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Purpose. The purpose of this study was to identify the causes that result in Hispanic youth dropping out of high school prematurely. Procedures. A questionnaire was mailed to 150 California high school principals. In addition, 32 Hispanic students who dropped out during the 1984-85 school year were interviewed. Findings. High school principals identified low achievement, employment, lack of parental support and truancy as the major causes for Hispanic students dropping out of school. Students on the other hand, identified only truancy as the most influential cause for leaving high school during the 1984-85 school year. Significant differences among principals' perceptions of causes were noted by principals in an urban setting. They placed more importance on employment, peer pressure, poor reading skills, poor math skills and truancy than did principals in a suburban and rural setting. Additionally, principals with increasing Hispanic student enrollment differed from principals with declining Hispanic student enrollment by placing more importance on employment, low teacher expectation, poor reading skills and truancy. Identified causes relating to school completion or non-completion provide implications for programs which address the needs of potential dropouts. These programs should furnish intensive academic remediation, small class size with varied course offerings, and academic incentives. Additionally, flexible scheduled school-based programs which promote student ties to potential employers and provide Hispanic students equal opportunity are suggested. Finally, truancy should be addressed prior to students reaching high school. School districts concerned with the dropout problem should develop better methods in the identification of dropouts and study current employment programs and the extent to which they meet Hispanic student needs. Recommendations. (1) Replication of this study should be made to determine the differences between factors that cause male and female students to drop out of school. (2) A study focusing on specific truancy factors, including causes, local practices, and truancy intervention programs is highly recommended. (3) A study related to the effectiveness of utilizing truance coordinators is highly recommended. (4) A study focusing on the correlation between English proficiency and student dropout rates is highly recommended.

For the past 200 years, Latinos have comprised the largest, consistent category of immigrants in the United States. This influx has created a need for culturally competent psychological treatment of a population that suffers from acculturative stress, defined as the stress a minority member experiences while trying to adjust to the culture of the majority. Researchers have studied Latino immigrants' enduring trials as they adjust to life in the United States. Nevertheless, there is limited research on the quantification of factors contributing to acculturative stress. Based on the conceptual framework of bidimensional acculturation and Latina/o critical race theory, predictors of acculturative stress among Latino immigrants (N = 172) were examined in this quantitative cross-sectional study. Data were collected using a convenience sample from several public areas located in Miami, Florida. Forced entry regression analysis weighed factors such as: documentation status, experiencing prejudice, gender, income, the number of family members present, confidence in English, age, and number of years in the United States. The results demonstrated only experienced prejudice weighed significantly in the regression model (β = .43, p < .05), and was therefore correlated with acculturative stress scores. The results of this study may help to increase mental health professionals' awareness of how experiences of discrimination can impact the acculturative stress of their immigrant clients. To improve service to this community, mental health professionals and their institutions can take steps to counteract the biases associated with the acculturative stress of Latino immigrants, thereby establishing themselves as an ally to this population.

Kanakas, Owhyees, Blue Men, were all names given to laborers from Hawaii, or the Sandwich Islands, who contributed significantly to the economic, cultural, and political history of the United States territory west of the Mississippi River in the period 1750-1900. The Sandwich Islands first entered the international economic scene in the latter eighteenth century when its excellent ports and favorable climate made the Islands an ideal winter harbor and stopover for merchant ships, whalers, and explorers' vessels who needed to replenish food and water supplies, or make necessary repairs. Just as frequently the crews of these vessels needed to be supplemented, and the Kanakas were eager to travel and to receive wages paid to seamen. Kanaka seamen sailed with William Douglas, Robert Gray and George Vancouver; and as seamen and land based laborers for the North West Company, Astor's expedition, the Russian-American Company, Hudson's Bay Company, and Nathaniel Wyeth's Columbia River Fur and Trading Company. In 1834 the first American missionaries arrived in the Northwest, and they immediately made demands on the Islanders for labor supply. Both the Methodists and the ABCFM missionaries hired Kanakas for building, kitchen chores, farm labor, blacksmithing, and as herders. When the Oregon country began to attract annual emigrations from the East, the Kanakas found their skills also in demand by these new settlers. They were hired to work in the sawmills or as farm and house servants. Their seamanship opened doors all over the world for them, and involved the Islanders in various foreign intrigues. In Japan they were among deserters imprisoned and mistreated by the Oriental isolationists. During the American Civil War many were taken prisoner by Confederate ships. They also played a role in the movement to improve the lot of sailors by appearing before the British admiralty courts seeking redress for poor treatment aboard British ships. Those Kanakas who remained on the American mainland wanted to become citizens of the United States with their white neighbors. Their petition to the territorial government of Oregon, however, was refused. Restrictions were placed upon their continued immigration into the Northwest area, they were ignored by the 1849 Oregon census, the U.S. Consul in California received instructions from the Secretary of State barring the Kanakas from assistance or protection in California ports, and a long verbal battle ensued in the U.S. Congress over excluding them from the Donation Land Act. But the Kanakas were still recognized as excellent seamen and this occupation took them north to Kamchatka and south to California, Mexico, and around the tip of South America to ports of the eastern U.S. Those who left the sea worked in California gold fields, preached to Digger Indians, became part of the Mormon movement in Utah, or continued to serve the Hudson's Bay Company, Puget's Sound Agricultural Company, and the Russian-American Company. Throughout their historical journey in western America, they remained loyal, inconspicuous, and hardworking. But they also had dark skins and were foreign in origin. Once they threatened white superiority and white acquisition of land titles they became the targets of discrimination. They were not slaves so they could not be emancipated, but the white, Protestant ruling hierarchy could not allow them to become citizens and thereby free to settle land and demand the protection of American laws. They therefore found themselves classed with the Negro, Chinese, and Indians as undesirable elements in America's 'Manifest Destiny.' By 1900 most Kanakas had chosen to return to their homeland rather than recede into the shadows of American life, but their contributions to western American deserve recognition.

Levando em consideração um processo histórico (a colonização) e um sistema (o colonialismo), este trabalho explora a problemática da literatura colonial portuguesa em Angola na década de 1920. Quanto à estrutura, o estudo apresenta quatro capítulos: em primeiro lugar, tecemos um enquadramento teórico do colonialismo, da literatura colonial (em geral), da literatura colonial portuguesa (em particular) e da formação da literatura nacional angolana; essas considerações iniciais intentam sistematizar algumas formulações indispensáveis para se entender o fenômeno colonial, bem como apresentar um apanhado geral da história literária angolana, a fim de reconhecer a relevância das obras de autores portugueses para a construção desta outra literatura nacional. Em seguida, considerando que sem conhecer o contexto histórico é impossível compreender a literatura colonial da década de 1920 em sua plenitude, trazemos uma descrição da situação política entre Portugal e Angola e discutimos o surgimento da Agência Geral das Colónias, além de explorar a criação dos concursos de literatura colonial e introduzir as três obras selecionadas para a análise subsequente: África Portentosa, de Gastão Sousa Dias; África Misteriosa, de Julião Quintinha; e Em terra de pretos, de Henrique Galvão. Para os capítulos três e quatro, porém, foram escolhidos dois eixos temáticos mais específicos – a questão da representação do africano e a questão de gênero, respectivamente – que nos permitem verificar como as obras eleitas para pesquisa constituem um conjunto de referências que ajudam compreender algumas das singularidades do colonialismo português em Angola.

This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fossil Fragments: The Riddle of Human Origins, at the Yale Peabody Museum of Natural History. I used visitor questionnaires, observations, exhibition construction and curatorial interviews to examine that the concept of race is so ingrained in our society racial ideology and identity is automatically embedded in exhibits about human evolution. How may the exhibition inform the visitors’ perception of race and human evolution? A key aspect investigated was if the curatorial staff was conscious or unconscious about the racial ideological information present in the exhibit. By examining the exhibition construction and visitor observations, I was able to see aspects of the exhibit reinforced visitor racial ideological beliefs. In seeing how exhibition construction coupled with the legitimacy and power of the museum effect people’s thoughts on human evolution, helped me understand that not only information in the museum but information left out can be as detrimental. All the information allowed me to form recommendations change the exhibit so that identity and racial ideological information would no longer be present.

Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming "no color" is ineffective in fact and fiction as can be seen in James McBride's The Color of Water, Shirlee Taylor Haizlip's The Sweeter the Juice, Danzy Senna's Caucasia, and Rosellen Brown's Half a Heart. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.

The first Black American president ran for re-election in the 2012 election, which saw record-breaking voter turnout. After this election, scholars sought to examine what social identities impacted voter turnout and, found that non-Hispanic Black voters played a critical role in shaping President Obama’s success. Although the effects of social identities on voter turnout are the focus of an extensive body of existing research, many scholars study the separate effects of characteristics, such as race/ethnicity, gender or party identification. Utilizing public opinion data from the 2016 General Survey Study (GSS), this paper seeks to examine the intersectional effects of race, ethnicity, and gender on voter turnout in the 2012 Presidential Election. The findings of this can assist in understanding the impact these social identities had on turnout for non-Hispanic Black women in the 2012 presidential election and provide a basis for studying these intersecting factors in succeeding elections.

It was the purpose of this study: (1) to examine the obstacles in research in the uniquely difficult area of sampling of the American-Chinese population and (2) to find out what descriptive approaches do not produce resistance, hopefully to suggest future research in this area and (3) to obtain historical and descriptive data which might offer, from a sample of both delinquent and non-delinquent American-Chinese youth, some clues to the rehabilitation of youthful offenders. Specifically, this was basically an attempt to obtain an available sample of both delinquent and non-delinquent American-Chinese youth for the purpose of identifying some of the psychosocial variables which might have deterrent influences upon delinquency.

The relationship between Indigenous peoples and Canadians is fraught with political and cultural divides. While Idle No More garnered some momentum to raise awareness of the need for political change, there has yet to be an approach that has popularly engaged and compelled response from Canadians. This thesis project navigates the political potential of artists, who can both accumulate cross-cultural audiences through entertainment and incite change through their vocalizations in performance. Offering a case-study approach to the Indigenous music group, A Tribe Called Red, this project considers their compelling Indigenous space-making work through their performance and celebrity. Drawing from this work, this project offers a navigation between the need for respectful cross-cultural dialogue between Indigenous peoples and Canadians and the actionable change that can occur through popular entertainment and its intimate connections. / Thesis / Master of Arts (MA) / The relationship between Indigenous peoples and Canadians is fraught with political and cultural divides. While Idle No More garnered some momentum to raise awareness of the need for political change, there has yet to be an approach that has popularly engaged and compelled response from Canadians. This thesis project navigates the political potential of artists, who can both accumulate cross-cultural audiences through entertainment and incite change through their vocalizations in performance. Offering a case-study approach to the Indigenous music group, A Tribe Called Red, this project considers their compelling Indigenous space-making work through their performance and celebrity. Drawing from this work, this project offers a navigation between the need for respectful cross-cultural dialogue between Indigenous peoples and Canadians and the actionable change that can occur through popular entertainment and its intimate connections.