Thesis (M.A.)--University of Georgia.

Thesis (M.A.)--University of Florida, 2004. / Title from title page of source document. Document formatted into pages; contains 162 pages. Includes vita. Includes bibliographical references.

Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica mención Lingüística / Proyecto FONDECYT Regular 1150127

Tesis para optar al grado de Magíster en Lingüística mención Lengua Española / El propósito principal de este trabajo es investigar la mortandad léxica de los mapuchismos en el español oral de los habitantes de la comuna de Teno. Se pretende establecer si la variable generacional y la variable geográfica se correlacionan con la mortandad de las lexías. Y así determinar cuál es el campo léxico más expuesto a la mortandad en una selección léxica que será encuestada. Los datos utilizados en esta investigación están compuestos por cuarenta entrevistas que consultaban por 100 ítemes léxicos, agrupados en dos campos semánticos (‘la casa’ y ‘las actividades productivas de la agricultura’). Estas voces, de procedencia indígena, fueron consultadas mediante una encuesta a dos grupos de informantes con la finalidad de que reconocieran las palabras de origen indígena. El primero, integrado por un grupo de entre veinte a cincuenta años, y el otro, entre sesenta a ochenta años, pertenecientes a dos localidades de la comuna de Teno. La Mancilla selección de una localidad más cercana a la urbe de Teno y La Estrella por ser más alejada. Los resultados obtenidos en esta investigación permiten comprobar que la mortandad léxica es mayor en el grupo de informantes más jóvenes residentes en la localidad más cercana a la urbe de Teno, mientras que la vitalidad de los mapuchismos es mayor en el grupo de informantes de mayor edad residentes en la localidad más lejana a la urbe de Teno. En cuanto al campo semántico más expuesto a la mortandad es el campo de las actividades productivas de la agricultura.

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Se determinó las características de la estructura dasométrica y poblacional en bosques de las especies Polylepis canoi y Polylepis rodolfo-vasquezii en la Región Junín, 2016. El método utilizado fue descriptivo-transeccional, de manera que la recolección de datos fue en un solo momento, analizándolos y describiendo el estado actual de los bosques. Se midieron parámetros dasometricos determinando la clasificación diamétrica, altimétrica, densidad, cobertura y distribución espacial para los arboles de las especies: P. rodolfo-vasquezii y P. canoi. La información empleada fue generada a partir de las salidas de campo entre Julio y Diciembre del 2016 en parcelas de 100m2. Los bosques de la especie P. rodolfo-vasquezii se caracterizaron por presentar mayor cantidad de individuos con DAP menores a 15cm, alturas promedio de 2.5m, densidades entre 11–30 ind/ parcela y cobertura entre 41%-77%. Respecto a la especie Polylepis canoi, los árboles se caracterizan por presentar DAP mayores a 15cm, alturas entre 5–7m, densidades entre 4–8 ind/parcela, coberturas promedio 77%-156%.

CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior / The present work tries to analyze the migration from Cearà to the Amazon, in the transition of centuries XIX and XX, through the literary construction realized by Rodolfo TeÃfilo (1853-1932). For TeÃfilo, literature served as a space to question the lived, where the esthetic work carried out by the whiter would generate a product capable of educating readers and transforming society. The production of this whiter allows us to reflect how literate groups understood the demands, on the one hand, of an âartistic foundation of nationalityâ that needed to contemplate disparate cultural experiences (the one brought by the migrant in relation to the one existing in the Amazonian space) of the construction of a civilized image of the European molds, which clashed with the mestizo reality of the population, constituting a dilemma for the men of letters of the period. The construction of the experience of migration in the literary circles of Cearà was marked by conflicting visions, based on a dichotomy of prison/ freedom, since the representations of CearÃ‟s space were marked by the character of poverty and lack of resources for daily survival, with the only solution being migration, and, on the other hand, the departure of the native tree, meaning an unnecessary expatriation, since the place of destination, the Amazon, would be worse in terms of solitude and identity disintegration. The methodological work with literature, according to the literary critic Antonio CÃndido, must take into account that the literary work is a model of coherence proposed by the author, who arranges the words in order to transform the matter of inspiration into an organized whole. It is, therefore, for the historian to reorder the writer‟s would-readings at the time of writing, to observe the message he intended to share with the readers and the goals he sought to achieve, taking into account the perspectives opened up in his own literary form / O presente trabalho procura analisar a migraÃÃo cearense para a AmazÃnia, na transiÃÃo dos sÃculos XIX e XX, atravÃs da construÃÃo literÃria realizada por Rodolfo TeÃfilo (1853-1932). Para TeÃfilo, a literatura servia como espaÃo para questionar o vivido, onde o trabalho estÃtico realizado pelo escritor geraria um produto capaz de educar os leitores e transformar a sociedade. A produÃÃo deste escritor permite refletir como os grupos letrados entendiam as demandas, por um lado, de uma âfundaÃÃo artÃstica da nacionalidadeâ que precisava contemplar experiÃncias culturais dÃspares (a trazida pelo migrante em relaÃÃo à existente no espaÃo amazÃnico) e, por outro, da construÃÃo de uma imagem civilizada do paÃs aos moldes europeus, que entravam em choque com a realidade mestiÃa da populaÃÃo, constituindo um dilema para os homens de letras do perÃodo. A construÃÃo da experiÃncia da migraÃÃo pelos cÃrculos letrados cearenses era marcada por visÃes em disputa, pautadas numa dicotomia de prisÃo/liberdade, uma vez que as representaÃÃes sobre o espaÃo cearense vinham, por um lado, marcadas pelo carÃter de pobreza e carÃncia de recursos para sobrevivÃncia cotidiana, tendo como Ãnica soluÃÃo a migraÃÃo, e por outro lado, a partida do torrÃo natal significando uma expatriaÃÃo desnecessÃria, posto que o local de destino, a AmazÃnia, seria pior em termos de solidÃo e desestruturaÃÃo identitÃria. O trabalho metodolÃgico com a literatura, de acordo com o crÃtico literÃrio Antonio CÃndido, deve levar em consideraÃÃo que a obra literÃria à um modelo de coerÃncia proposto pelo autor, que dispÃe as palavras de modo a transformar a matÃria de inspiraÃÃo em um todo organizado. Cabe, portanto, ao historiador reordenar a leitura de mundo feita pelo escritor no momento da escrita, observar a mensagem que pretendia compartilhar com os leitores e os objetivos que procurava atingir, levando em consideraÃÃo as perspectivas abertas na prÃpria forma literÃria.

The Piano Sonatas of Rodolfo Halffter (b. 1900, Madrid, Spain) represent an important body of literature not widely known nor understood for their historical importance and Spanish heritage. The entire development of Halffter's compositional style, which embraces three periods of composition, may be traced through these sonatas. The modes of composition may be seen not to be separate and distinct but as having inter—relationships which therefore affect the outcome of Halffter's final dodecaphonic technique. The culmination of his serial method is found in the Tercera Sonata, op. 30. At first glance, this work appears to be a radical departure from the former styles. However, a more in-depth study reveals this sonata to be the logical outgrowth of earlier compositional techniques, thereby blending diverse, eclectic elements into a unique and homogenous application, all Halffter's own. Forced to flee his native country in 1939, Halffter became the first composer in Mexico to use twelve-tone techniques. Together with Carlos Chavez, he exerted great influence on the present generation's group of Mexican composers. Halffter today remains a crucial link in the continuation of the Spanish tradition as exemplified by his former mentor, Manuel de Falla. A brief explanation of Falla s theory of resonance including sketches in Falla's handwriting as well as portions of the unpublished analysis of Halffter's Tercera Sonata are presented, perhaps for the first time. This study reveals how Halffter manipulates many Spanish elements which are found in the ancient cante iondo and the string tunings of the guitar in addition to the use of acciacaturas and the internal rhythm of Domenico Scarlatti into a personalized idiom which remains apparent throughout all his compositional styles. An analysis of Halffter s Tercera Sonata shows that the final period is characterized by a unique blending of Falla's "apparent poly-tonality" with the twelve-tone system of Arnold Schoenberg.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

This thesis article analyzes Rodolfo Teófilo's novel "A fome" through the lens of ecofeminism, exploring the representations of gender and nature in Brazilian literature. The novel, set during a devastating drought in the Northeast, follows Manuel de Freitas and his family as they seek relief in Ceará. While existing criticism has focused on the novel's use of nature and masculinity, the portrayal of female characters and the connection between gender and nature representations have been overlooked. Ecofeminist theory offers a critical perspective to understand these dynamics, revealing the devaluation of women and nature in favor of men and human beings in the narrative. The novel inadvertently perpetuates this oppressive view, objectifying women and land as submissive entities open to domination, despite acknowledging their abundance and creative power. While "A fome" effectively depicts the horrors of drought and societal injustices, it misses the opportunity to explore the imbalanced, hierarchical binaries of men/women and human/nature. By embracing an ecofeminist approach, the novel could have delved into the intertwined discourses of environmental and gender justice, presenting potential for empowerment and positive change. This article emphasizes the need to interweave these discourses in Brazilian literature to create a more inclusive and equitable societal narrative.