Der vorliegende Katalog ist ein maschinell erstellter Auszug aus der RISM-Datenbank. Für umfassendere Recherchen und weitere Informationen zu den einzelnen Werken, Komponisten, sonstigen Personen etc. sei ausdrücklich auf die im Internet frei zugängliche RISM-Datenbank verwiesen (http://opac.rism.info). Teilveröffentlichung aus: RISM, Serie A/II Musikhandschriften nach 1600

The text investigates the history of the Canterbury Museum’s collection of Japanese ukiyo-e prints and paintings focusing mainly on four major contributors: Sir Joseph Kinsey (1852-1936), Frances May Bailey (c.1891-1967), Greggory Kane (1921-1978) and Ronald J Scarlett (1911-2002). The images are set in the context of the ‘floating world’ (ukiyo). The introduction examines the early directors of the Museum and how their interests and policies influenced the collections. The method of grading the prints and the process by which the data base was formed are explained. Chapter One examines the way New Zealand was influenced by a growing interest in Japan during the early twentieth century, the effects of Japanese activity in the Pacific and the way the collectors responded. It also looks at the local cultural context in which the collectors acquired and exhibited their works. Exhibitions of Japanese and Chinese art occurred in 1935 and 1952 in Christchurch; such events widened the knowledge and aesthetic appreciation of Asian art. Chapter Two considers the subjects, scope, and range of ukiyo-e art and the artists represented in the Museum’s collection. It looks at the condition of the images, how they were made, the formats used, and whether they were printed from original or recut blocks. Japanese Government censorship and works of particular interest are discussed. Comparisons are made with the Dunedin Public Art Gallery’s and Auckland Art Gallery’s collections. Works by major artists including Hiroshige (1797-1858), Hokusai (1760-1849), Eizan (1787-1867), Eishi (1756-1829), Chikanobu (1838-1912), Toyokuni I (1769-1825), Kunisada (1786-1864) and Kuniyoshi (1798-1861) are evaluated. By reconstructing the collections of Japanese art in the Museum, the chapter reveals the collectors’ diverse interests and individual preferences. The research presented in this discussion stems from an extensive study of the 427 images in the collection and is supported by an illustrated database of all the Museum’s ukiyo-e works.

Thesis (Ph.D.)--Indiana University, Dept. of Fine Arts- History of Art, 2006. / Title from PDF t.p. (viewed Nov. 3, 2008). Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4015. Adviser: Sarah Leah Burns.

Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1993. / Ce travail de recherche a été réalisé à l'UQAC dans le cadre du programme de maîtrise en arts plastiques extensionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU

Maîtrise (M.A.)--Université du Québec à Chicoutimi, 2002. / Document électronique également accessible en format PDF. CaQCU

Thesis--Erlangen. / In Periodical Room. Stamped on cover:1983 No 207. No doctoral dissertation statement.

In this project a collection of clothes, based on the raggar culture has been developed. e work is intended to be a modernization of the clothing, exploring the subculture and developing it, however without loosing its attitude. In uences from other related subcultures have also taken part in the work. The aim is to investigate the technique of spray painting directly on garments, as a method for developing prints, taking visual inspiration from the culture of raggare. Sources for inspiration to the painting have been gra ti, airbrush and action painters. In order to keep the attitude of the raggar culture, the collection is largely based on vintage clothing, linked to the culture in question. e result in this project is a collection containing eight out ts, dedicated mainly to raggare but also to others.

263 f.:il / Submitted by JURANDI DE SOUZA SILVA (jssufba@hotmail.com) on 2013-03-21T18:57:18Z No. of bitstreams: 4 Dissertacaoadrianicastropt 4.pdf: 6800649 bytes, checksum: e8ef1f3fecb7a8dd5159531e83849a9f (MD5) Dissertacaoadrianicastropt 3.pdf: 3527681 bytes, checksum: 1661f904ab85caa25d7a43c58b754316 (MD5) Dissertacaoadrianicastropt 2.pdf: 1848988 bytes, checksum: 30692636c2bc4ed7e1464eb67be2dc2b (MD5) Dissertacaoadrianicastropt 1.pdf: 5335407 bytes, checksum: b88c0986e32de5be2f5c0e7a33988c9b (MD5) / Approved for entry into archive by Rodrigo Meirelles(rodrigomei@ufba.br) on 2013-03-23T14:32:24Z (GMT) No. of bitstreams: 4 Dissertacaoadrianicastropt 4.pdf: 6800649 bytes, checksum: e8ef1f3fecb7a8dd5159531e83849a9f (MD5) Dissertacaoadrianicastropt 3.pdf: 3527681 bytes, checksum: 1661f904ab85caa25d7a43c58b754316 (MD5) Dissertacaoadrianicastropt 2.pdf: 1848988 bytes, checksum: 30692636c2bc4ed7e1464eb67be2dc2b (MD5) Dissertacaoadrianicastropt 1.pdf: 5335407 bytes, checksum: b88c0986e32de5be2f5c0e7a33988c9b (MD5) / Made available in DSpace on 2013-03-23T14:32:24Z (GMT). No. of bitstreams: 4 Dissertacaoadrianicastropt 4.pdf: 6800649 bytes, checksum: e8ef1f3fecb7a8dd5159531e83849a9f (MD5) Dissertacaoadrianicastropt 3.pdf: 3527681 bytes, checksum: 1661f904ab85caa25d7a43c58b754316 (MD5) Dissertacaoadrianicastropt 2.pdf: 1848988 bytes, checksum: 30692636c2bc4ed7e1464eb67be2dc2b (MD5) Dissertacaoadrianicastropt 1.pdf: 5335407 bytes, checksum: b88c0986e32de5be2f5c0e7a33988c9b (MD5) Previous issue date: 2010 / A presente dissertação, desenvolvida no Mestrado em Artes Visuais da Escola de Belas Artes da Universidade Federal da Bahia, na linha de processos Criativos, aborda aspectos relacionados à utilização das técnicas gráficas tradicionais, aliada a arte urbana, como também os meios técnicos e operacionais para a sua aplicação nos quais são nomeadas de Gravuras Urbanas. Em seguida, são selecionadas e posteriormente aplicadas para o espaço previamente mapeado na urbe, ressignificando-as como documentos visuais, que vão comentando e às vezes denunciando aspectos ligados à violência na cidade e seus desdobramentos. A investigação dos espaços urbanos com as Gravuras Urbanas já inseridas no espaço público ocupa-se em desenvolver uma metodologia e gerar uma poética, baseando-se em aspectos gráficos e conceituais a partir de princípios formatados para a construção de uma obra, sustentados principalmente por conceitos de pensadores como Gilles Deleuzes e Félix Guattari, mas apoiados também por Gastón Bachelard e Merleau-Ponty. / Salvador

The focus of this thesis is the parish library in Krásná (previously Šumburk) in the district of Jablonec nad Nisou. This set of books is nowadays stored in the bishopric´s depository of the town Litoměřice. The main parts of the thesis are analysis and catalog division of the parish library and its divided into ten chapters. In the introduction of this work are highlighted its goals, in the second and the third chapter author focuses on the history of Šumburk village and local parish and the main emphasis is primarily placed on the fate of the local clergy administrators. The following chapter includes the future development of the parish libraries. The thesis is also interested in proprietary notices in the books. Preserved parish and church inventories were also researched. In the following chapters is the library undergone to analysis which is focused on the content aspects of the time, local or linguistic analysis and all this also include information about signets or prints that forms a separate chapter. There is also a chapter on the state of preservation of books. In the conclusion, it is stated the evaluation of the whole thesis. The list of abbreviations, a list of sources and literature list is attached same as the transcript of inventory from 1783 and especially catalog of parish library.

This presented diploma thesis deals with a list of manuscripts and old prints stored within the library collections of the Museum in the Middle Pootaví in Strakonice. After the total research of the book collection was allocated 83 manuscripts, one incunabula and 291 titles of old prints. On the basis of these lists was executed the detailed description, parsing and analysis of manuscripts and old prints. This work is divided into five chapters. In the introductory chapter are presented the purpose of this diploma thesis and critique of the used sources and literature. In this chapter is incorporated a short passage with general informations about museums and their libraries. The second chapter briefly attends to history of the museum in Strakonice. The third part of the thesis informs about history and development of the museum library in Strakonice. The fourth chapter analyses closely the manuscripts, incunabula and old prints. The collection of old prints was subjected to the linguistic, chronological and territorial description. Then follows analysis of printers and publishers, mentions of provenance of old prints (for example ex-librises, notes in the text, stamps etc.) and books allocations into thematic groups with specific examples of prints. The final chapter contains total summary and importance of this work. The list of sources and literature, the list of the abbreviations and the list of supplements (tables, graphs and photographs) are attached to the end of diploma thesis. A component of the diploma thesis is also the commentaries to the created lists and the extensive lists of the manuscripts and old prints.