A tese que aqui apresentamos tem como objetivo geral estender a contribuição dos estudos de Daniélou para os campos da Filosofia da Música, Teoria Musical e da Cognição Musical, indo além do campo da Etnomusicologia dentro do qual o trabalho de Daniélou é comumente classificado; e seu objetivo específico é compreender sua contribuição para o entendimento da música em nossos dias, tanto no que se refere à sua recepção quanto às possibilidades que abre aos seus aspectos criativos. Sendo coerentes com o sistema de pensamento indiano de Alain Daniélou, e com sua afirmação da incognoscibilidade da realidade última e da falsidade da verdade tomada como dogma, analisamos seus estudos e pesquisas como interpretações ou redescrições possíveis do fenômeno musical, para isso nos baseamos na aproximação feita por Gadamer entre Teoria e Filosofia e na proposta de Rorty de que novas redescrições do objeto contribuem para ampliar o seu conhecimento, além disso concordamos com o que Kuhn aponta a respeito dos paradigmas científicos, e que Vattimo atribui especialmente às artes: a persuasão e convencimento retóricos têm um papel preponderante na consolidação de um paradigma, seja ele artístico ou científico. Entendemos as acepções musicais de Daniélou como próximas à de autores como Titus Burckhardt e sua proposição de Arte Sagrada, bem como de Joscelyn Godwin e a Música Especulativa. Analisam-se também os estudos e pesquisas de Daniélou mais como uma proposição, uma contribuição para o desenvolvimento de uma nova possibilidade criativa no domínio musical, do que uma sistematização de uma música já existente. Como resultado, a aproximação do trabalho de Daniélou permite a possibilidade de delimitação e comparação dos grupos de termos Música Especulativa e Especulação Musical; Música Sagrada e Sacralização da Música; Doutrina do Ethos, Teoria dos Afetos, e Expressão dos Sentimentos; a simbologia envolvida na metafísica musical proposta por Daniélou e a abordagem de sua Escala Universal dos Sons que nos permite delimitar os termos Tônica e Fundamental. Por fim propõe-se uma interpretação teóricofilosófica dirigida à poética da criação musical, considerando possibilidades abertas por sua escala como uma espécie diferente do relativismo do sistema do Temperamento Igual, um perspectivismo, campo fértil para a criação. / This thesis aims to extend the contribution of Daniélou\'s studies for the fields of Philosophy of Music, Music Theory and Musical Cognition, going beyond the field of Ethnomusicology within which his work is commonly classified, and to understand its contribution to the understanding of music today, both with regard to its reception and to the possibilities that its creative aspects opens. Being consistent with the system of Indian thought of Alain Daniélou, and its affirmation of the unknowability of ultimate reality and falsehood of the truth taken as dogma, we analyze their studies and researches as possible redescriptions or interpretations of the musical phenomenon, for this we based on the approach made by Gadamer between Theory and Philosophy and Rorty\'s propose that new object redescriptions contribute to broaden your knowledge, beyond this, we agree with Kuhn points about the scientific paradigms, and Vattimo attaches especially to the arts: persuasion and rhetorical conviction have a leading role in the consolidation of a paradigm, be it artistic or scientific. We understand the musical descriptions of Daniélou as close to the authors like Titus Burckhardt and his proposition of Sacred Art as well as Joscelyn Godwin and the Speculative Music. It also analyzes the studies and the surveys of Daniélou more like a proposition, a contribution to the development of a new creative possibility in the field of music, than a systematization of an existing music. As a result, the approach of the Daniélou\'s work allows the possibility of defining and comparing the groups and terms Speculative Music and Musical Speculation; Sacred Music and Sacralization of Music; Doctrine of Ethos, Theory of Affections, and Expression of Feelings; the symbolism involved in musical metaphysical approach proposed by Daniélou and his Universal Scale of the Sounds allows us to define the terms Tonic and Fundamental or Root. Finally we propose a theoretical-philosophical interpretation addressed to the poetics of musical creation considering the possibilities opened up by its scale as a different kind of relativism of the Equal Temperament System, perspectivism, fertile ground for the creation.

This thesis is a study within the international master program “Religion in Peace and Conflict” at the department of theology at Uppsala University. The study should be seen as a microstudy over the role gastronomy plays as a tool for peace and resistance in the Holy Land. Jerusalem represent Israel and Tabye and Bethlehem represent Palestine in the study. The method used is the so-called abductive method or reasoning, where I am the one who is observing and analysing data from an ethnographical standpoint. The study is interdisciplinary in the way that cookbooks, interviews, personal observations and photographs are used as primary sources.  The theory “The gastronomic man” are the theoretical framework. The theory deals with the factors that are of importance for the choices humans make when it comes to food and beverage. The results of the study indicates that gastronomy is present at least on two levels in society in the Holy Land, on a high political level manifested via diplomatic gastronomy and on a more personal level where the informants works with gastronomy both as a tool for peace, and for the Palestinians also a way to overcome the effects of the occupation. The results also indicates that education within the culinary arts are of great importance in order to understand other groups’ cuisines than one’s own. The cuisines that falls back on heritage, culture and nations. It is suggested that gastronomy can take the part of religion itself for its practitioners since themselves constructs what is sacred.

Les formes du temps chez Albert Cohen ont montré qu'il existe une interaction entre le temps chronologique romanesque et l'histoire écrite en filigrane l'ensemble des œuvres. Les différentes formes et modes d'expression du temps chez Cohen constituent le socle d'une écriture plurielle en contradiction avec son temps. L’œuvre de Cohen dépasse tous les clivages de la temporalité poétique, romanesque, lyrique, théâtrale, autobiographique, profane et sacrée pour atteindre une dimension universelle d'une construction du temps fondé sur la différence. Le récit a précisément pour rôle de permettre le décryptage du temps par l'homme à travers une expérience intime dont les différentes manifestations les plus fréquentes dans les romans cohéniens sont l'attente, la solitude, l'ennui et la mélancolie. Le moment intime est non seulement illimité mais il reste ouvert à plusieurs horizons ce qui permet d'ailleurs la cohabitation de multiples séquences spatio-temporelles. Avec l'Histoire, le temps admet deux réalités parallèles : une première, terrestre, à partir de laquelle l'homme commence à évaluer le temps chronologique et linéaire ; une seconde, mythique regroupant la première en lui donnant un ancrage dans le temps d'antan que l'écrivain régénère avec l'avènement d'un nouvel Adam. / Forms at the time Albert Cohen showed that there is an interaction between chronological time and history novels written between the lines of all works. Different forms and modes of expression of time in Cohen are the foundation of a plural writing in contradiction with the times. Cohen's work transcends all divisions of temporality poetic, romantic, lyrical, dramatic, autobiographical, profane and sacred dimension to achieve a universal construction based on the time difference. The History is precisely to allow the decryption part time by man through an intimate experience with the various manifestations common in novels cohéniens are waiting, loneliness, boredom and melancholy. The intimate moment is not only unlimited but it remains open in several horizons thereby also the coexistence of multiple spatio-temporal sequences. With history, time admits two parallel realities : first, land, from which he begins to evaluate the chronological time and linear second, involving the mythical first giving it a foothold in the time of old regenerates the writer with the advent of a new Adam.

Pela aproximação de discursos que já à primeira vista deflagram suas disparidades o de Fernando Pessoa em Mensagem, e o de Agostinho Neto em Sagrada Esperança , delineiamse visões, acerca do papel da arte, cujo contraste lança novas luzes sobre a identidade e as peculiaridades de cada obra. Ao se traçar paralelos entre essas visões, dá-se a ocasião para discutir a questão do poder da literatura na busca por entendimento e melhoria da experiência humana no mundo. Com seus passeios pelos poemas e as interpretações propostas, esta dissertação busca perquirir os meios pelos quais o fazer poético daria conta de instaurar uma realidade própria que, embora ficcional, revela-se apta a exercer uma influência significativa no real objetivo / By bringing close two discourses as different as the ones in Message, by Fernando Pessoa, and Sacred Hope, by Agostinho Neto, contrasting visions of the role of art come forth, as new lights are cast on the identity and peculiarities of each work. By drawing parallels between those visions, it is given the opportunity to discuss the power of literature in the search for understanding and improving of mans experience in the world. With its strolls through the poems and its suggested interpretations, this dissertation attempts to scrutinize the means by which the poetic labor manages to create a reality of its own that, though fictional, revels itself as able to significantly influence reality

Made available in DSpace on 2016-03-22T17:27:23Z (GMT). No. of bitstreams: 1 Tese Jandira - FINAL JULHO DE 2014.pdf: 2174957 bytes, checksum: c807ef68b07b55e6711a632a918ea4ba (MD5) Previous issue date: 2013-12-20 / This thesis presents research on the discursive gender representation of nuns and prostitutes . The study, which placed in the dialogue of French Discourse Analysis (DA) and Women's Studies, problematizes the essentializing notion of female identity in the space of the sacred and the profane and approach about the view of subjectivity. The intention was, about the assumptions of AD, identify knowledge and demands that are nuns and face prostitutes the processes of interpellation-identification in a historical moment in which social conditions intent the subjective condition. To conduct the survey, consisted of a file statements with the answers given by the women of the two groups to the question "What is a woman?". File, were cut SDRs (discursive reference sequences), which were analyzed about the category of subject position . With the analysis of SDRs, it was found that nuns and prostitutes identify with the prevailing ideology but also to identify against occupying positions subject heterogeneous and divergent. From these subject-positions, it was possible not only to discuss gender relations experienced by the nuns and prostitutes but also to list the similarities and differences between the two groups of women and similarities and differences among women of the same group. Given these results, we conclude that the nuns and prostitutes resignify "to be woman" in their discursive spaces / Esta tese apresenta a pesquisa sobre a representação discursiva de gênero de freiras e de prostitutas. O estudo, que colocou em diálogo a Análise de Discurso francesa (AD) e os Estudos Feministas, problematiza a noção essencializadora de identidade feminina no espaço sagrado e no profano e a aborda sob o viés da subjetividade. A intenção foi, sob os pressupostos da AD, identificar saberes e demandas que constituem freiras e prostitutas face aos processos de interpelação-identificação em um momento histórico em que as condições sociais tensionam a condição subjetiva. Para a realização da pesquisa, foi constituído um arquivo de falas com as respostas dadas pelas mulheres dos dois grupos à pergunta O que é ser mulher? . Do arquivo, foram recortadas SDRs (sequências discursivas de referência), as quais foram analisadas sob a categoria de posição-sujeito. Com as análises das SDRs, verificou-se que freiras e prostitutas identificam-se com a ideologia vigente, mas também se contraidentificam, ocupando posições-sujeito heterogêneas e divergentes. A partir dessas posições-sujeito, foi possível não apenas discutir as relações de gênero vivenciadas pelas freiras e pelas prostitutas mas também elencar semelhanças e diferenças entre as mulheres dos dois grupos e semelhanças e diferenças entre as mulheres do mesmo grupo. Diante desses resultados, é possível concluir que freiras e prostitutas ressignificam o ser mulher nos seus espaços discursivos

Made available in DSpace on 2016-07-27T13:46:26Z (GMT). No. of bitstreams: 1 SELCIO DE SOUZA SILVA.pdf: 6140283 bytes, checksum: a110c13fcac810bfbc31fb43930a7786 (MD5) Previous issue date: 2011-02-09 / Our purpose of study and corpus research is the Catholic Charismatic Renewal, a Pentecostal hustle, introduced in the Roman Catholic Christian religious institution. The objective in this work is to understand the action of the sacred in any miracle purpose, our goal is to analyze the concepts of miracle cure in the Catholic Charismatic Renewal presented by the faithful, from their narratives about how they its impacts on personal and social life of those who took part in the experience of the miraculous phenomena, that is, cancer cure. Charismatic Renewal, thus enabling an environment conducive to the pursuit of religious offering (occurrence of miracles) to the sacred, from feelings as belief and supernatural faith, but without leaving the conventional treatment. Reestablishing them physical, psychic and emotionally, giving them a purpose (nomia) to their existence. It will be developed through a field research, supported in the sociological discussion of religion that will enable us to identify each Catholic Charismatic Renewal, beyond the therapeutic function, element as convener (because of its paradoxical character), between Religion and Medicine, faith and science. In particular, it will be focused through this labor, to analyze and present the experience of the miracle with a group of 7 (seven) women Brazil. For this current analysis, it will be used, in our fieldwork, two investigative methods: participant observation and implementation of two research questionnaires (self-applicable). Therefore we realize that religion, mainly the Catholic Charismatic Renewal is a way to provide its followers to try religion or it may lead to the meeting cancer. In Catholic Charismatic Renewal, the miracle cure comes as a converging space between Religion and Medicine because these two realities in modern ages are prone to reconnect towards the solution of modern problems. This encounter provides changes in the psychological and social behavior, because they correspond, respectively, a change in the order of the conscious and unconscious and, hence a behavioral intrapersonal and interpersonal change. / O objeto de estudo deste trabalho é a Renovação Carismática Católica, movimento pentecostal, pertencente à instituição religiosa cristã católica romana. Buscar-se-á, nessa tese, compreender a ação do Sagrado nas eventuais curas milagrosas da RCC nos diversos exercícios espirituais praticados pelos seus adeptos. Para tal propósito, o objetivo é analisar as concepções da cura milagrosa na Renovação Carismática Católica apresentadas pelos seus fiéis, a partir de suas narrativas sobre como testem impactos na vida pessoal e social daqueles que participaram da experiência dos fenômenos milagrosos, isto é, a cura do câncer. A RCC, ao possibilitar um ambiente propício para a busca da oferta religiosa (ocorrência dos milagres) aos seus fiéis, faz com que alguns de seus adeptos experimentem a manifestação do Sagrado, a partir de sentimentos de crença e fé no sobrenatural, sem, todavia, abandonar o tratamento convencional. Restabelece-os, tanto física, psíquica e emocionalmente, dando-lhes sentido (nomia) à sua existência. Será desenvolvida uma pesquisa de campo, amparada na discussão sociológica da Religião que nos possibilitará identificar a RCC, além da função terapêutica, como elemento congregador (por conta de seu caráter paradoxal) entre religião e medicina, fé e ciência. De modo especial, buscar-se-á, neste trabalho, analisar e apresentar a experiência do milagre com um grupo de 07 (sete) mulheres que dizem terem sido curadas no Grupo de cidade de Goiânia, GO. Para análise, serão utilizados, neste trabalho de campo, dois métodos investigativos: observação participante e aplicação de dois questionários (auto-aplicáveis) de pesquisa. Percebe-se que a Religião, de modo específico, a RCC possibilita ao fiel a experiência religiosa ou o encontro do homo religiosus com o Sagrado dentro da trama humana da doença cancerígena. Na Renovação Carismática Católica, a cura milagrosa apresenta-se como um espaço convergente entre Religião e Medicina porque essas duas realidades na modernidade estão propensas a se re/aproximar em prol da solução dos problemas modernos. Esse encontro proporciona mudança nos comportamentos de ordem psicológica e sociológica porque corresponde, respectivamente, a uma mudança da ordem do consciente e do inconsciente e, consequentemente, a uma mudança comportamental intrapessoal e interpessoal.

Made available in DSpace on 2016-07-27T13:48:13Z (GMT). No. of bitstreams: 1 ADELMAN SOARES ASEVEDO.pdf: 276999 bytes, checksum: 108d9b5a8bc8818cde099a1c27eb0fa0 (MD5) Previous issue date: 2013-12-17 / Mediumship related to the religious experience and mental health is the theme of this paper, which has the spiritual mediumship as its specific object of investigation. The present study was developed based on various fields of human knowledge, such as anthropology, psychopathology, knowledge about mental health and its recent achievements. Concepts of religious experience, mediumship and psychopathology are worked in order to clarify questions which were inserted in this study, and these questions have to do with mediumship, religious experience and mental health. The methodology used was the review of the classical bibliography with concepts and cases that exemplify psychic manifestations. From this review, assumptions were made on the central theme - mediumship, religious experience and mental health. Concepts of umbanda and kardecist spiritism were used to illustrate and identify the diversity of the theme. From the perspective of psychic suffering, mediumship, religious experience and mental health were addressed together in order to show that it is possible to develop mental health experiencing suffering and anguish, since they are welcomed and thus able to restore the notion of the self. This study contributes to the understanding of mediumship as religious experience which leads towards the good exercise of mental health, since individuals who are able to develop their psychic experiences become important for the well-being of the whole community. / A mediunidade correlacionada à experiência religiosa e saúde mental é o tema desta dissertação, que tem como objeto específico a própria mediunidade. O seu estudo envolveu pesquisa em diversos campos do saber como antropologia, psicopatologia, conhecimentos sobre saúde mental e sua conquista. Conceitos de experiência religiosa, mediunidade e psicopatologia são trabalhados a fim de clarear perguntas inseridas neste estudo: mediunidade, experiência religiosa e saúde mental. A metodologia utilizada foi a revisão da bibliografia clássica com conceitos e casuística que exemplificam manifestações mediúnicas. A partir dessa revisão, foram feitas digressões sobre o tema central mediunidade, experiência religiosa e saúde mental. Conceitos da umbanda e do espiritismo kardecista foram utilizados para ilustrar e identificar a diversidade do tema. Sob a perspectiva do sofrimento psíquico, mediunidade, experiência religiosa e saúde mental foram abordadas conjuntamente para mostrar que é possível construir saúde mental vivendo experiências de sofrimento e angústia, desde que bem acolhidas,contribuindo assim para a restauração da própria noção do eu. Este estudo contribui para o entendimento da mediunidade enquanto experiência religiosa que pode caminhar para um bom exercício da saúde mental, visto que indivíduos que conseguem elaborar as suas experiências mediúnicas tornam-se elementos de importância capital para o bem estar da coletividade.

Made available in DSpace on 2016-07-27T13:49:30Z (GMT). No. of bitstreams: 1 Luciana Rodrigues Pinheiro Torres.pdf: 377503 bytes, checksum: dc40f8f6b67550d7ac69854068598c07 (MD5) Previous issue date: 2007-04-25 / Arts as an expression of the human being as a whole has always been directly related to rituals. The dance as an artistic expression, and as part of those rituals, develops it self in each culture as a means of expressing the maturing concepts cultural values of a people. It becomes a mirror of the society from which it comes. This study endeavours to analyse dance as an expression of worship to deity (the sacred). It looks to discuss the process which took place as dance lost its fundamental place as part of Christian worship. Furthermore it looks at how dance regained its place in the current Christian worship trend. The study also endeavours to encourage a timely reflection on this current phenomena. / A arte como expressão da plenitude do ser sempre esteve relacionada ao rito. A dança como expressão artística e participante do rito se desenvolve em cada cultura, de forma a ser a expressão do amadurecimento de conceitos e valores culturais de um povo. Ela se torna um reflexo da sociedade em que está inserida. O presente estudo quer fazer uma análise em relação à dança como expressão de culto ao Sagrado, apontando discussões sobre o processo de desapropriação da dança como forma de culto por parte do cristianismo e sobre o fenômeno contemporâneo de reapropriação da mesma. As conclusões finais buscam conduzir a uma reflexão do fenômeno no presente.

Cette thèse a pour objet l’étude de la IIe province de Basse-Égypte, et de ses villes, dont la principale était Khem/Sékhem. Cette région devint le nome Létopolite à partir de l’époque ptolémaïque d’après sa métropole nouvellement nommée Létopolis. De nos jours, elle correspond, approximativement, au nord du gouvernorat de Giza et seuls quelques vestiges y furent retrouvés, notamment à l’emplacement de l’ancienne métropole, aujourd’hui Aousîm, située à 12 km au nord-ouest du Caire. Ces découvertes ne permettent pas d’appréhender à leur juste valeur la toponymie et les cultes anciens. En revanche, la province et les quelques toponymes qui peuvent y être localisés - Khem/Sekhem, Iyt, Imhedj/Kemhedj, Sakhebou, Ro-hésaou, Sa-ta, … - sont présents dans des sources égyptiennes, à la fois sacrées et profanes, provenant de l’extérieur de cette région et cela depuis l’Ancien Empire jusqu’à l’époque romaine. Le corpus documentaire établi réuni ainsi les documents mentionnant les toponymes de cette zone d’étude, ses dieux ou les titres locaux, depuis la période thinite jusqu’à l’époque romaine, en langue égyptienne et en écriture hiéroglyphique, hiératique et démotique. La finalité de ce travail ayant pour but de dresser un portrait général de cette région, principalement par le biais d’une étude de géographie religieuse, et d’essayer, à partir de sources qui lui sont extérieures, de déterminer quels pouvaient être les contextes locaux, et ceux dépendant d’une théologique nationale et extérieure à sa région. Quatre axes principaux sont développés dans la synthèse. Premièrement, l’étude des lieux vise à présenter leur toponymie, leur éventuelle identification et localisation, leur fonction ainsi que les éléments historiques connus. La deuxième partie aborde les dieux en-eux-mêmes, classés selon leur ville, ou sanctuaire principal, en détaillant leurs fonctions et leurs caractéristiques. Troisièmement, nous abordons les mythes, les rites et les res sacrae de la province qui présentent ainsi les thèmes principaux qui lui sont rattachés localement et dans la religion nationale. Enfin, la quatrième partie est consacrée à une étude prosopographique et une analyse des titres apparaissant dans la province en présentant les différentes familles enregistrées et les titres et fonctions qu’elles portaient durant toute l’Histoire égyptienne. / The aim of this PhD is to study the 2nd province of Lower Egypt, and its towns, of which the main one was Khem/Sekhem. This area was called the Letopolite nome since the Ptolemaic Period and according to its new metropolis : Letopolis. Nowadays, this province is situated to the north of Giza’s governorate where some remains were found, particularly on the site of the former metropolis, todays Ausim which is located 12 km northwest of Cairo. These findings don’t provide a lot of information about places and cults in this region. However, the province and some identified place names in the region (Khem/SekhemIyt, Imhedj/Kemhedj, Sakhebu, Ro-hesau, Sa-ta ...) are present in other Egyptian sources, sacred and profane. The established corpus of gathered documents mentioning a place-name of the region, its gods or local titles from the Early Dynastic Period up to the Greco-Roman Period in Egyptian, hieroglyphic, hieratic and demotic language. The purpose of this study aiming at drawing up a general view of the sacred geography of this region and, at trying from sources which are outside it, to determine what could be the local contexts, and those dependent of a national theology. Four main themes are developed in the essay. Firstly, the study of the places introduces their names, their possible location and identification, function and historical elements known when possible. The second part broaches the gods-themselves, classified according to their main city or sanctuary while detailing their duties. Thirdly, we discuss the myths, rites and res sacrae of the province and present the main topics that are attached to this province locally and in the national religion. The fourth part is devoted to a prosopographic study and analysis of the titles appearing in the province by presenting the various registered families, the titles and the functions they bore throughout Egyptian history.

Title from accompanying document. / Collegiate Chorale ; conducted by Kathleen Wilson ; J. Sloop, soprano ; D. Huyett, piano ; J. Hall, organ ; Student String quartet ; Student Recorder Ensemble. / Digitized by Kansas Correctional Industries