First systematically discussed by Darwin (1871), theories of a musical precursor to language have seen a revival in recent years, with researchers such as Tecumseh Fitch, Stephen Brown, and Stephen Mithen invigorating the field. The view that language and music have an evolutionary relationship has been discussed in light of recent comparative, musicological, and biological findings. However, little empirical data have been presented to support such theories. This thesis aims to address this oversight, by presenting a novel experimental paradigm, which tests the prediction of a novel hypothesis for the evolution of language from a musical precursor. The aim of this thesis is to encourage discussion and provide a framework for the empirical investigation of music’s role in the evolution of language. As a first step to addressing this relative dearth of empirical research, a hypothesis is outlined which describes a stable system of signalling cognitive ability through the transmission of culturally-learned, complex, music-like sequences. This is not hypothesised to have been semantically meaningful, rather a system which supported the honest transmission of information about the abilities of potential allies. Such a learned sequential precursor (LSP) to language would require both increased cognitive capacity and an investment of time and energy in learning. These requirements ensured the honesty of signalling, and so perceivers of the LSP could use it as a reliable indicator of the cognitive ability of producers. This was a necessary stage in evolution, prior to protolanguage, in which individuals exhibited a complex learned, culturally-transmitted, music-like signalling system. Such a learned sequential precursor may have arisen through a pressure for the reliable indication of cognitive ability, brought about by environmental and social changes with the advent of Homo erectus. These social changes included a new urge to cooperate, and so this precursor is proposed to have emerged and developed through collaborative partner choice. Perceivers of the system used cues within the musical sequences in order to determine the quality of a producer as a collaborative partner. Empirical tests are presented, which support the hypothesised LSP. The first study tested the complexity aspect of the hypothesis, asking participants to rate complex and non-complex pieces of music according to how much they liked the piece, how familiar it sounded, how attractive and intelligent they found the person who created it, and how likely they were to choose to collaborate with this individual. It was found that complexity was preferred under all measures but one, that of familiarity. The second, main, study predicted that a correlation should be found between measures of cognitive ability that are relevant to musical learning (processing speed and intelligence) and measures of musical learning (ability to replicate and recall target pieces, and make creative pieces). This prediction was upheld, supporting the hypothesis that a learned sequential precursor could have acted as an honest signal of cognitive ability. No correlations were found between these abilities and a measure of physical quality, supporting the hypothesis that this system may have undergone social selection. The third study further tested the question of selection and choice, predicting that collaborative partner choice was key to the selection of this learned sequential precursor. Raters were asked to rate the sexual or collaborative ability of performers of pieces of music, based solely on their musical output. This study has yielded interesting tendencies, but no statistical support of the hypothesis that collaborative partner choice was more important than mate choice in this system. Taken together, these empirical studies support the hypothesis of a musical, learned sequential system of signalling cognitive ability. At the moment, the question of the selection of this precursor remains open, with hopes that further studies can address this question. The methodology used here draws together approaches from birdsong research, evolutionary psychology, and musicological research, in an attempt to prompt further interdisciplinary investigation into the role of music in the evolution of language.

Book Summary: Phonemic awareness and phonetic skill are the backbones of phonological theory. In phonological acquisition, the presence or lack of the former crucially determines the outcome of the latter. This inescapably becomes a common thread that interweaves developmental phonology in both childhood and adulthood. Child and adult-learner speech in the course of development constitute separate linguistic systems in their own right: they are intermediate states whose endpoint is, or ought to be, mastery of targeted speech either in a first or a second language. These intermediate states form the theme of this volume which introduces the term protolanguage (to refer to child language in development) and juxtaposes it with interlanguage (to refer to language development in adulthood). Although major languages like English and Spanish are included, there is an emphasis in the book on under-reported languages: monolingual Hungarian and Swedish and bilingual combinations, like Greek-English and German-English. There is also a focus on under-represented studies in IL: L2 German from L1 French; L2 English from Catalan and Portuguese; and in dialectal acquisition of Ecuadorian Spanish from Andalusian speakers. This volume brings together different methodological approaches with a stress on both phonetic and phonological analysis. It includes both child and adult developmental perspectives, descriptive and/or theoretical results from a combination of methodological approaches (e.g. single-case, cross-sectional; spontaneous speech samples, narrative retells) and a consideration of speech acquisition in the general context of language. The volume aims to motivate a shift in the general tendency among researchers to specialize in language subfields (L1 acquisition; L2 acquisition, bilingualism; typical/atypical language) of what is actually one common linguistic domain, i.e. the study of speech sounds (phonology/phonetics).

Music and language are both deeply rooted in our biology, but scientists have given far more attention to the neurological, biological and evolutionary roots of language than those of music. Because of this, and probably partially due to this, the purpose of music, in evolutionary terms, remains a mystery. Our brain, physiology and psychology make us capable of producing and listening to music since early infancy; therefore, our biology and behaviour are carrying some of the clues that need to be revealed to understand what music is “for”. Furthermore, music and language have a deep relationship, particularly in terms of cognitive processing, that can provide clues about the origins of music. Non-verbal behaviours, including voice characteristics during speech, are an important form of communication that enables individual recognition and assessment of the speaker’s physical characteristics (including sex, femininity/masculinity, body size, physical strength, and attractiveness). Vocal parameters, however, can be intentionally varied, for example altering the intensity (loudness), rhythm and pitch during speech. This is classically demonstrated in infant directed speech (IDS), in which adults alter vocal characteristics such as pitch, cadence and intonation contours when speaking to infants. In this thesis, I analyse vocal modulation and its perception in human social interaction, in different social contexts such as courtship and authority ranking relationships. Results show that specific vocal modulations, akin to those of IDS, and perhaps music, play a role in communicating courtship intent. Based on these results, as well the body of current knowledge, I then propose a model for the evolution of musicality, the human capacity to process musical information, in relation to human vocal communication. I suggest that musicality may not be limited to specifically musical contexts, and can have a role in other domains such as language, which would provide further support for a common origin of language and music. This model supports the hypothesis of a stage in human evolution in which individuals communicated using a music-like protolanguage, a hypothesis first suggested by Darwin.

This essay is a meta-study that assesses the existing theories and hypotheses regarding the origins of language. The development of language is one of the most remarkable historical developments for humankind. Through different historical periods and from multiple perspectives, renowned theorists such as Rousseau, Jespersen and Chomsky have tried to find the origins of language and trace its evolution. The natural sound source, for instance, connects the origins of language with the imitation of natural sounds. The gesture primary  hypothesis states that gesture language existed before the development of spoken language. A gradual development of protolanguage during the period of the existence of the homynim Homo erectus took place closely in connection with social interaction and the progress of multiple activities. Music has significance in the human brain and language development and, therefore the importance of music as part of  human evolution will be as well part of this research. The process of human civilization has an effect on brain activity and cognition because it projects abstract concepts to sounds, accumulating gradually knowledge and experience. In this essay, a selection of parables, songs and gestural communication situations are described in order to illustrate relevant parts of the theory. Finally, the author will select what is considered the most convincing theory/hypothesis for explaining the origins of language.

Cette thèse propose une analyse approfondie de la dynamique des changements observés au sein d’une communauté de chasseurs-cueilleurs, les Baka du Gabon. Ce groupe se compose de moins de 1000 individus et parle une langue oubanguienne dans un environnement bantuphone. Une comparaison avec les autres langues du même sous-groupe linguistique met en évidence les spécificités du baka et met au jour des affinités entre cette langue et le monzombo. Ces deux groupes ethnolinguistiques semblent avoir entretenu des relations qui s’inscrivent dans une dynamique d’échange de compétences (chasse-cueillette vs pêche-maîtrise du fer). Ce type de complémentarité se retrouve dans les relations entre les Baka et leurs voisins bantu actuels, dont en particulier les Fang, pour ce qui concerne le Gabon.Le mode de vie des Baka demeure, encore aujourd’hui, largement marqué par la mobilité et la forêt. Toutefois, la sédentarisation imposée par voie gouvernementale, la contigüité avec les Fang de même que l’influence croissante de la mondialisation entraînent des transformations par rapport auxquelles les Baka cherchent à se positionner. Ces dernières touchent la langue (système et utilisation) de même que bon nombre de pratiques socioculturelles (habitat, mobilité, alimentation, subsistance, religion, etc.).La thèse s’efforce d’identifier ces transformations, de les décrire et d’en évaluer l’impact en tenant compte de la diversité des situations. Elle comporte, par ailleurs, une réflexion critique des principes de catégorisation fondée sur l’étude de plusieurs domaines lexicaux (faune, flore, maladie). Certains changements peuvent apparaître en surface sans pour autant remettre en cause, de manière fondamentale, leur attachement à la forêt et à certaines valeurs ancestrales. Toutefois, les différentes pressions exogènes (i.a. sédentarisation, mondialisation) et endogènes (i.a. attitude des individus, transmission) qui déterminent alors le degré d’avancement des différentes transformations, ne doivent pas être sous évaluées en tant qu’elles sont une menace pesant sur la langue, la connaissance de la flore et de la faune et certaines pratiques socioculturelles. / This thesis proposes a detailed analysis on the dynamic of change observed among the Baka from Gabon, a hunter-gatherer community. This group is composed of less than 1000 individuals speaking an Ubangian language inside a Bantu environment. By comparing their language with others from the same linguistic sub-group, some singularities from Baka and some resemblance with the Monzombo sub-group can be seen. These two ethnolinguistic groups, Baka and Monzombo groups, seem to have kept close contact based on skill exchanges (hunting/gathering and fishing/iron skills). This interaction is witnessed in the exchanges the Baka population preserves with their current Bantu neighbors, especially with Fang in Gabon.Nowadays, the Baka way of life is still characterized by their mobility and the forest. Nevertheless, due to a non-migratory lifestyle imposed by the State, the proximity with the Fang group and the growing globalization, dramatic changes are inflicted to the Baka community. Changes at which they are trying to adapt. These constraints do not affect only their language (system and use) but also many sociocultural habits such as settlement, mobility, food and means of support or religion.The aim of this thesis is to identify these ongoing transformations, to describe and to evaluate their impact bearing in mind the singularity of many contexts. An argumentative reflection on categorization principles is also proposed on lexical domains such as fauna, flora and diseases. Certain changes could arise without necessarily questioning their bonds to the forest and ancestral values. Nonetheless, both exogenous (globalization and a sedentary life) and endogenous pressures (individual behavior and culture transmission) determining the progress of different transformations should not be under evaluated as being a threat to the language, to the knowledge of the flora and fauna and to certain sociocultural practices.