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The main aim of this interdisciplinary project is to examine attempts to codify sexual knowledge in Egypt between 1830 and 1928. Through surveying medical, religious, legal and moral writings on sexuality, this study aims to examine the underlying politics of sexual knowledge and the structures of permissions and prohibitions within which sexual knowledge was articulated in the period under study. The research recognizes that there are several sources that informed people about sexual behaviour in the period under study. However, the study is concerned only with a number of writings that imparted teachings about sex directly or indirectly to the growing literate middle class, and proceeds to discuss their authors and contexts. The study's main focus is the influence of medical and scientific conceptualization of sex differences on the understandings of gender and sexuality. In nineteenth-century Egypt, the study argues, professional medical authorities promoted medical theories that suggested men's innate active sexuality and inability to control their sexual urges. At the same time, professional Egyptian doctors increasingly projected women as mentally and physically fragile because of their reproductive cycle. Women were increasingly viewed as incapable of being sexually spontaneous. To remain healthy, women were advised to suppress their sexual desires to be satisfied only through marital sex. Through examining the interconnections between medical, legal, religious and moral discursive literature on sexual behaviour, this study brings into light the associations between sex, sexuality and the creation and recreation of gender. The study demonstrates that medical perceptions of male and female sexualities were at the core of moral and intellectual discourses on gender equality as well as religious opinions on sex-related issues. Since there was a multiplicity of ideological and activist stands on questions about sexuality and gender in the period under study, the study explores the variety of ways in which nationalists, feminists and religious scholars adopted, borrowed or negotiated with scientific and medical ideas on female sexuality to support their different views on contemporary controversial issues such as gender equality, polygamy etc. Medical and scientific ideas of male and female sexuality had a complex impact on discursive literature on gender and sexuality. On the one hand, they were employed to justify the continuity of patriarchy and the increasing male regulation of female sexuality. On the other hand, they strengthened arguments in support of the participation of women in public life.

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Onlinespel tillåter spelare över hela världen att interagera med varandra på nya sätt i virtuella världar. Genom att skapa visuella representationer av sig själva kan spelarna nu kommunicera och uttrycka sig bortom den fysiska världens gränser. I denna fenomenologiska studie undersöker vi hur och om HBTQ-personer upplever sig ha möjligheten att uttrycka sexualitet och könsidentitet i online rollspelet Final Fantasy XIV samt om detta påverkas av spelets gemenskap. Med kvalitativa metoder intervjuades spelare från Final Fantasy XIV för att fånga denna upplevelse och med en queerteoretisk lins titta kritiskt på normerna i spelet. Dessa upplevelser analyserades även ur ett dramaturgiskt perspektiv och ett fokus på identitetsteorier. Resultatet från denna studie antyder att spelaren trots begränsningar finner nya och kreativa sätt att uttrycka sexualitet och kön i spelvärlden. Spelarna gör detta genom att konstruera alternativa identiteter och uppträda med sina avatarer på scenen som är den virtuella världen. Gemenskapen är en stor del av detta då den accepterande atmosfären upplevs uppmuntra till öppenhet. / Online games allow players all over the world to interact with each other in new ways in virtual worlds. Through the creation of visual representations of the players they can communicate and express themselves beyond the limits of the physical world. In this phenomenological study we investigate how and if LGBT individuals experience that they can express sexuality and gender identity in the online roleplaying game Final Fantasy XIV and if the game community affects this experience. With qualitative methods players of Final Fantasy XIV were interviewed to capture this experience and through a queer theoretical lens critically examine the norms of the game. These experiences were also analysed from a dramaturgical perspective and a focus on identity theories. The results suggest that the player, despite restrictions, find new and creative ways of expressing their sexuality and gender in the game world. The players do this by constructing alternative identities and perform with their avatars on the stage that is the virtual world. The community is a major part of this as the accepting atmosphere is perceived to encourage openness.

Focusing on the three-year period from 1859 to 1862 during which the poet Walt Whitman frequented Pfaff's Beer Cellar on Broadway in New York, this dissertation examines how the barroom and its unique clientele shaped the poet's life and writings. This project demonstrates that Pfaff's functioned as an American saloon and a popular salon and argues that the communities of beer cellar regulars Whitman joined there made Pfaff's the most significant social and literary space of his career. Whitman's participation in two social and intellectual communities at Pfaff's was vital to his literary production before and during the Civil War. While Whitman prepared the 1860 edition of Leaves of Grass for publication, he joined a group of writers and artists at the beer cellar--a group now recognized as the first American Bohemians. Later, he became a central figure in the "Fred Gray Association," a little-known group of young Pfaffians. This dissertation shows that Whitman's membership in the Bohemian coterie influenced his writing and revision of his homoerotic Calamus poems, first published in Leaves of Grass (1860). It also reveals that Whitman's time with the Fred Gray members served as a foreground for his volunteer work in Washington's wartime hospitals, where he not only attempted to recreate the beer cellar environment as best he could under terrible conditions, but he also continued to practice the theories of affection he put forth in Calamus . By studying Whitman's years at Pfaff's through an interdisciplinary approach that draws on methodologies ranging from cultural studies and literary history to gender and sexuality studies, this dissertation makes significant contributions to several fields of literary study. In addition to offering a fuller understanding of Whitman's literary production at Pfaff's, it contributes to biographical studies of the poet by drawing connections between his personal and professional transitions from temperance writer to bar-hopping Bohemian, and, finally, from a Pfaffian poet to a hospital volunteer. This study also adds to the history of sexuality by places Whitman's Calamus poems, which are counted among his most sexually radical, in the context of nineteenth-century debates concerning gender and sexuality. It also explores the counter-cultural communities that formed at Pfaff's and illuminates how Whitman's writing is intertwined with the space of the barroom and his relationships to its inhabitants. Finally, this dissertation illustrates how underground networks respond to the larger social and cultural milieus that they both exist within and position themselves against.

Syftet med studien är att analysera olika rapporter gällande sex som självskadebeteende samt varför unga skadar sig själva med sex. Sex som självskada är inte lika synligt som andra typer av självskador som att skära sig eller att bränna sig. Utifrån de utvalda rapporterna som utgör empirin vill vi undersöka varför ungdomar genomför skadliga handlingar genom sex och också vilka skillnader och likheter som framkommer i rapporterna. Vi vill belysa sex som självskada och få en ökad förståelse för ämnet. Vårt empiriska material består av fem olika rapporter med en koppling till sex som självskada. Även om vårt fokus huvudsakligen är icke suicidala självskador hos unga, så är det viktigt att nämna att det är en högre risk för självmordstankar om det finns ett självskadebeteende. Vi har använt oss av textanalys som är en kvalitativ metod när vi analyserade rapporterna. Vårt resultat visade på fem återkommande teman. Dessa är orsaker till sex som självskada, begreppet sex som självskada, kön- och åldersskillnader, ond cirkel samt bemötande och behandling. Dessa teman har sedan kopplats till teorier om genus, identitet och sexualitet med en utgångspunkt i socialkonstruktivism. / The aim of the study is to analyse different reports regarding sex as a self-injurious behaviour and why adolescents harm themselves through sex. Sex as a self injury is not as visible as other types of deliberate self harm such as cutting or burning skin and it can be anyone around you. Based on selected reports as our empirical material we want to acknowledge why youngsters conduct harmful actions through sex and also what differences and similarities the reports share. We want to pay attention to the topic of sex as a self injury and gain an increased understanding of it. Our empirical material consist of five different reports with a connection to sex as self injury. Although our focus is mainly on non-suicidal self injury among adolescents, it is important to mention that there is a higher risk of suicidal thoughts in connection to self injurious behaviour. We have analysed the reports through a qualitative method, text analysis. Our results showed fives recurring themes. These are causes of sex as self injury, differences in how the concept is used, differences among age and gender, vicious cycle and treatment. The themes are then connected to theories such as gender, sexuality and identity with a premisses of social construction.

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[Truncated abstract] This thesis offers a re-contextualisation of multiculturalism and immigration in Australia in the 1970s and 80s in relation to crucial and progressive shifts in gender and sexuality. It provides new ways of examining issues of belonging and cultural citizenship in this field of inquiry, within an Australian context. The thesis explores the role sexuality played in creating a framework through which anxieties about immigration and multiculturalism manifested. It considers how debates about gender and sexuality provided fuel to concerns about ethnic diversity and breaches of the 'cultural' borders of Australia. I have chosen three significant historical moments in which anxieties around events relating to immigration/multiculturalism were most heightened: these are the beginning of the 'official' policy of multiculturalism in Australia in 1973; the arrival of large numbers of Vietnamese refugees as a consequence of the Vietnam War in 1979; and 1984, a year in which the furore over the alleged 'Asianisation' of Australia reached a peak. In these years, multiple and recurring representations served to recreate norms as applicable to the white heterosexual family, not only as a commentary and prescriptive device for migrants, but as a means of reinforcing 'Australianness' itself. A focus on the body as a border/site of belonging and in turn, crucially, its relationship to the heterosexual nuclear family as a marker of 'cultural citizenship', lies at the heart of this exploration. Normative ideas of gender and sexuality, I demonstrate, were integral in informing the ambivalence about multiculturalism and ethnic diversity in Australia. Indeed, for each of these years I examine how the discourses of gender and sexuality, evident for example in parliamentary debates such as that relating to the Sex Discrimination Act 1984, were intricately tied to ongoing concerns regarding growing non-white ethnicity in Australia, and indeed, enabled it. ... In pursuing this contribution, the work draws critically upon recent innovative interdisciplinary scholarship in the field of sexuality and immigration, and draws upon a broad range of sources to inform a comprehensive and complex examination of these issues. Sources employed include the major newspapers and periodicals of the time, Parliamentary debates from the Commonwealth House of Representatives, Parliamentary Committee findings and publications, speeches and polemics, and relevant legislation. This inquiry is an interrogation of a key methodological question: can sexuality, in its workings through ethnicity and 'race', be used as a primary tool of analysis in discussing how whiteness and 'Australianness' reconfigured itself through normative heteropatriarchy in an era that claimed to champion and celebrate difference? How and why did ambiguities concerning 'Australianness' prevail, concurrent with progressive and generally politically benign periods of Australian multiculturalism? The thesis argues that sexuality – through the construction of the 'good white hetero-patriarchal family' – both informed, and enabled, the endurance of anxieties around non-white ethnicity in Australia.

This thesis investigates the prevalence of religious themes in the work of several prominent contemporary women writers—Margaret Atwood, Michèle Roberts, Alice Walker and A.L. Kennedy. Relying on Luce Irigaray’s recent theorisations of the religious and its relationship to feminine subjectivity, this research considers the subversive potential of engaging with religious discourse through literature, and contributes to burgeoning criticism of feminist revisionary writing. The novels analysed in this thesis show, often in violent detail, that the way the religious dimension has been conceptualised and articulated enforces negative views of female sexuality, justifies violence against the body, alienates women from autonomous creative expression and paralyses the development of a subjectivity in the feminine. Rather than looking at women’s religious revision primarily as a means of asserting female authority, as previous studies have done, I argue that these writers, in addition to critiquing patriarchal religion, articulate ways of being and knowing that subvert the binary logic that dominates Western religious discourse. Chapter I contextualises this research in Luce Irigaray’s theories and outlines existing work on feminist revisionist literature. The remaining chapters offer close readings of key novels in light of these theories: Chapter II examines Atwood’s interrogation of oppositional logic in religious discourse through her novel The Handmaid’s Tale. Chapter III explores two novels by Roberts that expose the violence inherent in religious discourse and deconstruct the subjection of the (female) body to the (masculine) Word. Chapters IV and V analyse the fiction of Kennedy and Walker respectively, revealing how their novels confront the religious denigration of feminine sexuality and refigure the connection between eroticism and divinity. Evident in each of these fictional accounts is a forceful critique of religious discourse, as well as an attempt to more closely reconcile foundational religious oppositions between divinity and humanity, flesh and spirit, and body and Word.