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Fenomenologija spektakla: scenski dizajn kao sredstvo konstrukcije događaja / Fenomenology of Spectacle: Scene Designas Event Construction InstrumentDadić Dinulović Tatjana 20 May 2014 (has links)
<p>Pojam scenskog dizajna označava oblast<br />profesionalnog, umetničkog, kustoskog,<br />teorijsko-kritičkog i edukativnog delovanja<br />koja je nastala proširenjem pojma i oblasti<br />scenografije. Kao polje profesionalnog<br />delovanja u pozorištu, scenski dizajn<br />obuhvata različte oblasti scenskog<br />stvaralaštva, objedinjenih u procesu<br />nastanka prostora pozorišne predstave.<br />Kao kompleksna umetnička i kustoska<br />disciplina, scenski dizajn pripada polju<br />ukrštanja pozorišta, arhitekture i vizuelne<br />umetnosti u interdisciplinarnu umetnost.<br />Osvajanjem prostora „između“ uspostavljen<br />je otvoreni model umetničkog istraživanja i<br />delovanja, pa ovakvu vrstu proširenja<br />možemo smatrati pokretačem velikog broja<br />novih ili transformisanih stvaralačkih praksi.<br />Delo scenskog dizajna može nastati u<br />svakom stvaralačkom procesu koji<br />podrazumeva scenski način mišljenja i<br />upotrebu scenskih sredstava, a koji za cilj<br />ima realizaciju prostora scenskog<br />događaja. U radu je prikazano, analizirano i<br />vrednovano deset studija slučaja<br />umetničkih i kustoskih praksi u oblasti<br />scenskog dizajna, čime je ukazano na<br />raznovrsnost ishoda, umetničkih formi i<br />sredstava, različitost ambijenata u kojima<br />su dela izvedena, vrste publike i javnosti<br />kojima se obraćaju, kao i specifičnosti<br />načina njihovog nastanka i raznovrsnost<br />upotrebe medijskih linija. Takođe, prikaz<br />razvoja scenskog dizajna van prostora<br />pozorišta omogućio je ustanovljavanje tri<br />njegove ključne karakteristike –<br />višemedijsku prirodu scenskog dizajna,<br />posebnu ulogu prostora u delima scenskog<br />dizajna i uspostavljanje specifičnog odnosa<br />između izvođača i publike.</p> / <p>Term scene design relates to professional,<br />artistic, curatorial, theoretical and<br />educational practices developed from the<br />expanded meaning of scenography – as<br />semantic category and artistic discipline. In<br />professional theatre practice, scene design<br />connects several artistic disciplines, joint<br />together in the process of creating a space<br />for theatre performance. As a complex<br />artistic and curatorial practice, scene design<br />stands at the crossroads of theatre,<br />architecture and visual arts, united in the<br />field of interdisciplinary art. By taking the<br />space “in between” disciplines, scene<br />design becomes an open model for artistic<br />research and practice, serving as a core<br />drive for a large number of new or<br />transformed artistic and curatorial works.<br />Every creative process which includes<br />scenic way of thinking and scenographic<br />means of expression, and aims at<br />realisation of performing space, can be<br />defined as scene design artwork. The<br />research included presentation, analysis<br />and evaluation of ten case studies of artistic<br />and curatorial practices of scene design.<br />The analysis aimed at showcasing diversity<br />of artistic outcomes, forms and means of<br />expression, variety of performing<br />environments and types of audience, as<br />well as specific circumstances in which<br />works were created or diversity of media<br />used. At the same time, insight into<br />development of scene design works outside<br />theatre practice resulted in establishing<br />three of its key characteristics – multimedia<br />nature of scene design, essential role of<br />space in scene design works and specific<br />relation between performer and audience.</p>
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Reduce, Reuse, Recycle – Research: Sustainable Scene Design for a Production of Henrik Ibsen’s <i>An Enemy Of The People</i>Quinlan, Joshua Mortimer 14 September 2016 (has links)
No description available.
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