This thesis focuses on the flourishing music-publishing industry in England in the second half of the seventeenth century, and examines its relationship to and influence on the activities of professional musicians. Music publishing as a commercial entity developed in England during this period, particularly, but not exclusively, through the endeavours of the Playford family. By placing the printed music books within the social and cultural contexts in which they were produced, this thesis explores the consequences of printing on the musical text, understanding the purposes for which the printed book was created and how different functions of print affected the musical texts that they contained. A detailed examination of the printed music sources sheds light on how publication (including posthumous publication) related to the image and status of the composer, and draws attention to the interaction between public music-making, compositional activity and music publishing during this period. Through an investigation of the contemporary printed outputs of five case-study composers - William Lawes, Henry Lawes, Matthew Locke, Henry Purcell and John Blow - this thesis explores the individual nature of the composers' relationships with the printed music book trade and how their contemporary printed outputs relate to their overall compositional output. This is followed by a detailed analytical study of specific compositions by the five case-study composers, examining both contemporary manuscript and printed sources, in order to determine to what extent the commercial print market influenced professional musical creativity. Different versions of compositions of certain genres, particularly secular vocal works, were disseminated via print as opposed to manuscript, and these alternative versions appear to have been instigated by both composers and stationers. This approach to examination of contemporary sources calls for the contextual consideration of sources and the musical texts within them.

The equity side of the court of exchequer "is by far the most obscure of all the English jurisdictions," declared Plucknett. The purpose of this essay is to shed some light upon this court and to explore its jurisdiction, to introduce its staff, to discover its procedures, to explain its equity records, and perhaps to render Plucknett's statement obsolete. Institutional history has an unfortunate tendency to dryness and remoteness, which coupled with the author's literary short-comings portends a tedious undertaking for the reader of this work. However, a reminder of the immense importance- of institutional history for both the lawyer and the historian will, hopefully, overcome this initial discouragement. Substantive law is inextricably intermingled with the procedures of the court; the practicalities of the prosecution of a lawsuit can never be neglected. Of initial and fundamental importance is that for which the petitioner prays. In practical terms this was a remedy for a grievance or a complaint; in larger terms and in the context of this study, this was the prayer for equitable relief. This study demonstrates that equity was bigger than the chancery and that others besides the lord high chancellor had a hand in its development . It is true that the court of chancery was the most important court of equity, but the existence of an alternative high court of equity in the exchequer had a significant effect upon the development of equity and upon the chancery itself.

One of the more recurrent issues in studies of the Portuguese in the colonial Peru has beenits consideration as judaizers. In fact, the process started by “the great conspiracy” that endedin the auto-da-fe in 1939 showed that the largest number of prosecuted by the felony ofjudaizing were Portuguese. However, among the group of the accused we have found somethat did not judaize and others, that having been judged, were free of suspicion. The presentarticle analyses some of the stories of this second group. Some were in Lima at a later dateand made a will, which reveals that the stigma of Jewish that sometime weighed on them didnot affect their relationships with their environment. / Uno de los aspectos más recurrentes en los estudios sobre los portugueses en el Perú colonialha sido el de su consideración como judaizantes. De hecho, el proceso iniciado por la“gran complicidad”, que culminó con el auto público de fe de 1639, puso de manifi esto queel mayor número de los procesados por el delito de judaizar eran portugueses. No obstante,entre este numeroso grupo de encausados encontramos unos que no judaizaron y otrosque, habiendo sido juzgados, quedaron libres de sospecha. El presente artículo analiza lashistorias de algunos de los que conformaron este segundo grupo: de quienes estuvieron enLima en fecha posterior al proceso e hicieron testamento, lo cual evidencia que el estigmade judío que en algún momento pesó sobre ellos no afectó sus relaciones con el medio.

This thesis attempts to reconcile a feminist with a contextualist approach. It enquires into the historical origins of the emergence of women as writers in the seventeenth century. At the same time, it places this women's movement in the context of a profoundly complex revolution in thought, thereby discovering that women's intellectual contributions to the destruction of the hierarchical world view and to the search for new, just alternatives were as diverse and as problematic as men's were. The women who wrote in the seventeenth century were all preoccupied, implicitly or explicitly, with the question: By what authority do I cast off the traditional silence of women and dare to speak out? They gave different answers. Part One uses the lives of Gertrude More and Mary Ward to illustrate the subtle ways in which the Catholic Church's concept of grace required the submission of women despite their conflicting inner voices. In contrast, Part Two explores the challenge of the seventeenth-century chariasmatic movement to the traditional notion of grace. The radical female Protestants made a significant step towards modern feminism both because they appealed to their own experience as a source for truth and because they initiated an autobiographical form which dramatizes the convinced woman in revolt against patriarchal structures. Part Three demonstrates that, despite the decline in the authority of the prophet's experience which came with the trliumph of the perspective and methods of science, Jane Lead's writings continued a mystical counter-tradition which would nourish the Romantic alternative to scientific reductionism. Part IV analyzes the views of Margaret Cavendish and Aphra Behn who argued the natural right of a woman to write. Both challenged neoclassical aesthetic ideals--Cavendish by writing to delight herself, Behn by writing to delight her audience. Part V concludes by contrasting the approaches of two women who appealed to the authority of rational argument to justify their views. Mary Astell emerges as an early theorist for enlightenment feminism, Anne Conway as a theorist for holistic feminism. / Thesis / Doctor of Philosophy (PhD)

This project consists of a transcription and translation of the Annuae 1626-1645, written by an unidentified Jesuit missionary in Tonkin (Vietnam). The document appears to have been used as a source text for António Cardim's book Batalhas da Companhia de Jesus, and, as a result, there are many similarities between the two works. Despite these similarities, the Annuae contains new and insightful information on the state of the Tonkin mission as well as an interesting outsider's perspective on Vietnamese politics in the early 17th century.

The area of Palermo and its environs are rich with history that has been virtually untouched. Little can be found in the English language about the history of Sicily and even less about the cities and towns where Sicilians lived and worked. This thesis looks at the town of Carini in the early seventeenth century (1590–1650) when the kings of Spain (Philip II, III, and IV) ruled Sicily. This study uses primarily Catholic parish records from La Chiesa Madre di Carini or the mother church of Carini to portray the life cycle of Carinese through birth, baptism, marriage, death, and burial in a southern Italian town at the height of Spanish rule. Moreover, the records that were consulted came into existence as a result of the religious fervor and revitalization of the Council of Trent. If it had not been for the Council of Trent and its mandates to keep records, this study might not have been possible. However, the Council of Trent made its way lackadaisically toward Palermo and its environs; therefore, this study relays how society effectively coexisted and conflicted with the reforms of Trent as a result of the politics of Spain, the structure of the church (chiese ricettizie), and the social and cultural landscape in seventeenth century Carini. The lives of villagers show us these patterns most clearly. In the birth and baptism chapter, Soro Rosalia Galluzzo, a widow, midwife, and nun shows the limitations for women and religion in this town. Marriage patterns also reveal more about how economics, politics, and religion merged to change the landscape in early seventeenth century Carini. Finally, the life, death, and burial of Don Gaspano Russo is an apropos example of the continuity of cultural practices in Carini despite the reforms of Trent.

Modern critical works on the seventeenth-century Extremaduran author Catalina Clara Ramírez de Guzmán are sparse, with the exception of recent interest manifested by a small group of feminist scholars in the United States. Apart from intermittent mentions of her poetry, she is virtually unknown among British Hispanists. This thesis seeks to fill many existing gaps in knowledge on her by providing a broader critical assessment of her surviving poetry than has been available thus far, particularly by situating it and its author within their historical, literary and social contexts and drawing thematic and stylistic analogies with works by other authors, male and female. Part I will concentrate primarily on historical aspects. It will establish the reputation enjoyed by the poet in her day and review references to her work in modern critical literature. It will also provide a detailed reconstruction of the poet¿s family antecedents and discuss the evidence of a literary community in her home city during the period in which she was active as a writer. Part II will focus on the poetry itself, specifically a consideration of the thematic content of a broad representative selection of Ramírez de Guzmán¿s verses, which were not published until nearly two centuries after her death, and an examination of her interaction with the genres of occasional verse, verse portraiture and burlesque and satirical poetry, all of which will be discussed against the background of their respective traditions.

My dissertation contributes to the material and sensorial interest in the humanities by focusing on the beholder’s phenomenological experience of multi-panel paintings by Gerrit Dou (1613-1675), Rembrandt’s first and most financially successful pupil. Dou has long been hailed as the founder of the Leiden fijnschilders (fine painters), who brought mimesis to the height of artistic achievement around mid-century. Archival documents reveal that at least eight of Dou’s paintings were once fitted within cases that featured highly illusionistic still life paintings on the outer surfaces of their hinged doors or sliding lids. While only two of the recorded covers survive, they feature both common and luxury objects with varied surface textures and lighting effects that exhibit a level of artifice true to the goal of painting professed by Philips Angel: schijn zonder sijn (“semblance without being”). Projecting out of the darkness of false shallow niches, the objects addressed the viewer in a trompe l’oeil mode and with a startling mimetic force that invited closer scrutiny. Yet, Dou’s still life works are rarely the subject of critical analysis and remain on the periphery of seventeenth-century Dutch art historical scholarship, overshadowed by his novel achievements in genre painting. Scholars most often interpret Dou’s still lifes as protective mechanisms for and allegorical glosses on the paintings they concealed. Instead, I argue that these approaches have limited our understanding of their significance. The disassembly and loss of most of these painted covers has further obscured their functions and meanings. My phenomenological approach underscores the ways in which these painted still life covers fostered an embodied relationship with the beholder in the context of the art collections for which they were destined. In Chapter 1, I gather evidence of Dou’s extant and lost still life covers and quantify this practice and consider these paintings together as an understudied corpus in concert with the paintings they covered. In Chapter 2 and 3, I provide historical and theoretical contexts for Dou’s nested paintings to ground them in pictorial and material traditions of concealment and revelation that permeated early modern culture (Netherlandish, German, and Italian) from the fourteenth- to the late seventeenth century. I consider them modern adaptations of the illusionistic images on the exterior of devotional diptychs and triptychs, insisting on their presence in the liminal space that connects the painted and real world. In Chapter 4, I analyze Dou’s painted still life covers as “meta-paintings,” characterizing them as theoretical objects charged with their own agency and the ability to invite the beholder to “think” with both their mind and body. Ultimately, I explore the ways in which Dou’s still life covers and René Descartes’s natural philosophy exhibit a shared and contemporaneous distrust of the senses through an epistemology of doubt and deceit, a premise that expanded the horizons of their respective fields in the seventeenth century. / 2025-09-21T00:00:00Z

This thesis utilises district court records from the three judicial districts of Hammerdal, Offerdal, and Undersåker to shed light on Saamis’ presence in north-western Jämtland during the seventeenth century. The research question posed is how encounters with the local communities shaped the Saamis’ situation during a period of emerging colonial mores and contributes to the discussion on how encounters with others impacted the situation for the Saami in early modern Sweden. The theoretical framework adopts the concepts of borderlands, concurrences, and settler colonialism to understand the manifold of encounters that shaped the situation for the Saami, acknowledging the possibility that the encounters could be contradictory while also understanding them as shaped within a context of power asymmetries. Contrary to the northern lappmarks, this thesis shows that the Saamis in north-western Jämtland were deprived of representation at the local courts, affecting their influence in local self-governance and administration of justice. Moreover, by not only focusing on Saamis’ encounters with the representatives of the Crown and the Church but also with the non-Saamis who resided in the local communities, this thesis concludes that the Saamis’ situation was shaped by concurring and conflicting encounters, encompassing not only coercion and confrontation but also cooperation and coexistence.

No description available.