No description available.

No description available.

No description available.

No description available.

No description available.

No description available.

Dear visitor, reader, artist, researcher, and human being,  As I am writing this letter, allowing it to perform the role of an abstract, I am just about to graduate the Masters program in Choreography at Stockholm University of the Arts. This MA has for me, among many other things foremost been a commitment and engagement in a two-year-long collective project and research on the never-ending wonder and question of what dance and choreography can be and can do. Throughout these two years, my research has been weaving itself from behind the back and backspaces, into the deepest vulnerability and out through the relationality. From there it has weaved further out and found its way to memories and ghosts, that most often have appeared in the middle of everything and everywhere. This research made me dance every day, at home, in the streets, in the studio, on travels, behind others, in front of myself, and in the felt sense of the present moment on our planet. This research also made me make 20+ casts of human backs, write more than 100 letters, take photos, and videos, create a part of a collective ZINE, use my voice (often for others), and engage with Swedish society and its history of individualism and my experience of loneliness. I practiced with my back as my front and I engaged with my own paradox; how could a research based on relationality, backspaces, and vulnerability take shape within a solo? Would it be possible to create a solo that is also a group piece?  On May 4th and 5th 2024, the dance performance All those things left behind, for now, was performed at MDT Moderna Dansteatern in Stockholm, Sweden, as a result of this research. A solo performance in which I aimed for a dance where several bodies would take place in my body. As if my body could be shaped by other bodies in the moment of dancing. I made a solo that takes a step back and shifts its focus from forward-oriented to backward-oriented. A solo in which grief is taking place, honoring lost loved ones, as well as forgotten futures. A vulnerable solo? A solo that deals with the present moment and the fact that everything is and will always be in the process of change. A solo that delves into all of this through dancing. Because I believe in dancing. And so the letters, a format I have been engaging with as a writing practice from within my dancing practice. There are a lot of strong correlations between these two practices. They're both relational. They hold movements; close small ones as well as bigger stretches overseas. They hold time, meaning a present, past, and future. They deal with a sender and a receiver. They involve, presuppose, and evoke a relation, conjure up the other, and guide us into conversation. Just like dancing. To write, send, and receive letters is for me procedures of intimate acts, acts of care, and a wish to share. Just like dancing. The letters can hold fantasies, facts, friction, fiction, fantoms, and fantastic movements. Again, just like dancing. I find that fascinating.  I collected 50 letters, written between August 2022 and May 2024. They perform the role of an essay and documentation of my Master’s degree project. The letters are written mainly from me, but also from other beings and things, performed by me. They are addressed to living and non-living beings and bodies of materials, written from different places and dance spaces on our earth. And from times of study, movement, crisis, war, grief, labor, hope, despair, love, and joy. What’s public here on Diva is a smaller collection, which was part of the collective Zine that I and my classmates did. If you are interested in reading and viewing more, you are more than welcome to contact me.  All the best, Matilda Bilberg

Der vorliegende Sammelband, der auf eine Vortragsreihe zurückgeht, die unter dem Titel Aesthetic Dimensions of Alevi Cultural Heritage im Winter 2017/18 vom Orient-Institut Istanbul veranstaltet wurde, setzt genau an diesem Punkt an.

My dissertation, “Afro-Spirituality, Diasporic Commons, and Performative Politics in Caribbean Women’s Narratives,” analyzes late twentieth- and twenty-first-century Caribbean literature and, to a lesser extent, musical performance. I apply a comparative methodology to assemble the work of diverse Black and women-of-color writers who narrate from Puerto Rico, Dominica, the Dominican Republic, Haiti, and New York City (Ana Lydia Vega, Mayra Santos-Febres, Jamaica Kincaid, Rita Indiana, and Edwidge Danticat). This project takes as its main topic stories of subjects bearing class, racial, gender, and sexual underprivileged positions who undergo spatial, identity, and bodily uprooting via geographic transits, trans-genderisms, and physical proximity to metaphysical lives (spirits, deities, nature). My work proposes innovative dialogues between Latin American, Caribbean, Afro-diasporic, and Latinx critic-theoretical fields, updating relational frameworks through two main strategies: 1) the revision of key sociopolitical formations (e.g., Puerto Rico’s modernization, Haitian dictatorships, neoliberalism and border conflicts in the Dominican Republic) from the perspective of women narrators who promote historical rewriting and alternative world views; 2) the deconstruction of hegemonic ethnical and social representations through performative acts of the political carried out by collective subjects. Women’s intellectual perspectives, I argue, enact narrative strategies of literary democratization, comedic and metapolitics, archipelagic thinking, intersectional theory, malungaje poetics, and critical fabulations to forge affective bonds and to advance ways of being in common, intervening in the creation of transatlantic formations that I call “diasporic commons.” Advocating for connectivity beyond borders, their narrations, I demonstrate, restore collective senses of beings to deal with what is left for communities in the face of (neo)colonial legacies, the failure of modernization projects, and a collapsing environment. / Spanish

L’élévation des niveaux marins accélérée par le changement climatique fait l'objet d'uneattention soutenue au niveau international depuis les années 1990. L’adaptation des littorauxau changement climatique est désormais en voie d’institutionnalisation de l’échelleinternationale jusqu’au niveau local. La thèse analyse les processus de mise en politique del’adaptation au changement climatique sur les littoraux français, à partir de deux cas d’étudecontrastés dans leur histoire, leurs politiques d’aménagement et leurs configurations sociales,mais traversés par des processus analogues d’attractivité et de vulnérabilité face auxsubmersions marines et à l’érosion côtière : la côte aquitaine et le littoral martiniquais.La thèse soutient que la mise en politique de l’adaptation au changement climatique en zonescôtières procède d’une gouvernance performative, définie comme un ensemble de dispositifset d’énoncés visant à faire advenir des mesures d’adaptation en les mettant à l’épreuve duréel. La thèse propose de montrer qu’entre une planification par intégration du changementclimatique dans les politiques littorales existantes (plan national d’adaptation, plans deprévention des risques littoraux…), et des formes d’expérimentation de nouvelles optionsd’adaptation (relocalisation des biens et des activités ou repli stratégique), émerge une« nouvelle gestion publique des risques » littoraux. Pour cette dernière, le concept de stratégied’action publique rend compte de ces formes d’instrumentation qui visent à encadrer, àrationaliser et à faire émerger de nouveaux référentiels gestionnaires (comme l’adaptation etla préparation) par de l’expertise scientifique et technique, par des procédures collaborativeset de la concertation citoyenne en vue d’une responsabilisation individuelle et collective desacteurs locaux.L’analyse des discours, des logiques d’acteurs et des instruments visant à légitimer une actionpublique guidée par l’anticipation et la préparation face aux risques et aux menaces, mobilisela sociologie de l’action publique, la sociologie des sciences et de l’expertise, et la sociologiepragmatique des problèmes publics. Des enquêtes par observation directe de situations denégociation et de concertation, par entretiens et par analyse de documents d’expertise et deplanification ont été menées sur chaque terrain d’étude ; une enquête par questionnaire a étéconduite sur la commune de Lacanau afin d’appréhender l’expérience des citoyens-usagersriverainsface à l’évolution et au recul du trait de côte. / Sea level rise accelerated by climate change is of major concern at international scale since the 1990’s. From now on, climate change adaptation is institutionalized from global to local scales. I analyze policy making processes related to climate change adaptation in French coastal areas. Two qualitative case studies are at the heart of the thesis: Aquitaine coastline and Martinique Island (French West Indies). They are contrasted in their history, their coastal planning policy and their social dynamics, though they share common processes of attractiveness and vulnerability to submersion and coastal erosion. I analyze discourses, actors and policy instruments in the legitimization of anticipation and preparation as guiding principles to cope with coastal risks and threats. The theoretical framework builds on political sociology of science and policy, as well as insights from pragmatic sociology. Direct observation of local, regional and national consultation and steering committees, semi-structured interviews and documentation analysis are the key methodological approaches. A questionnaire survey has been conducted in the coastal town of Lacanau, on Aquitaine coastline, in order to analyze the way in which residents and users experiment coastal retreat. The main line of argumentation advanced in this thesis is that coastal adaptation to climate change proceeds with performative governance, by which policy devices and narratives are geared towards building adaptation policies upon their interpretive effects. I demonstrate how climate adaptation mainstreaming and planning (adaptation and coastal risks prevention plans…) is combined with experimentalist forms to govern new adaptation options (like planned retreat) and with a new public risk management in which political and institutional risks are as important to prevent as socio-ecological vulnerabilities. The concept of “public action strategy” is built to better capture these forms of managerial policy instruments used for framing, rationalizing and performing a governance of preparedness and adaptation, by means of expert knowledge, collaborative procedures and concertation to render local actors accountable for their own security. State steering practices and decentralization policies are key processes shaping coastal adaptation and risk regulation. This new public risk management strengthens expert configurations for defining and operationalizing coastal risks policy strategies.