (p. 206-225) and index.