Magistro darbo objektas – kultūrinio imperializmo ir informacinio karo ryšys. Darbo tikslas – išanalizuoti informacinio karo ir kultūrinio imperializmo sąlyčio taškus. Darbo uždaviniai: pateikti kultūros bei imperializmo sąvokų apibrėžimus, parodyti jų sąlyčio taškus, kultūrinį imperializmą traktuojant kaip vieną iš sudedamųjų tarpkultūrinės komunikacijos elementų; išnagrinėti ryškiausias kultūrinio imperializmo apraiškas istorijos eigoje; atskleisti globalizacijos ir technologijų sklaidos reikšmę kultūrinio imperializmo ir informacinio karo sąsajai; išanalizuoti informacijos kaip galios svarbą ir pasireiškimo būdus šiandieniniame globaliame pasaulyje; atlikti kokybinį tyrimą, siekiant rasti informacinio karo bei kultūrinio imperializmo sintezės taškus. Panaudojus sisteminės mokslinės literatūros analizės, apibendrinimo bei ekspertinio interviu metodus, šiame magistriniame darbe buvo atskleista, jog gana nedaug mokslininkų akcentuoja kultūros, imperializmo ir informacinio karo sąsają medijų pramonės, valstybės informacijos valdymo galios ar populiariosios kultūros sklaidos kontekste. Būtent šiame lauke susiformuoja naujojo imperializmo, pasireiškiančio ne karinės invazijos į svetimą teritoriją būdu (kuomet tiesioginiu dominavimu siekiama keisti pamatines kultūrines bei socialines vertybes), o informacijos galios valdymu, sąvoka. Darbe parodyta, kad trečiojo pasaulio valstybėms brukami vakarietiškos kultūros (didžiąja dalimi – JAV) simboliai, vaizdiniai ir ideologijos yra... [toliau žr. visą tekstą] / The relationship between cultural imperialism and information warfare (summary) Imperialism is the tool for the most powerful changes of the world's economic and social life, it is a source reaching the oldest historical periods. Voluntarily or by coercion the people of different cultures and different regions were fed together, thus creating new communities, based not only on sharing knowledge, technology development or making people`s worldview wider, but also promoting new social inequalities and rasing new forms of conflicts. In this paper, cultural imperialism is described not only as a spread of new ideas, identity and values in the context of diffusion, when the cultural elements of one nation is superimposed in respect of other nations. The modern globalal world now can be perceived as an information power management, thus providing with new forms of obedience at the level of cultural imperialism. On the other hand information warfare is a modern world construct, first introduced as the responce of USA Department of Defence to a increased information flows and the need to control them. Information warfare was meant to protect the state‘s information space and to provide the security from information attacs. Information warfare is one of the practical implementation of cultural imperialism. It influences the appearance of the "high-voltage zones", in which the transient, but intense and powerful information warfare processes happen nevertheless affecting all... [to full text]

Deconstructing visual representations of the Self and Other in the online media of NGOs, this thesis is grounded in postdevelopment and postcolonial theories. Visual culture and emerging digital technologies are crucial to identity construction, and NGOs are a major purveyor of representations of those in the developing world. Evaluating image use by Canadian based NGOs, this thesis unites theoretical concepts of visual representation with concrete photographic depictions and structured content analysis to investigate multiple and changing development discourses. Considerable literature has focused on the notion of the Self and Other dichotomy especially as it relates to international relations. Positioned in an era of polycentric global governance, NGOs are professionalized groups whose power is often obscured by charitable discourses. Despite the humanitarian and altruistic aims of the NGOs selected for the study, data demonstrates the implications of their image use for development discourse and practices.

In my thesis, Performing a Political Shift: Avant-Garde Music in Cold War Spain, I argue that towards the end of the 1950s the Spanish ultra-conservative regime of Francisco Franco started to promote avant-garde music. This music contrasted with the aesthetically conservative one that had been promoted since the end of the Civil War (1936-1939). I examine the causes of this shift and reveal for the first time that they are connected to specific trends in Spanish politics and policies. In terms of national politics, the second phase of the Spanish dictatorship, from the late 1950s until Franco’s death in 1975, was dominated by young ministers who wanted to distance themselves from previous cabinets, mostly controlled by ultra-nationalist fascist politicians. These younger politicians styled themselves as part of a ‘technocratic’ regime. Thanks to its supposed ‘objectivity’ and ‘purely musical’ ideology-free concerns, avant-garde music sat well with these technocrats’ views of modern Spain, that is, a country benefitting from ‘objective’, ideology-free progress. On an international level, the defeat in the 1940s of Mussolini and Hitler, Franco’s main allies, had resulted in isolation for Spain. In order to break this isolation, the Spanish regime started to make a sustained effort at the end of the 1950s to establish diplomatic relations with other Western countries. These relations resulted in cultural, economic and military agreements with European democracies and the US. I also consider why recent Spanish musicology has failed to confront the political implications of the promotion of avant-garde music under Franco. I connect this void with the Spanish transition to democracy (1975-1978), which recent historians have called an exercise in amnesia, a discourse of forgiveness meant to promote reconciliation between Spaniards. As a result of this transition, the political implications of the activities of the composers and musicologists during the Franco years have been ignored or forgotten. The results of my thesis challenge the widely accepted view of the European avant-garde as a left-leaning movement. The main contribution of my thesis is precisely its substantial consideration of the cultural and political meanings of the avant garde and its context, using Franco’s Spain as a case in point.

The use of classical music as a tool of propaganda in Britain during the War can be seen to have been an effective deployment both of the German masters and of a new spirit of England in the furtherance of British values and its point of view. Several distinctions were made between various forms of propaganda and institutions of government played complementary roles during the War. Propaganda took on various guises, including the need to boost morale on the Home Front in live performances. At the outset of the War, orchestras were under threat, with the experience of the London Philharmonic exemplifying the difficulties involved in maintaining a professional standard of performance. The activities of bodies such as the Council for the Encouragement of Music and the Arts played a role in encouraging music, as did the British Council’s Music Advisory Committee, which co-operated with the BBC and the government, activities including the commissioning of new music. The BBC’s policies towards music broadcasting were arrived at in reaction to public demand rather than from an ideological basis and were developed through the increasing monitoring of German broadcasts and a growing understanding of what was required for both home and overseas transmission. Beethoven’s Fifth Symphony became an important part of the Victory campaign and there was even an attempt at reviving the Handel Cult of the Nineteenth Century. German music was also used in feature film but pre-eminent composers such as William Walton and Ralph Vaughan Williams contributed to the War effort by writing film music too. The outstanding example is Vaughan Williams’ music for Powell and Pressburger’s Ministry of Information sponsored 49th Parallel, in which the relationship between music and politics is made in a reference to Thomas Mann’s The Magic Mountain. Vaughan Williams’ non-film output included the greatest British orchestral work to have come out of the War, his Fifth Symphony; a work that encapsulated all the values that the institutions of public life sought to promote.

The present study addresses the role of sport in the evolution of modern German nationalism. This work contains: a.) an historical analysis of nationalism, culture and sport from the late eighteenth until the mid-twentieth century; b.) a case study of the 1936 Garmisch/Berlin Olympics as an example of virulent nationalism and racism; c.) a case study of the 2006 World Cup in Germany as an example of national identity in twenty-first century Germany in the wake of reunification and globalization. Sport has been central to how Germans see themselves from the end of the eighteenth century until the present. This work argues that an analysis of sports, domestic politics and diplomacy can offer those interested in nationalism in contemporary Europe a helpful means of analysis of a force that remains powerful, despite the construction of the European Union. While an analysis of the evolution of mass sport indicates that Germans no longer apply the kind of racist blood and soil nationalism so virulent in the early twentieth century, sport has shown a remarkable continuity as a mirror of German aspirations for their nation, which has changed fundamentally in the realms of culture, society, and economy in the twenty-first century.

The novel Animal Farm was primarily written as a satire on the Russian revolution, with the underlying intention to actively warn readers what happens when a totalitarian regime takes power. Manipulation and propaganda play a central role in the novella, but the ways in which the regime abuses its people psychologically appears to be of even greater importance. This essay examines and analyzes, from a psychoanalytical perspective, how Orwell portrays the characters that take part in the revolution and the psychology behind their behavior and the choices they make. The aim of the essay is to examine what the underlying factors are that enable a totalitarian leader to take hold of a community as this can be analyzed in Animal Farm. The character of Boxer the horse is central in the novel and of immediate interest, and is therefore analyzed in greater depth. The defense mechanisms denial and sublimation are examined closely in order to see what role they play in a totalitarian regime. Orwell delivers a serious message in Animal Farm, even though it is written as a satire with comic elements. By choosing to write it that way the novel is accessible to a wider audience than it would have been otherwise.

The violent uprisings in Myanmar between 2012-2014 sparked a big interest in the media around the world. The uprisings which resulted in many casualties and the destruction of muslim owned shops and mosques left around 140.000 IDPs. In an interview with Time Magazine’s Hannah Beech, the leader of the group claimed to be responsible for instigating the violence, Ashin Wirathu likened muslims to animals and encouraged burmese buddhists to shun muslims. Since the article was released an independent american organization which sympathizes with Wirathu and his ‘golden burmese’ 969 movement created a web page dedicated to portray a nuanced image of the movement and to clear up what they have claimed to be a number of false reports propagated by western media. This essay investigates the american support movement by analysing their english web page through the method of content analysis and by applying a propaganda theoretical framework to the final discussion. The aim of the essay is to identify what kind of image of Buddhism and Ashin Wirathus 969 movement the support group wants to portray and to explain this in the context of Myanmars colonial and postcolonial history.

Approved for public release; distribution is unlimited / Reissued 30 May 2017 with Second Reader’s non-NPS affiliation added to title page. / Online propaganda embodies a potent new form of warfare; one that extends the strategic reach of our adversaries and overwhelms analysts. Foreign organizations have effectively leveraged an online presence to influence elections and distance-recruit. The Islamic State has also shown proficiency in outsourcing violence, proving that propaganda can enable an organization to wage physical war at very little cost and without the resources traditionally required. To augment new counter foreign propaganda initiatives, this thesis presents a pipeline for defining, detecting and monitoring ideology in text. A corpus of 3,049 modern online texts was assembled and two classifiers were created: one for detecting authorship and another for detecting ideology. The classifiers demonstrated 92.70% recall and 95.84% precision in detecting authorship, and detected ideological content with 76.53% recall and 95.61% precision. Both classifiers were combined to simulate how an ideology can be detected and how its composition could be passively monitored across time. Implementation of such a system could conserve manpower in the intelligence community and add a new dimension to analysis. Although this pipeline makes presumptions about the quality and integrity of input, it is a novel contribution to the fields of Natural Language Processing and Information Warfare. / Lieutenant, United States Coast Guard

The thesis presents a first account of the development of British public relations in the twentieth century. The focus is on the whether British public relations has managed to 'professionalise'. To a large degree, the story is one of failure, despite the exponential growth of the field. The history of this puzzling contradiction is explored in detail, drawing on previously untapped archives and extensive oral history interviews. The thesis argues that this apparent paradox is explained by the inability of the would-be professional body to establish control over public relations practice. Thus, one of the key features of the thesis is its presentation of a counter-history of the Institute of Public Relations to that body's own selfunderstanding. Turning to the overall development and growth of the occupation, the thesis argues that one of the most significant features of British developments, especially in the first half of the twentieth century, was the large role played by local and central governments and the relatively small contribution of the private sector. Key aspects of British government propaganda in both wartime and peacetime are highlighted and also include activities focused on policies of de-colonisation and economic intervention. The contribution of the British Film Documentary Movement and the collaboration between its leader, John Grierson, and the Secretary of the Empire Marketing Board (EMB), Sir Stephen Tallents, is presented as being of considerable significance, particularly in terms of the development of public relations ideology. The discourse and actions of key figures within the public relations industry are also foregrounded in the overall analysis. Themes include relationships between the public relations industry, the media and politics, ethics, and the ultimately vain attempts of the industry to establish the widespread legitimacy necessary for professional status.

This work is dedicated to exploring television series Okres na severu written by Jaroslav Dietl and directed by Evžen Sokolovský. The series was filmed in 1980 in the Czechoslovak television and falls into the normalization period (1968-1989) in Czechoslovakia. The aim of this study was to conduct a critical discourse analysis (CDA) of series Okres na severu, with special emphasis on the political power of Communism (Marxist-Leninist ideology) and its use of propaganda through the mass media (television). The text analyzed the discourse of the concept of a propaganda series and tried to answer the question of to what extent and whether the strip Okres na severu is a part of the propaganda. The main concept of this text was a discourse that we can define as a set of codes and rules used in producing the meanings related to any topic. Fairclough concept of critical discourse was chosen for its clear division of the so-called three-dimensional discourse (the text, discursive practice and social practice), which focuses on the interconnection of all three relationships (communication events) and the rules of discourse to explore the relationship to society and social conditions. We address the exploration of the concept of normalization, which is used for the second half (1968-1989) of the existence of the...