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Behavioral Intention as a Function of Value Attitude Inconsistency and Environmental SalienceGamson, Andrew 01 January 1986 (has links) (PDF)
No description available.
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Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake HeggieJerko, Mitchell Steven January 1900 (has links)
Master of Music / Department of Music, Theatre, and Dance / Reginald L. Pittman / This Master’s Report extensively examines repertoire written for the lyric tenor voice. The text will explore the compositions of Francesco Paolo Tosti, Richard Strauss, Ernest Chausson, and Jake Heggie’s song cycle, Friendly Persuasions: A Homage to Poulenc. The text provides biographical information on each composer, text and translations, figures and interpretations, and some pedagogical insight.
The pieces discussed are Tosti’s La Serenata, Non t’amo più, and Ideale; Strauss’s Morgen, Traum durch die Dämmerung, and Die Nacht; Chausson’s Printemps triste, Hébé, and Le temps des lilas; and Jake Heggie’s song cycle Friendly Persuasions: A Homage to Poulenc (2008).
The graduate recital was presented in partial fulfillment of the requirements for the Master of Music degree in vocal performance on April 1, 2017 at Kansas State University in All Faiths Chapel. The recital featured the talents of tenor Mitchell Jerko and pianist Randall Frye.
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A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene ScheerStein, Daniel Christopher 17 October 2019 (has links)
No description available.
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Selected Repertoire for the Tenor VoiceTripp, Scott T 29 March 2012 (has links)
This thesis presents extended program notes for a seventy-minute vocal graduate recital consisting of the following repertoire for tenor: Johann Sebastian Bach’s cantata Ich armer Mensch ich Sündenknecht; two songs from the eighteenth-century Spanish collection Tonadillas Escénicas; Gaetano Donizetti's song La derniére nuit d'un novice; Francis Poulenc's song cycle Tel jour telle nuit; Jake Heggie's song cycle Friendly Persuasions; and John Corigliano's Three Irish Folk Songs for Flute and Tenor. Spanning four centuries of music and representing four different language traditions, these works are sufficiently representative of the tenor repertoire. The content of this thesis features detailed information on these works through historical study, and musical analysis.
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