[pt] Dentro de determinado evento histórico, as Exposições Internacionais, foram selecionados para estudo dois projetos de pavilhão brasileiro, para a Exposição da Filadélfia em 1926 e a Exposição de Nova Iorque, em 1939, ambas nos Estados Unidos, de autoria do arquiteto Lucio Costa. Da análise do contexto cultural, da conformação do concurso público e por fim da composição do projeto, pretende-se conectar o tema da representação nacional - específica do programa de pavilhão - ao estudo do desenvolvimento do discurso da arquitetura brasileira em dois momentos distintos de sua história no século XX: o período neocolonial e o moderno. Sendo projetos de um mesmo arquiteto, que consolidou-se como um dos maiores representantes da profissão no Brasil, o estudo é feito de maneira a compreender a formação tanto de sua prática projetual, contemplando a apropriação das formas tradicionais de um passado colonial, como também do seu discurso teórico, discutindo arte e técnica no pensamento contemporâneo. / [en] Within a given historical event, the International Expositions (also called World Fairs), two Brazilian s pavilions projects by architect Lucio Costa were selected for study, to the Philadelphia World Fair in 1926 and the New York World Fair in 1939, both in the United States. The analysis of the cultural context, the conformation of the architectural competition and finally the composition of the projects aims to connect the issue of national representation - program-specific of exposition pavilions - with the Brazilian architecture s discourse development in two different periods of its 20th century s history: the neo-colonial and modern period. As projects of the same architect, who has established himself as one of the greatest representatives of the profession in Brazil, the study is done in order to understand the formation of both his design practice, contemplating the appropriation of traditional forms of a colonial past, as well as his theoretical discourse, understanding art and technique in contemporary thought.

Esta tese pretende investigar a produção da arquitetura no período entre as décadas de 1960-70. Adota como premissa inserir-se nas questões de cunho metodológico da história da arquitetura, partindo do entendimento de que a arquitetura é fruto da dialética entre a autonomia do projeto e o estado das forças produtivas em determinado momento histórico. As reflexões aqui propostas tentam articular múltiplas relações dentro do processo da produção da arquitetura - o que significa incluir desde a concepção, o desenho, o canteiro e até mesmo seu uso - corroborando para um entendimento mais amplo, aquém da própria disciplina da arquitetura. O Parque Anhembi, um centro de exposições ligado ao turismo de negócios em São Paulo, permite analisar três níveis de produção: a industrialização da estrutura metálica, a pré-fabricação do concreto e a adoção de novas tecnologias do concreto armado executado no canteiro, temas que podem caracterizar a \"pluralidade\" da produção do período pós-Brasilia, ou mesmo, explicitar a preocupação construtiva que intermediava muitas pranchetas naquele momento. A possibilidade que se abre na investigação do objeto tido como uma nova centralidade urbana e a analise de como seria possível abarcar o tema das práticas projetuais naquele momento em que se fortalecia uma relação importante entre urbanismo, arquitetura, engenharia e construção no meio da busca de uma nova produção. Busca que continha um discurso político e ideológico sobre o seu tempo suscitados principalmente pelas questões urbanas evidenciadas com máxima urgência. / This thesis intends to investigate the production of architecture in the Between the decades of 1960-70. It is a premise that it should be included in the Methodological approach in the history of architecture, starting from the understanding that architecture is Of the dialectic between the autonomy of the project and the state of the productive forces in Certain historical moment. The reflections proposed here attempt to articulate multiple Relationships within the architecture production process - which means including from the Design, design, and even use - corroborating Understanding, rather than the discipline of architecture itself. Anhembi Park, an exhibition center linked to tourism Business in São Paulo, allows us to analyze three levels of production: the industrialization of Structure, the pre-fabrication of concrete and the adoption of new Reinforced concrete executed in the bed, themes that can characterize the \"plurality\" Of the post-Brasilia period, or even to explain the constructive concern Which interwoven many boards at that moment. The possibility that opens in the Investigation of the object considered as a new urban centrality and the analysis of how It would be possible to embrace the theme of the design practices at that moment in which Strengthened an important relationship between urbanism, architecture, engineering and construction. In the middle of the search for a new production. It sought to contain a political discourse and Ideological issues about their time that have been raised mainly by urban Evidenced with maximum urgency.

Esta tese pretende investigar a produção da arquitetura no período entre as décadas de 1960-70. Adota como premissa inserir-se nas questões de cunho metodológico da história da arquitetura, partindo do entendimento de que a arquitetura é fruto da dialética entre a autonomia do projeto e o estado das forças produtivas em determinado momento histórico. As reflexões aqui propostas tentam articular múltiplas relações dentro do processo da produção da arquitetura - o que significa incluir desde a concepção, o desenho, o canteiro e até mesmo seu uso - corroborando para um entendimento mais amplo, aquém da própria disciplina da arquitetura. O Parque Anhembi, um centro de exposições ligado ao turismo de negócios em São Paulo, permite analisar três níveis de produção: a industrialização da estrutura metálica, a pré-fabricação do concreto e a adoção de novas tecnologias do concreto armado executado no canteiro, temas que podem caracterizar a \"pluralidade\" da produção do período pós-Brasilia, ou mesmo, explicitar a preocupação construtiva que intermediava muitas pranchetas naquele momento. A possibilidade que se abre na investigação do objeto tido como uma nova centralidade urbana e a analise de como seria possível abarcar o tema das práticas projetuais naquele momento em que se fortalecia uma relação importante entre urbanismo, arquitetura, engenharia e construção no meio da busca de uma nova produção. Busca que continha um discurso político e ideológico sobre o seu tempo suscitados principalmente pelas questões urbanas evidenciadas com máxima urgência. / This thesis intends to investigate the production of architecture in the Between the decades of 1960-70. It is a premise that it should be included in the Methodological approach in the history of architecture, starting from the understanding that architecture is Of the dialectic between the autonomy of the project and the state of the productive forces in Certain historical moment. The reflections proposed here attempt to articulate multiple Relationships within the architecture production process - which means including from the Design, design, and even use - corroborating Understanding, rather than the discipline of architecture itself. Anhembi Park, an exhibition center linked to tourism Business in São Paulo, allows us to analyze three levels of production: the industrialization of Structure, the pre-fabrication of concrete and the adoption of new Reinforced concrete executed in the bed, themes that can characterize the \"plurality\" Of the post-Brasilia period, or even to explain the constructive concern Which interwoven many boards at that moment. The possibility that opens in the Investigation of the object considered as a new urban centrality and the analysis of how It would be possible to embrace the theme of the design practices at that moment in which Strengthened an important relationship between urbanism, architecture, engineering and construction. In the middle of the search for a new production. It sought to contain a political discourse and Ideological issues about their time that have been raised mainly by urban Evidenced with maximum urgency.

The dissertation thesis studies the extension of the context of the term model as a means of interpretation for Czech and Slovak post-conceptual works of art. Based on result of a historical excursion into the history of painting, sculpture and architecture, the thesis offers a new typology of a model which is exemplified on particular work of art of Czech and Slovak post-conceptual era in the first two decades of the 21st century. The historical part of the thesis concludes the following: model in the art is an emancipated form originating from different academic as well as layman discourse; emancipated model has a methaphorical layer and thus it reflects wide historical, cultural and social relations. The categories proposed include: a linear model, a physical model, a cognitive model and an immersive model. The linear model encompases the sketch themes and so-called visualization metaphors (graphs, charts, schemes, etc) and originates as a reaction to information saturation and complicated networks. The physical model is a form to architecture and hobby modelling, it is characterised by a simple, „sketchy“ structure reacting to social themes and individual and collective memory. The cognitive model points to the cognitive turn of the society, it evaluates the materialisation of mental space and explains the emancipated model as an open category. Finally, the immersive model interprets the medium of exhibition as a model form which is articulated by and artisitic manifesto or an architectural interference. Another form of immersion that is being discussed in the chapter about immersive models, is a photographic or 3 D computer illusion as a reaction to society‘s virtualisation. Simultaneously to theoretical-historical research, an artistic research was taking place which became the basis for the creation of different categories and typologies of model. Each proposed category thus includes a so-called author‘s note reflecting the practical part of the dissertation thesis.

The goal of this diploma thesis is the processing of the building-technological project for Health University in Prague. For the thesis there was elaborated a technic report, situation of the construction place, object time schdule and financial plan, the study of the implementation of technologist. Stages, project of construction site equipment, design of mechanical assembly, technological regulation for the implementation of monolithic vertical and horizontal load-bearing structures together with inspection and test plan. Furthermore, the thesis contains a schedule of the main building, a plan for securing material resources and a financial analysis of the formwork. The basis for preparation thesis is the project documentation of the construction.

The subject of the diploma thesis is a processed design of a steel construction of a pavilion shaped by spherical segments. The pavilion has exhibition purpose as a part of the zoological garden Lešná, and is intended for African beasts. The design meets architectonical requests - roundness and luminosity. A shape of the pavilion consists of three intersecting cupolas with a frontal curved cut out for glass facade. Construction of the pavilion consists of the radial arranged arched ribs with transversal bars, which are supplemented by horizontal purlins. Forehead of the pavilion is formed by columns and girts. Cladding is designed in combination: aluminum profile and insulated glass. Comparison of alternative steel structure solutions is also a part of the diploma thesis.

Urban study thesis deals with the more efficient utilization of the Brno Exhibition Centre in the longer term. The natural boundaries of the area in the alluvial plain formed on the northeast Hlinky street and Žlutý kopec, from the south-west street Bauer then head along the river Svratka. Thanks to its location near the city center and direct connection to the Prague highway is an important area ideal for design features of national importance. The aim is to open area all year round to the public and offer a diverse year-round and daily functional use. The effort is in place to attract as many people who will want to return. The original idea is to complete the entire structure of the new buildings in the western part of the terms of the original urban concept axes going from Pavilion A. The territory is divided into four functional zones - exhibitions, sport and recreation , work, education and culture. Additional functions of housing and facilities for the needs of the exhibition as well as other companies. In terms of transport, emphasis is put on pedestrians, cyclists and calmed character of motorized traffic. The area intersects several hiking trails connecting the Hlinky street and Bauerova street.

The thesis deals with the design and review of the supporting structure of the exhibition pavilion in the suburb of Brno. The design is shaped dome built over the octagonal floor plan with eight lateral niches. The pavilion is 30m wide and 8 meters tall.

Master´s thesis describes the design and check of the construction of botanical pavillion in Brno. The structure has an elliptical ground plan with dimensions 34 x 20 m, height of 9 m. The supporting structure consists of 16 support curved ribs which are braced at the top of the elliptical steel ring. Between the ribs are inserted purlins which support the perimeter cladding. The supporting structure is designed as an alternative system as girders of glued laminated timber and as system of steel truss girders.

Univerzita Karlova v Praze / Pedagogická fakulta / Katedra výtvarné výchovy // Charles University in Prague / Faculty of Education / The Department of Fine Art Education Netradiční výrazové prostředky a techniky Matematické principy v komparaci netradičního výtvarného a hudebního díla UnconventionalMeansofexpressionandtechniques Mathematical principles in comparing unconventional visual and musical art Klára Effenbergerová Výtvarná výchova - pedagogika Prezenční studium, 5. ročník Datum dokončení: květen 2011 Vedoucí práce: Doc. PhDr. Jaroslav Bláha, Ph.D. Abstract The thesis deals with a comparative analysis of a project called Poéme électronique in the Philips Pavilion (1958), while an emphasis is put on its mathematical background and broader interdisciplinal contexts. Particular attention is devoted to grand oldman Iannis Xenakis. The thesis tries to interpret the phenomenon of Electronic poetry, which we understand as an effort to design a multimedia "Gesamtkunstwerk". This brings the necessitate of the multi-specialized synthetic approach in searching of a relationship between the kinds of arts, and the analysis of interactions of individual project components.