Today, designing in digital environment is far less limiting than the physical reality that the product will end up in - stresses and forces, physical material properties, manufacturing possibilities, economic considerations and etc. are to a large extent not present in digital design tools. With many of these being directly computable it would make sense to introduce these restrictions from the physical world to the digital design environment. By doing this with we could take account of the inevitable restrictions from the very initial design phases and considerations, hopefully enabling us to make better informed decisions and designs. / Idag, designar i digitala miljön är betydligt mindre begränsande än den fysiska verkligheten att produkten kommer att hamna i - spänningar och krafter, fysikaliska materialegenskaper, tillverkningsmöjligheter, ekonomiska överväganden och etc. är i stor utsträckning inte finns i digitala designverktyg. Med många av dessa är direkt beräkningsbar det skulle vara meningsfullt att införa dessa restriktioner från den fysiska världen till den digitala designmiljö. Genom att göra detta med vi kunde ta hänsyn till de oundvikliga begränsningar från mycket ursprungliga utformning och överväganden, förhoppningsvis gör det möjligt för oss att fatta bättre underbyggda beslut och designer.

Reconstruction of area of former foundry to an exhibition exposition.

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My thesis is regarding the regeneration of identity and a sense of place on the unappealing nature of public open space, in terms of its urban context and architecture. A sense of place is related to the quality and character of making a place unique or special. It could be described as the established atmosphere or character of an individuals relationship with a place.  So a good sense of place becomes a place that people would like to be a part of and enhances a human's positive emotional attachment making people feel connected to a place. So creating a sense of place should be based on understanding the cultural identity, social activity, physical environment and heritage of a place. Shown on the left are two images captured from the movie "Lost in Translation"an American comedy-drama film directed and written by Sofia Coppola in 2003. The film revolves around an aging actor, Bob Harris, and a recent college graduate actress, Charlotte. These two Americans develop empathy after meeting by chance at their hotel bar in Tokyo. The movie explores themes of loneliness, insomnia, existential boredom and culture shock against the surroundings of a modern Japanese city. Both images from the movie show an unbalanced scale of the environment around the actor. These images reminded me of the first impression of disconnected or disappointed that I had of the atmosphere at the end of King Street in Alexandria, Virginia. The place was not comfortable to be in with its own character and the access to the water was hard to be sense visually. The first impression of this place still occupied my mind rather than any other attractive aspects within the area. This unpleasant experience arose from my own individual relationship with the place but later I figured out that it had already been seen as a public issue. These circumstances motivated me to think about how to regenerate a strong local sense of place in the area. The site of the project is an entire block from the Old Dominion Boat Club at the King Street Park to the Waterfront Park on Prince Street along the Potomac River in Old Town, Alexandria, Virginia. The main access to the site is at the end of King Street. King Street has been the dominant connection to the water and the main corridor, carrying most of the entertainments in Old Town. Currently though, it lacks designated routes to the water at the end of the street. This project, an urban park pavilion, is composed of four different programs: the roof park, plaza, community performance Theater and boat taxi terminal which will be treated as equal value by a juxtaposed arrangement and interconnected street grids. My thesis will narrates how to develop a sense of place through the interaction of quality of architecture, infrastructure, cultural identities, social activities and the environment. / Master of Architecture

The project begins with the elaboration of a single wooden joinery detail for a temple pavilion. A singular joint study became the basis for an interrelated series of elaborated joints forming a structural whole. A detailed model of a single structural bay was produced. The purpose of this model was to investigate the subtleties of its overall formal expression. Attention was given to both the hidden internal complexity of individual parts and the interconnections between parts. Knowledge of stereotomy was an important consideration ensuring precision in the marking and cutting of the poplar wood. Photographs, sketches and drawings accompany the making of the model as way to further its realization. / Master of Architecture

This thesis started as an exploration of spaces created with subtle light changes in atmosphere, spaces created for the sole purpose of lingering in, of relaxing in, during a hot summer day, winter or in a busy day, when all you want to do is get away from it all in a soul-comforting place. Soon after, I realized that these spaces should have no other purpose than their simple existence, thus the idea of pavilions seemed to be the best fit for such a description. After locating the pavilions in Ramnicu-Valcea, Romania, through the exploration of the place memory, the present conditions and materials, the project started to take shape. The final project became a room within an urban setting. The pavilions, a series of five rooms connected by shape and materiality into two buildings, created in between a new plaza, a new urban space, a sixth room. / Master of Architecture

This diploma thesis deals with design of the supporting steel structure of the building of the exhibition pavilion with 84 m length and 30 m width. Roofing structure is designed and examined in two versions. Variant A is designed like tubular truss girder with axis distance 6 m. Variant B is also designed like tubular truss girder, but with different look, with same axis distance. These versions are compared by weight, manufacturing complexity and appearance, preferable version is processed in detail. Drawing documentation includes an anchor plan, layout structure and truss production drawing.

This thesis focuses on the two selected works of the architect/engineer/composer Iannis Xenakis (1922-2001) / Philips Pavilion (1956-58) and Le Diatope (1978). It places these works at the intersection of architecture and music by showing how they combine spatial, musical and visual performances. Accordingly, it discusses them as exceptional twentieth-century examples of Gesamtkunstwerk / &ldquo / total work of art.&rdquo