The purpose of this literature review is to delve into the pedagogical use of reading aloud and assess its impact on student learning. To fulfil this purpose, a systematic search process was conducted, carefully selecting specific search terms to identify pertinent articles to address and respond to the questions posed in the paper. Namely, how educators teaching Swedish can work with reading aloud with students in lower and upper secondary school, and how reading aloud can affect these students' learning.  The findings from this literature review underscore the pivotal role of a teacher's planning and preparation in executing effective reading-aloud practices. Among the array of methods and approaches, interactive read-alouds emerged as particularly efficacious. A notable discovery was the development of students' vocabulary and word knowledge attributable to reading aloud. Additionally, reading-aloud activities, such as Readers Theatre, contributed to enhanced reading and listening comprehension. Reading aloud and ensuing discussions afterward can lead to a deeper understanding of the content of texts and can also foster an encouraging classroom environment. Furthermore, reading aloud contributes to greater equality in teaching environments.  In summary, we assert that reading aloud serves as a potent educational tool that benefits students and their learning in many ways. Nevertheless, it is imperative to amalgamate diverse approaches and methodologies to create a diverse teaching approach adaptable to the individual needs of all students.

Each year, students who are newly enrolled in the University of Ottawa Cooperative Education Programs prepare for their first co-op work terms. In this period of pre-employment, students ask themselves important questions like, “What do I have to do to get a job?” and “What do I want to be?” As a co-op practitioner I am exposed to students’ experiences and the dilemmas they face but I still wondered what was hidden from my view and outside of my understanding. Thus, during one-on-one interviews that occurred prior to their first co-op work terms, six co-op students shared the photographs and stories of their co-op experiences with me and I shared my photographs and stories with them. Goffman’s (1959) theory of dramaturgy provided the theoretical framework to present, interpret, and understand the words and pictures that emerged from these interviews. What resulted were dramas, narratives, and allegories: six participant descriptions written as mini-biographies, verbatim transcripts prepared as a reader’s theatre script, and a set of five themes composed with vivid symbolism. The five metaphoric themes of co-op student experience are (a) journey, (b) circus, (c) metamorphosing, (d) anglers at sea, and (e) warriors. Taken together, what emerged was a deeper seeing and a richer understanding of what’s “really going on” in the time prior to students’ first co-op work terms (Goffman, 1974, p. 8) particularly with regards to legitimate peripheral participation, reflection, and experiential learning.

Each year, students who are newly enrolled in the University of Ottawa Cooperative Education Programs prepare for their first co-op work terms. In this period of pre-employment, students ask themselves important questions like, “What do I have to do to get a job?” and “What do I want to be?” As a co-op practitioner I am exposed to students’ experiences and the dilemmas they face but I still wondered what was hidden from my view and outside of my understanding. Thus, during one-on-one interviews that occurred prior to their first co-op work terms, six co-op students shared the photographs and stories of their co-op experiences with me and I shared my photographs and stories with them. Goffman’s (1959) theory of dramaturgy provided the theoretical framework to present, interpret, and understand the words and pictures that emerged from these interviews. What resulted were dramas, narratives, and allegories: six participant descriptions written as mini-biographies, verbatim transcripts prepared as a reader’s theatre script, and a set of five themes composed with vivid symbolism. The five metaphoric themes of co-op student experience are (a) journey, (b) circus, (c) metamorphosing, (d) anglers at sea, and (e) warriors. Taken together, what emerged was a deeper seeing and a richer understanding of what’s “really going on” in the time prior to students’ first co-op work terms (Goffman, 1974, p. 8) particularly with regards to legitimate peripheral participation, reflection, and experiential learning.