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The digital reproduction of materials has developed greatly over the past decades. The improved interactive rendering technology available nowadays enables broad digital visualization applications like gaming, cinema and film production, advertising, and online shopping. These recent advances in digital technologies are also playing an important role in the improvement of some industrial processes such as computer-aided design and manufacturing, virtual prototyping, and scientific visualization and simulation. Currently, many rendering software packages provide impressive images and often even claim photorealism. However, producing realistic appearance images is very challenging taking into account the high sensitivity of the human visual system. The visual appearance of products is still an important aspect to take into account even for the digital simulation of materials, since the appearance of these simulated products on the screen is still a critical parameter in the purchase decision of customers. During the last years different efforts have been carried out by industrial manufacturers in different applications, such as textile, cosmetic, automotive, etc., to provide attractive visual effects and new visual impressions of their products using, for instance, innovative effect pigments, also called goniochromatic pigments. The digital rendering of these pigments is a very active hot topic since this type of coatings changes considerably its visual attributes such as color and texture with the illumination/viewing geometry. Achieving accurate simulation of these materials demands an extra effort due to the physical complexity of their surfaces. Special BRDFs (bidirectional reflectance distribution functions) reflectance models are needed to characterize their visual appearance. This complex appearance is produced due to the presence of special effect pigments containing metallic, interference, or pearlescent pigments, which are responsible for the strong dependence of the color of these coatings on viewing and illumination directions. These pigments also exhibit visually complex texture effects such as sparkle and graininess. Under bright direct illumination conditions, such as sunlight, the flakes create a sparkling effect, while under diffuse illumination such as a cloudy sky, effect coatings create a salt and pepper appearance or a light/dark irregular pattern, which is usually referred to as graininess or coarseness. Two main issues limit the digital reproduction of effect pigments. The first issue is related to the current display technologies. The quality of the displays is an essential component toward accurate color reproduction of materials. Previous studies have evaluated the validity of available display technologies for the visualization and digital reproduction of effect pigments, which are usually not enough for the reproduction of such a wide variety of colors due to their limited color gamut. The second limitation is more related to the current rendering software. The color accuracy of their images is often not sufficient for the reproduction of colors and effects produced by these materials. The available rendering software provides impressive images that serve the needs for applications such as the cinema and games industries, but when it comes to more critical applications such as automotive design, the color accuracy of their rendered images is not accurate enough, especially for such complex materials such as effect pigments. The first issue is addressed in this thesis by, evaluating the performance of the new Quantum dots (QDs) display technology for the reproduction of effect pigments. For further improving the display capability, a new solution is given by developing a multi-primary display model based on the QDs technology (addressed in the first research article of this thesis in chapter 1). The proposed multi-primary display model provides an expanded color gamut, which guarantees a better reproduction of effect pigments. In a first step, the emission spectral radiance curves of the three RGB channels of a commercial QD display were fitted to a four-parameter function. From this modeling, it is possible to gain new theoretical color primaries by selecting new spectral peaks (cyan, yellow, magenta, and/or additional RGB primaries) and imposing colorimetric conditions for the resulting white of this proposed theoretical multi-primary display. Proper characterization to assess the performance of the display was conducted to know if the basic “gain-offset-gamma” (GOG) model can be used for direct and inverse color reproduction (from RGB to CIE-XYZ, and vice versa). The GOG model was found to well characterize this display. The spatial uniformity of the display was also evaluated in luminance and color chromaticity terms. Finally, with the primaries modeling and color characterization based on the GOG model, a 5-primary model (RGBYC) was tested. The evaluation of this theoretical RGBYC display model confirms the gamut enlargement, which can also improve goniochromatic color reproduction. In the second place, and focusing on the second issue, a big portion of the work of this thesis was dedicated to the development of a new 3D rendering tool for improved and accurate visualization of the complete appearance of effect coatings, including metallic effects, sparkle, and iridescence (addressed in the second and third research articles of this thesis in chapters 2 and 3). This task was carried on by firstly building a specific rendering framework for this purpose, using a multi-spectral and physically based rendering approach, and secondly, by validating the performance of this rendering framework through psychophysical tests. Spectral reflectance measurements and sparkle indices from a commercially available multi-angle spectrophotometer (BYK-mac i) were used together with a physically based approach, such as flake-based reflectance models, to efficiently implement the appearance reproduction from a small number of bidirectional measurement geometries. With this rendering framework, a virtual representation of a set of effect coating samples is reproduced on an iPad display, by simulating how these samples would be viewed inside a Byko-spectra effect light booth. Therefore, for this purpose, an accurate virtual representation of the Byko light booth was built using a physically based representation of global illumination. The rendering framework also accounts for the colorimetric specifications of the rendering display (iPad5) by applying the recent device-specific MDCIM model. The appearance fidelity of the rendering was validated through psychophysical methods. For this task, observers were asked to evaluate the most important visual attributes that directly affect the appearance of effect coatings, i.e., color, the angular dependence of color (color flop), and visual texture (sparkle and graininess). Observers were asked to directly compare the rendered samples with the real samples inside the Byko-spectra effect light booth. The visual validation was performed in three different steps. In the first study, the accuracy of rendering the color of solid samples is evaluated. In a second step, the accuracy of rendering the color flop of effect coatings is validated by conducting two separate visual tests, by using flat and curved samples respectively. In the third and last step, the digital reproduction of both color and texture of metallic samples is tested, by including texture effects in the rendering by using a sparkle visualization model. The parameters of the sparkle visualization model were optimized based on sparkle measurement data from the BYK-mac i instrument using a matrix-adjustment model. Results from the visual evaluations prove the high color accuracy of the developed rendering tool. In the first test, the visual acceptability of the rendering was 80%. This percentage is much better than what was found in a previous investigation using the default sRGB color encoding space. Results of the second study show an improved accuracy when curved samples were used (acceptability of 93% vs 80%). The final visual test shows high visual acceptability of the rendering at 90%. In conclusion, this thesis provides a method for accurate digital simulation of effect coatings, by developing a multispectral and physically based rendering approach on a simple iPad tablet computer. The research developed in this thesis comes with many advances in the scientific and industrial levels, with a great contribution to the development of innovative tools for digitization of materials, as needed in today’s society. / This thesis was carried out under the financial assistance of the Spanish Ministry of Economy and Competitiveness through the pre-doctoral fellowship FPIBES-2016-077325, and the research projects DPI2015-65814-R and RTI2018-096000-B-I00.

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The experiments reported within this thesis use psychophysical techniques to examine the factors which determine perceived multisensory timing in humans. Chapters 1 and 2 describe anatomical and psychophysical features of temporal processing, respectively, whilst Chapter 3 introduces the reader to psychophysical methods. Chapter 4 examines the relationship between two measures of sensory latency, reaction time (RT) and crossmodal temporal order judgment (TOJ). Despite task and attentional manipulations the two measures do not correlate, suggesting that they measure some fundamentally different aspect(s) of temporal perception. Chapter 5 examines the effects of adaptation to asynchronous stimulus pairs on perceived audiovisual (AV), audiotactile (AT) and visuotactile (VT) temporal order. Significant temporal shifts are recorded in all three conditions. Evidence is also presented showing that crossmodal TOJs are intransitive. Chapter 6 shows that concurrent adaptation to two sets of asynchronous AV stimulus pairs causes perceived AV temporal order to recalibrate at two locations simultaneously, and that AV asynchrony adaptation effects are significantly affected by observers' attention during adaptation. Finally, Chapter 7 shows that when observers are accustomed to a physical delay between motor actions and sensory events, an event presented at a reduced delay appears to precede the causative motor action. The data are well-described by a simple model based on a strong prior assumption of physical synchrony between motor actions and their sensory consequences.

O objetivo do estudo foi entender a influência da marca na percepção de sabor do chocolate pelos consumidores. Foram avaliados 16 sujeitos (31,8 anos, ± 4,2 anos, 8 mulheres) medindo suas avaliações sobre os sabores de chocolates de diferentes marcas, com e sem o conhecimento da marca, e também sobre as marcas sem degustação do produto, como expectativa de sabor, utilizando Escalonamento Psicofísico de Estimativa de Magnitude Direta (EMD). Este método obtém do sujeito a sua impressão subjetiva direta do estímulo físico. Um chocolate foi escolhido como referencia (módulo) e recebeu o valor numérico de 100. A tarefa dos sujeitos foi degustar os chocolates, comparando com a degustação do módulo, e atribuir notas de acordo com a diferença de percepção de sabor, se a percepção de sabor fosse duas vezes melhor do que o módulo, ele deveria designar uma nota duas vezes o valor de referência. O procedimento foi o mesmo para as duas outras condições experimentais, marca e sabor conhecendo a marca. O expoente da curva de potência foi utilizado como a quantificação da magnitude da percepção dos sujeitos. O expoente obtido na avaliação somente do chocolate foi de 0,389 (Coeficiente de Correlação de Pearson r2=0,94) enquanto que somente da marca foi de 0,581 (r2=0,96). Teoricamente pode-se determinar o expoente da percepção de sabor com conhecimento da marca que seria 0,389/0,581 = 0,669, sendo que o expoente obtido empiricamente foi de 0,675 (r2=0,92). Assim concluí-se que a utilização da metodologia de Estimativa de Magnitude Direta para quantificar a preferência subjetiva dos sujeitos por chocolates considerando 2 variáveis, sabor e marca, foi bem sucedida. Os resultados sugerem que a associação de marca e sabor contribui para um efeito mais poderoso sobre a decisão sobre quanto o chocolate é mais saboroso. E como o expoente da percepção do sabor sabendo a marca é maior que os outros dois expoentes isolados pode-se sugerir que a marca possui uma grande influência na decisão / The aim of study was understand brand influence on consumer perception of chocolate flavor. 16 subjects (31.8 years, ± 4.2 years, 8 women) were evaluated by measuring their reviews of the flavors of different brands of chocolates, with and without the knowledge of the brand, and also about the brands without tasting the product, as expectation of flavor, using Psychophysical Scaling of Direct Ratio Magnitude Estimation (RME). This method gets the subject direct subjective impression of the physical stimulus. A chocolate was chosen as reference (modulus) and received the numerical value of 100. The task of subjects was tasting the chocolates, compare to the tasting of the module and assign grades according to the difference in taste perception, if perception of flavor was twice better than module, he should assign a score twice the reference value. The procedure was the same for the other two experimental conditions brand and flavor knowing the brand. The exponent of power law was used to quantify the magnitude of the perception of the subjects. The obtained exponent when examining only chocolate was 0.389 (Pearson correlation coefficient r2=0.94) while only the brand was 0.581 (r2=0.96). Theoretically, we can determine the exponent of the perception of flavor with brand awareness that would be 0.389/0.581=0.669, where the exponent obtained empirically was 0.675 (r2=0.92). Thus we conclude that the use of the methodology of Direct Ratio Magnitude Estimation to quantify the subject subjective preference for chocolate, considering two variables, flavor and brand, was successful. The results suggest that the association of brand and flavor makes for a more powerful effect on the decision about how much chocolate is tastier. And as the exponent of flavor perception knowing the brand is bigger than the other two isolates exponents can suggest that the brand has a great influence on the decision

Nesta tese de doutorado abordamos modelos cognitivos de percepção da métrica musical e entrainment a partir de questões musicológicas, como a ambiguidade métrica decorrente de exemplos da literatura. Partindo de uma verificação do estado da arte em pesquisas rítmicas que envolvem o estudo de anacruses, realizamos um percurso experimental que investiga a efetividade da chamada percepção da acentuação subjetiva revelada por Povel e Okkerman (1981), por acreditarmos que o fenômeno da acentuação subjetiva esteja envolvido na desambiguação da percepção de referenciais métricos dúbios. Para tanto, desenvolvemos uma metodologia de quantificação das similaridades entre os padrões de acentuação coletados em grupo universitário da cidade de São Paulo e os padrões de referência da literatura, sobretudo de Povel e Essens (1985). Estes experimentos revelaram que há uma tendência significativa à percepção da acentuação subjetiva predominantemente em grupo sem estudo formal de música. Por outro lado, os estudantes de música revelaram uma tendência de acentuação mais relacionada à pulsação musical. / In this doctoral thesis we address cognitive models of perception of musical meter and entrainment from musicological issues, such as the metric ambiguity arising from examples of literature. Based on a state-of-the-art check on rhythmic researches involving the study of anacruses, we conducted an experimental study that investigates the effectiveness of the so-called subjective accent revealed by Povel and Okkerman (1981), because we believe that the phenomenon of subjective accent is Involved in the disambiguation of dubious beat references perception. Therefore, we developed a methodology to quantify the similarities between the accentuation patterns collected in university group of São Paulo and the literature reference standards, especially Povel and Essens (1985). These experiments revealed that there is a significant tendency to subjective perception of accent predominantly in people without formal music study. On the other hand, the students of music revealed a tendency of accentuation more related to the musical beat.

O dito popular afirma que quando uma pessoa perde um dos sentidos há uma compensação por parte dos outros sentidos para suprir a perda. Através de três experimentos psicofísicos baseados no modelo de Posner (Inibição de Retorno) e técnicas de Ressonância Magnética Funcional, surdos congênitos foram comparados a pessoas ouvintes com o objetivo de verificar se os surdos possuem processos atencionais diferentes dos ouvintes, e se as mesmas áreas corticais como a área de Wernicke, Broca e Córtex auditivo - eram ativadas em ambos os grupos. A tarefa consistia em pressionar um botão todas as vezes que os sujeitos detectassem a presença de um quadrado maior (alvo) apresentado em uma tela, enquanto também eram apresentados quadrados menores (pista) ora do mesmo lado, ora do lado oposto ao alvo. Através do Experimento I se pôde verificar que ambos os grupos apresentaram os fenômenos clássicos do Paradigma de Posner: Facilitação ou Inibição de Retorno, o que denotou a possibilidade de mecanismos atencionais semelhantes para ambos os grupos. Foi observado, porém, que os ouvintes eram mais rápidos que os surdos para responder à tarefa quando o intervalo temporal entre pista e alvo era longo (800ms), comparado ao tempo que levavam para responder quando o intervalo entre pista e alvo era curto (100 ms). O Experimento I suscitou a hipótese de que os surdos possivelmente apresentassem uma diferença de processamento temporal. No Experimento I todas as condições eram apresentadas de forma randômica. O Experimento II foi elaborado com o objetivo de por em evidência a 22 diferença dos TRM para intervalos curtos e longos, portanto os intervalos entre pista e alvo passaram a ser apresentados de forma fixa. Ao comparar os resultados do Experimento I com os do Experimento II (Intervalos Temporais Fixos), se pode verificar que os ouvintes apresentaram Tempos de Reação Manual mais lentos, enquanto os surdos apresentaram as mesmas médias a despeito da vantagem temporal, o que levou a sugerir a hipótese de que os surdos apresentem um déficit no processamento temporal. O experimento III consistiu na utilização do Paradigma de Posner enquanto os sujeitos eram submetidos ao exame de Ressonância Magnética Funcional com o objetivo de investigar se as regiões corticais ativadas poderiam ser semelhantes nos dois grupos. As imagens por Ressonância Magnética Funcional (RMF) demonstraram ativações nas áreas de Wernickie, Broca, e córtex auditivo em ambos os grupos enquanto executavam a tarefa, que embora não possuísse nenhum contexto semântico explícito, possuía o tempo como o principal parâmetro físico no qual os sujeitos pudessem se basear para melhorar o desempenho na tarefa. O tempo é um dos parâmetros físicos primários da língua oral, diferente da língua de sinais que possui o parâmetro visual e espacial como primário. Os resultados sugerem que as ativações corticais nos centros de audição e fala podem indicar uma plasticidade cruzada no grupo de surdos. Ainda, a participação do córtex auditivo no processamento da elaboração de estratégias para responder a uma tarefa que não contenha um contexto semântico explicito possivelmente indica sua participação no processamento de linguagem. / It is popularly said that when a person loses one sense, there is a compensation by the other remaining senses to suppress the loss. Throughout three Phsycophysic Experiments based on Inhibition of Return Posners Paradigm and Functional Magnetic Resonance (fMRI) Techniques, congenital deaf people were compared to normal hearing people in order to check if deaf people possess different attentional pattern compared to normal hearing people, and if the same cortical areas Wernicke and Brocas area and Hearing Cortex were activated in both groups. Experiment I consisted on pressing a button every time the presence of a big square (target) was detected by subjects while non-predictive small squares (cue) were also presented at the same or opposite side of the target. At Experiment I it was observed that both groups presented Posners Paradigm classical phenomena: Facilitation or Inhibition of Return, what suggested the possibility that attentional pattern may be similar to both groups. Therefore, it was observed that normal hearing people were faster than deaf people to respond to the task when time interval between cue and target was long (800 ms) when compared to the time they spent to respond when time interval between cue and target as short (100 ms). 24 Experiment I raised the hypotheses that possibly deaf people may present a temporal processing difference. At Experiment I every condition was randomly presented. Experiment II was elaborated to highlight MRT differences between short and long time intervals, so every time interval was presented on a fixed order. Comparison of Experiment I and II (Fixed Time Intervals) showed that normal hearing people presented shorter Manual Reaction Times (MRT), while deaf people kept the same averages despite the temporal advantage, what suggested that deaf people may present a deficit on temporal processing. Experiment III used Posners Paradigm while subjects were submitted to fMRI scanning in order to check if activated cortical regions could be similar in both groups. fMRI images demonstrate Wernicke and Brocas area and hearing cortex activations in both groups while executing the task, which, although did not have any explicit semantic content, had time as the main physical parameter on which subjects could be based to increase performance to respond to the task. Time is one of the oral language primary physical parameter, different of signed language which has visual and spatial parameters as primaries. Results suggest that cortical audition center activations may indicate a cross-modal plasticity at the deaf group. Yet, participation of hearing cortex on strategy elaboration to respond to a task which does not have any explicit semantic content possibly indicates the participation of hearing cortex on language processing.

O sistema visual é considerado o mais complexo de todos os sistemas sensoriais do ser humano. O objetivo da visão é construir uma representação dos objetos extraindo informações do ambiente, transformando-as em um código neural que origina a percepção. A compreensão dos fatores sensoriais que alteram a percepção é necessária para uma teoria adequada da percepção visual. Evidências sobre os efeitos do contexto ambiental ainda são limitadas, mas sabe-se que alterações no plano de fundo, criação de lacunas e mudanças de textura alteram a percepção de profundidade. Esse estudo teve como objetivo principal investigar quais fatores sensoriais básicos alteram a estimativa de magnitude (EM) de tamanho de círculos nos sujeitos saudáveis, verificando se existiu correlação entre a variação de parâmetros do estímulo físico com os respectivos julgamentos para diferentes condições visuais, além da possibilidade de desenvolver um instrumento para avaliação de algumas psicopatologias. O método da EM se refere a um procedimento no qual o observador faz um julgamento numérico direto de uma magnitude psicológica de uma série de percepções. Para isso, desenvolvemos um programa de computador como uma ferramenta psicofísica para medidas de EM que nos permitiu gerar 15 diferentes condições experimentais separadas em quatro protocolos (P1, P2, P3 e P4). O projeto consistiu em dois blocos: (1) de experimentos básicos, cujo objetivo foi abordar como elementos sensoriais visuais básicos interferiram no julgamento para estímulos simples, usando o P2, cujas variáveis luminância e o P4 no qual a disposição espacial para diferenças na lateralização do processamento visual foram alteradas; e (2) de exploração metodológica, que buscou manipular o valor de referência (P1) e a indução de sensações de profundidade (P3). Foram avaliados 78 indivíduos típicos (m = 27,55, dp = 4,69) com nível superior completo ou incompleto, todos com visão normal ou devidamente corrigida, distribuídos aleatoriamente em os quatro grupos 8 experimentais. Os protocolos 1 e 2 apresentaram os resultados mais satisfatórios que nos permitirão a utilização do programa em indivíduos com psicopatologias para investigação de diferenças da população normal. Ainda que os protocolos 3 e 4 tenham gerado dados controversos, levou-se em consideração que se tratou de um estudo de investigação metodológica, cuja continuidade nos permitirá uma melhor contribuição teórica alcançada com a retomada de estudos no campo da Psicofísica Clássica, principalmente devido a escassez de publicações nas últimas décadas acerca do tema aqui proposto / The visual system is considered the most complex human sensory system. The purpose of the vision is to create a representation of the objects by gathering information of the environment and converting it into a neural code that generates perception. The comprehension of sensory factors that influence the perception is necessary to an adequate theory of visual perception. Evidences about the effects of the context remain still limited, but it is known that some facts such as variations on backgrounds, creation of gaps and texture changes modify the perception of depth. This study aimed to investigate which are the basic sensory factors that change the Magnitude Estimation (ME) of the size of circles in healthy subjects, in order to verify if there was a correlation between parameter variations of physical stimulus and its respective judgments about different visual condition, in addition to the possibility of development of a screening test to assess some psychopathologies. The ME method is the procedure in which the observer makes a direct numeric judgment of a psychological magnitude of a series of perceptions. For this purpose, we developed a computer software which was used as a psychophysical tool in order to measure ME that allowed us to generate 15 different experimental conditions allocated into four protocols (P1, P2, P3 and P4). The project was composed of two blocs: (1) basic experiments, in whichthe objective was to investigate how basic sensory visual elements interfere on the judgment of simple stimulus, using P2 in which the variable luminance was changed and P4 in which spatial position to evaluate differences on lateralization of visual process was altered; and (2) methodological exploration, that aimed to manipulate the reference value (P1) and the induction of depth sensory perception (P3). Seventy-eight healthy subjects were tested (m = 27.55, sd = 4.69), that had a complete or incomplete graduation course, they all had normal or corrected-to-normal visual acuity, and they were randomly distributed into the four experimental groups. The protocols 1 and 2 10 had shown the most satisfactory results that will allow us to use the software in people with psychopathologies in attention to screen differences of the general population. Despite the protocols 3 and 4 had generated controversial data, it is important to consider this as a study about methodological investigation, and its follow up will lead us to an improvement of the theoretical contribution reached by the recovery of Classic Psychophysics experiments, mainly due to the last decades lack of publishing about this purposed topic

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Bakalauro darbe analizuojama socioedukacinę pagalbą teikiančių darbuotojų psichofizinės būklės pokyčių ypatumai. Tyrime dalyvavo socioedukacinę pagalbą teikiantys darbuotojai – socialiniai pedagogai / socialiniai darbuotojai. Bakalauro darbo objektas – socioedukacinę pagalbą teikiančių darbuotojų patiriamų psichofizinės būklės pokyčių patirtys. Tyrimo tikslas – ištirti socioedukacinę pagalbą teikiančių darbuotojų psichofizinės būklės pokyčių ypatumus socioedukacinės pagalbos kontekste. / The final thesis „Pecularities of psychophysical state changes of social care personnel“ studies various peculiarities of psychophysical state changes of social care personnel which they are coping with during their work process. The objective of the thesis is the analysis of psychophysical state changes of social care personnel, which they face during their work, from a problem perspective. The aim of the thesis is to investigate state changes of psychophysical peculiarities of social care personnel in the context of social support. The social care personnel were part of the investigation analyzed in the thesis. The data of the investigation was collected by closed questionnaire and summarized by using descriptive statistics.