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Religiösa Motiv i Tre Noveller av Selma Lagerlöf : Utifrån ett lutherskt livsförståelseperspektiv / Religious Motifs in Three Short Stories by Selma Lagerlof : from the perspective of a Lutheran understanding of lifeGustav, Eriksson January 2017 (has links)
This thesis purpose is to analyse the purpose and use of religious motifs, with a focus on Lutheran faith and elements of the ideal of the passive woman in Sweden during the 17th century, in three novels written by Selma Lagerlöf. The three novels are “Tösen från Stormyrtorpet”, ”Legenden om Julrosorna” and “Gudsfreden”. Neither of them have a lot written about them therefore other sources has been used. The first part consists of an introduction to Lutheran faith and values, based on Vägen mellan himmel och jord: underströmmar av luthersk livsförståelse i Selma Lagerlöfs författarskap by Margareta Brandby-Cöster. As well as a short summary of the religious landscape of Sweden during the 17th century, the female emancipation movements relation and its negative view on passive female ideal. The first part will also contain a brief summary of how Christianity and the industrialisation has affected the male image. The second part is the analysis of the three novels where the first one is “Tösen från Stormyrtorpet”. The focus will be to explore how Lutheran values are expressed in the story as well as how the female protagonist Helga is used to reveal problems in society and its view on women related to religious values. In “Legenden om Julrosorna” I look at the how Lutheran values are expressed especially the thought of love for the other and the belief that you need to be part of society to live in the world created by God for humans. In the third novel “Gudsfreden” I will examine what male identities are constructed and expressed as well as the consequences of a “Christian hero” putting himself above God. In the third and final part I will connect my thesis to the subject of Swedish with a focus on upper secondary school. I will compare it to the curriculum and discuss the importance of exploring themes in literature.
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“Och här är det man finner det man söker.” : En stilistisk analys av fyra miljöskildringar i Selma Lagerlöfs JerusalemSvärd, Helena January 2015 (has links)
This study examined four different settings in Selma Lagerlof’s novel Jerusalem, part I and II. The aim of the study was to analyse the narrative perspective in the four selected scenes of the novel, and also to investigate whether the narrator’s tone in any of the passages could be said to express orientalism. The material consisted of four text passages describing the novel’s two main geographical locations (the district of Dalarna and the Holy Land). Literary theories used for the study were narratology and postcolonial theory. The applied method to analyse the passages was to use the selection of semantic and syntactic markers compiled by Staffan Hellberg (1985) for stylistic analysis of the narrator’s perspective in Swedish narrative texts. The results of the study show that the overall narrative perspective in the scenes are non-focalized, and that the most frequently featured stylistic markers consist of words and phrases expressing value. A summery of the most frequently used stylistic markers show that it is possible to divide the narrative tone into four categories, as the “presenting”, “sympathizing”, “demonstrating” and “educating” narrator. The results also indicate that orientalism is evident in the two analysed passages from Jerusalem, part II.
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I Norrland kan ingen höra dig skrika : En postkolonial läsning av Stefan Spjuts StalloHellström, Madelaine January 2014 (has links)
The northern province of Sweden has in both literature and film been depictured as something foreign and mythical, unlike the rest of the country. It has been my purpose to show in this essay that the systematic categorization of Norrland and its literature reveals multiple criteria known to define the colonial era. By reading the novel Stallo by author Stefan Spjut with postcolonial structures in mind I aim to show how the author uses Swedish mythology and through the presence of The Other criticizes colonial structures in place to this day. By examining the gothic atmosphere I intend to indicate how the trolls in the novel figures as both a horror element as well as a representation of nature itself. It is my belief that the author by further reinforcing the mythological in relation to Norrland addresses the problem at hand. That Norrland is still to this day a colony within its own country. / I Norrland kan ingen höra dig skrika. Det är så det norrländska landskapet har framställts inom både litteratur och film i Sverige. Norrland har genom åren gestaltas som något avlägset och mystiskt, nästintill främmande. Helt olikt resterande delar av landet. Det är min avsikt att visa hur den systematiska kategoriseringen av Norrland och dess litteratur avslöjar flera av de kriterier som per definition beskriver kolonism. Genom en postkolonial läsning av spänningsromanen Stallo (2012), av författaren Stefan Spjut, söker jag visa hur författaren genom svensk folklore och genom en övernaturlig närvaro kan kritisera koloniala strukturer.
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