黃秀顏. / 论文(哲学博士)--香港中文大学, 2002. / 参考文献 (p. 241-258). / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Huang Xiuyan. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (p. 241-258).

Al laox, is a kind of polyphonic folk song which are sung and widely practiced by parts of Dong people in southern China. As an indispensable component of the non-literary peasant society of Dong ethnic culture, Al laox music tradition has been systematically passed down, with full participation and ritualized performance in Dong people's daily life. / As a case study of "local music tradition", this research will contribute to further research topics, such as the common characteristic of Dong traditional music, sociological meaning of polyphonic folk song and contemporary transformation of traditional music etc. / This dissertation aims to investigate the interaction between "Al laox music tradition and community identity of Dong People". Based on extensive fieldwork and textual analysis, this thesis discusses, on one hand, how Dong people construct their identity with Al laox music tradition, on the other hand, it examines what exactly the Al laox music tradition is and what it means to native people. Thus, this bidirectional concerns not only respond to the general ethnomusicological issue of "how culture shapes music", but also gives an interpretation of "how music function culture". / This dissertation has two methodological concerns: (1) a micro-ethnographical study of village social structure in relation to the Al laox music tradition, and (2) a survey of Al laox as a ritualized communal singing ritual. The former focuses on a typical Dong community as a locus to examine the operation of Gaolao music tradition, whereas the latter illustrates how Dong people construct distinct stratified identities through singing especially in three coorelative rituals. Specifically, this research takes Xiao Huang village in Congjiang county, Guizhou province and the relavant villages around as object and structures around three significant ritualized singing pattern, gabx gongx, xeegnl doul and weex yeek. / 楊曉. / Adviser: Tsao Poon Yee. / Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 2944. / Thesis (doctoral)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (p. 392-418). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Yang Xiao.

羅慧燕. / 第310頁頁碼重覆, 內容相異. / 論文(哲學博士)--香港中文大學, 2003. / 參考文獻 (p. 287-317). / 中英文摘要. / Di 310 ye ye ma chong fu, nei rong xiang yi. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Luo Huiyan. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (p. 287-317).

朱穎. / 論文(哲學碩士) -- 香港中文大學硏究院政治與行政學部, 1997. / 參考文獻: leaves 129-135. / Zhu Ying. / Chapter 第一章： --- 導論 --- p.7 / Chapter 一、 --- 現化化：世界性的潮流 --- p.7 / Chapter 二、 --- 東亞「四小龍」工業化戰略和措施 --- p.10 / Chapter 三、 --- 現代化：中國幾代人的探索 --- p.13 / Chapter 四、 --- 蘇州工業園區的嘗試 --- p.17 / Chapter 五、 --- 硏究焦點 --- p.22 / Chapter 六、 --- 硏究方法 --- p.23 / Chapter 七、 --- 章節安排 --- p.23 / Chapter 八、 --- 本硏究的意義 --- p.24 / Chapter 第二章： --- 改革開放的十字路口和經濟性特區的第二次創業 --- p.26 / Chapter 一、 --- 改革開放的十字路口和鄧小平南巡 --- p.26 / Chapter 二、 --- 經濟性特區區誕生背景 --- p.28 / Chapter 三、 --- 經濟性特區地位和作用 --- p.30 / Chapter 四、 --- 開發區存在的問題及發展方向 --- p.33 / Chapter 五、 --- 小結 --- p.37 / Chapter 第三章： --- 新加坡經驗的啓示和裕廊工業區模式 --- p.39 / Chapter 一、 --- 新加坡經驗的啓示 --- p.39 / Chapter 二、 --- 新加坡工業化槪況和特點 --- p.41 / Chapter 三、 --- 設立裕廊工業區的背景和目的 --- p.47 / Chapter 四、 --- 裕廊工業區白勺發展槪況和成 效 --- p.50 / Chapter 五、 --- 裕廊工業區的條件和特點 --- p.52 / Chapter 六、 --- 小結 --- p.61 / Chapter 第四章： --- 蘇州工業園區的決策過程和發展槪況 --- p.63 / Chapter ´ؤ、 --- 雙方合作動機 --- p.63 / Chapter 二、 --- 園區產生的決策過程 --- p.67 / Chapter 三、 --- 蘇州工業園區的區位 --- p.71 / Chapter 四、 --- 發展目標和規劃設想 --- p.75 / Chapter 五、 --- 目前的進展和開發前景 --- p.76 / Chapter 六、 --- 政策環境 --- p.77 / Chapter 七、 --- 中新雙方合作的制度機制 --- p.79 / Chapter 八、 --- 小結 --- p.79 / Chapter 第五章： --- 蘇州工業園區的開發和管理體制 --- p.81 / Chapter 一、 --- 蘇州工業園區的開發體制 --- p.81 / Chapter 二、 --- 蘇州工業園區的管理體制 --- p.90 / Chapter 三、 --- 小結 --- p.100 / Chapter 第六章： --- 蘇州工業園區的激勵和制約機制 --- p.101 / Chapter 一、 --- 蘇州工業園區的激勵機制 --- p.101 / Chapter 二、 --- 蘇州工業園區的制約機制 --- p.106 / Chapter 三、 --- 小結 --- p.112 / Chapter 第七章： --- 結論 --- p.113 / 附圖 --- p.120 / 附錄 --- p.125 / 參考文獻 --- p.129

陳澤蕾. / "2001年9月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 148-151) / 附中英文摘要. / "2001 nian 9 yue" / Chen Zelei. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 148-151) / Fu Zhong Ying wen zhai yao. / Chapter 一、 --- 導論一從關目身段探討性別建構 --- p.1-12 / Chapter 1.1 --- 粤劇發展槪述 --- p.1-5 / Chapter 1.2 --- 粤劇硏究槪說 --- p.5-7 / Chapter 1.3 --- 關目身段在粤劇中所扮演角色 --- p.8-10 / Chapter 1.4 --- 性別角度對粤劇硏究的意義 --- p.11-13 / Chapter 二、 --- 性別建構權力 --- p.14-46 / Chapter 2.1 --- 生旦關目身段舉偶比較 --- p.18-28 / Chapter 2.1.1 --- 手 --- p.18-20 / Chapter 2.1.2 --- 步 --- p.20-24 / Chapter 2.1.3 --- 眼 --- p.24-26 / Chapter 2.1.4 --- 身 --- p.26-28 / Chapter 2.2 --- 形體動作與權力之關係 --- p.29-27 / Chapter 2.2.1 --- 審美標準的設定 --- p.29-36 / Chapter 2.2.2 --- 關目身段與權力 --- p.36-42 / Chapter 2.2.2.1 --- 性別 --- p.36-38 / Chapter 2.2.2.2 --- 階級 --- p.38-42 / Chapter 2.3 --- 舞臺上的議價空間 --- p.42-46 / Chapter 三、 --- 性別建構與認同 --- p.47-73 / Chapter 3.1 --- 性別認同繩規的設定 --- p.48-55 / Chapter 3.2 --- 演員性別建構過程 --- p.55-64 / Chapter 3.2.1 --- 生角性別建構過程 --- p.55-60 / Chapter 3.2.2 --- 旦角性別建構過程 --- p.60-64 / Chapter 3.3 --- 關目身段作爲性別認同的再現形式 --- p.64-73 / Chapter 四、 --- 性別越界與重構 --- p.74-104 / Chapter 4.1 --- 舞臺上性別越界空間 --- p.75-82 / Chapter 4.2 --- 反串與非反串的比較 --- p.82-88 / Chapter 4.3 --- 性別越界的兩面性 --- p.88-96 / Chapter 4.4 --- 關目身段與性別重構 --- p.97-104 / Chapter 五、 --- 結論一性別建構的關目身段的性別建構 --- p.105- / Chapter 5.1 --- 粤劇舞臺藝術發展 --- p.105-108 / Chapter 5.2 --- 粤劇硏究展望 --- p.108-110 / Chapter 5.3 --- 關目身段性別意蘊 --- p.111-114 / Chapter 5.4 --- 撰文困局與性別論述複雜性的觀照 --- p.114-116 / Chapter 5.5 --- 性別角度粤劇硏究之文化價値 --- p.116-118 / Chapter 六、 --- 附註 --- p.119-134 / Chapter 七、 --- 附錄一、插圖 --- p.135-147 / Chapter 八、 --- 參考資料 --- p.148-152

Tam, Su San. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 144-147). / Abstracts in English and Chinese; includes Chinese characters. / ABSTRACT --- p.I / ACKNOWLEDGEMENTS --- p.IV / TABLE OF CONTENTS --- p.VI / Chapter CHAPTER 1 --- INTRODUCTION --- p.1 / Chapter 1.1 --- Background of the Problem and Purpose of the Study --- p.1 / Chapter 1.2 --- Research Questions and Significance of the Study --- p.3 / Chapter 1.3 --- Scope of the Study --- p.3 / Chapter 1.4 --- Thesis Organization --- p.4 / Chapter CHAPTER 2 --- DATA OF FOUR SOUTHERN MIN DIALECTS --- p.1 / Chapter 2.1 --- Preamble --- p.1 / Chapter 2.2 --- Basic Data of the four sub-dialects --- p.2 / Chapter 2.2.1 --- Xiamen Dialect --- p.2 / Chapter 2.2.1.1 --- Xiamen Onsets --- p.3 / Chapter 2.2.1.2 --- Xiamen Rimes --- p.4 / Chapter 2.2.1.3 --- Xiamen Tones --- p.7 / Chapter 2.2.1.4 --- Xiamen Syllables --- p.7 / Chapter 2.2.2 --- Quanzhou Dialect --- p.8 / Chapter 2.2.2.1 --- Quanzhou Onsets --- p.8 / Chapter 2.2.2.2 --- Quanzhou Rimes --- p.9 / Chapter 2.2.2.3 --- Quanzhou Tones --- p.11 / Chapter 2.2.2.4 --- Quanzhou Syllables --- p.12 / Chapter 2.2.3 --- Zhangping Dialect --- p.13 / Chapter 2.2.3.1 --- Zhangping Onsets --- p.13 / Chapter 2.2.3.2 --- Zhangping Rimes --- p.14 / Chapter 2.2.3.3 --- Zhangping Tones --- p.16 / Chapter 2.2.3.4 --- Zhangping Syllables --- p.16 / Chapter 2.2.4 --- Shantou Dialect --- p.17 / Chapter 2.2.4.1 --- Shantou Onsets --- p.17 / Chapter 2.2.4.2 --- Shantou Rimes --- p.19 / Chapter 2.2.4.3 --- Shantou Tones --- p.21 / Chapter 2.2.4.4 --- Shantou Syllables --- p.21 / Chapter 2.3 --- Co-occurrence Patterns --- p.22 / Chapter 2.3.1 --- On Labial Co-occurrence --- p.22 / Chapter 2.3.1.1 --- Xiamen Labial Co-occurrence --- p.23 / Chapter 2.3.1.2 --- Quanzhou Labial Co-occurrence --- p.24 / Chapter 2.3.1.3 --- Zhangping Labial Co-occurrence --- p.26 / Chapter 2.3.1.4 --- Shantou Labial Co-occurrence --- p.27 / Chapter 2.3.1.5 --- Southern Min Labial Co-occurrence: A Summary --- p.28 / Chapter 2.3.2 --- On nasalization --- p.29 / Chapter 2.3.2.1 --- Xiamen Nasalization --- p.30 / Chapter 2.3.2.2 --- Quanzhou Nasalization --- p.32 / Chapter 2.3.2.3 --- Zhangping Nasalization --- p.35 / Chapter 2.3.2.4 --- Shantou Nasalization --- p.37 / Chapter 2.3.2.5 --- Southern Min Nasality: A Summary --- p.40 / Chapter 2.4 --- Generalizing the Southern Min Phonotactic Observations --- p.41 / Chapter CHAPTER 3 --- PREVIOUS STUDIES ON CHINESE/MIN PHONOTACTICS --- p.44 / Chapter 3.1 --- Autosegmental Phonology --- p.44 / Chapter 3.1.1 --- Obligatory Contour Principle (OCP) --- p.46 / Chapter 3.1.1.2 --- OCP and Labial Co-Occurrence in Chinese Syllables --- p.49 / Chapter 3.1.1.3 --- Application of OCP in Southern Min Dialects --- p.54 / Chapter 3.1.2 --- Syllable Theory in Chinese and Southern Min --- p.58 / Chapter 3.1.3 --- Nasality in Southern Min --- p.65 / Chapter 3.1.3.1 --- Nasal Consonants --- p.65 / Chapter 3.1.3.2 --- Nasalized Vowels --- p.67 / Chapter 3.1.3.3 --- Derivation of Nasality in Southern Min --- p.68 / Chapter 3.1.4 --- Inadequacies of Autosegmental Framework --- p.76 / Chapter 3.2 --- Optimality Theory (OT) --- p.79 / Chapter 3.2.1 --- Revisiting OCP in OT --- p.83 / Chapter 3.2.2 --- Nasalization in OT --- p.89 / Chapter CHAPTER 4 --- AN OPTIMALITY ANALYSIS OF THE SOUTHERN MIN PHONOTACTICS --- p.93 / Chapter 4.1 --- On labial co-occurrence --- p.93 / Chapter 4.2 --- On nasalization --- p.103 / Chapter 4.3 --- Summary: a Southern Min 'Typology' --- p.116 / Chapter CHAPTER 5 --- CONCLUSION --- p.118 / Chapter 5.1 --- Conclusion --- p.118 / Chapter 5.2 --- Residual Issues and Future Research --- p.119 / APPENDICES --- p.121 / Appendix A ´ؤ Xiamen Syllable Chart --- p.122 / Appendix B - Quanzhou Syllable Chart --- p.128 / Appendix C 一 Zhangping Syllable Chart --- p.134 / Appendix D - Shantou Syllable Chart --- p.138 / REFERENCES --- p.144

何偉俊. / "2008年8月". / "2008 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 126-132). / Abstracts in Chinese and English. / He Weijun. / Chapter 第一章： --- 緒論 --- p.1 / Chapter 第一節： --- 引言 --- p.1 / Chapter 第二節： --- 前人硏究回顧 --- p.2 / Chapter 第三節： --- 硏究方法 --- p.16 / Chapter 第二章： --- 戰前的香港聖公會教育 --- p.19 / Chapter 第一節： --- 教會傳教會的成立及到中國傳教的背景 --- p.19 / Chapter 第二節： --- 早期聖公會在香港的辦學情況 --- p.21 / Chapter 第三章： --- 何明華時期的聖公會教育 --- p.37 / Chapter 第一節： --- 近代宣教思潮的影響 --- p.37 / Chapter 第二節： --- 共產主義的威脅 --- p.42 / Chapter 第三節： --- 戰後難民潮與失學兒童 --- p.46 / Chapter 第四節： --- 辦學與教會財政的關係 --- p.51 / Chapter 第五節： --- 何明華與教會傳道會的分歧 --- p.60 / Chapter 第六節： --- 聖公會與政府的教育爭議 --- p.60 / Chapter 第七節： --- 辦學與傳教 --- p.65 / Chapter 第四章： --- 白約翰時期的聖公會教育 --- p.77 / Chapter 第一節： --- 免費教育 --- p.78 / Chapter 第二節： --- 七十年代的聖公會宗教教育 --- p.97 / Chapter 第五章： --- 總結 --- p.116

University of Macau / Faculty of Social Sciences and Humanities / Department of Government and Public Administration

Through the triple changes which include the variation in society, time and space, the intelligentsia in Wei and Jin Dynasties came to a realization that life is capricious. They combined the thought of Tze-Shi (carefree and footloose) and Gui-wuo (emphasize the unique value of oneself) together with the tolerance of physical desire and worship of nature to develop two theories: Zhong-shen (consider body as the foundation of all) and Le Sheng (carpe diem/seize the day), which remain the keynote of the viewpoint towards body in Wei and Jin Dynasties. Wei and Jin Dynasties followed the theory of Chi-transformation in Han Dynasty, as well as the idea that form and spirit are one, and develop a complete viewpoint towards body which interprets body and mind as one unity. The Chi flows in the body and becomes the medium of body and mind, then goes outward to the relation between body and nature; human body itself forms a complete micro system, which, through the flow of emotion and Chi, echoes or responds with the macro system of nature. The intelligentsia in Wei and Jin Dynasties considered etiquette and music as the embodiment of nature and human body as the territory where culture and nature are embodied. Kuo-Shian interpreted the relation between body, etiquette and music with the theory of Shi-Jai-Ti-Chung (ease and comfort within the body). Etiquette and music was made in a situation in which ¡§ease and comfort¡¨ are in harmony with body and also communicate with the heaven, earth and man in a way that ¡§ease and comfort¡¨ harmonize with the nature, and brings heaven, earth and man in concordance. When etiquette fails to bring ¡§ease and comfort¡¨ to the body, the intelligentsia used body as a tool to fight against the rigid etiquette, in order to arouse introspection over Li-Yuan-Zen-Ching (etiquette should be made with human beings as the first consideration, and eschews rigidity or affectation), and at the meantime brings reformation and feedback to the society. The intelligentsia¡¦s rising consciousness of selfhood and body makes the relation between body and society an active instead of a passive one. The intelligentsia, while perceiving the change of society and understanding the fact that human nature is unalterable, were contented to remain the status as Chung-Zen (mediocrity, people who are between genius and fools), and pursuit the fulfillment of their dreams as well as the feeling of carefree. Those intelligentsia emphasized the value of themselves and preferred to be themselves while understanding completely the truth and limitation of life, and they responded changes of the society and time with the idea of Shi-Shin-An-Min (follow and accept your own nature, be contented).

本論文共分五章。第一章為緒論，包括研究問題、研究動機與研究意義。研究問題在探詢「二二八事件」當時台灣主要官方報紙《台灣新生報》呈現了什麼觀點、其言論立場的轉變的原因為何？此轉變對日後台灣媒體論述有什麼影響？研究動機主要想瞭解「二二八事件」期間《台灣新生報》言論立場轉變之原因，進而反省當今媒體意識形態問題，藉以瞭解國民黨意識形態如何運用媒體形塑文化霸權論述。同時說明「二二八事件」與《台灣新生報》的研究意義與價值。 第二章為文獻回顧與理論探討，首先回顧「二二八事件」的相關研究，並藉由與文獻對話的過程體現研究者對「二二八事件」的論述觀點。理論的部分則在檢視葛蘭西的「文化霸權」理論，思索身為國家意識形態機器的《台灣新生報》在事件期間的角色與其報導論述之取向。 第三章觀察《台灣新生報》文本在「二二八事件」期間的論述立場、報導題材與版面處理的變化，瞭解在政府介入下該報霸權論述的形塑過程。 第四章進一步探究《台灣新生報》文本內容，指出該報在特定意識形態力量召喚下所呈現出的幾種霸權論述樣貌。 第五章為結論，說明《台灣新生報》霸權論述的意義，指出國民黨的意識形態霸權對台灣媒體論述的影響，反思當前台灣媒體諸問題。 / This thesis is divided into five chapters. It starts, in “Introduction,” with the explanation of the author’s problem, motivation and the significance of this study. For a start, the problem is to find out what kinds of news were represented and why its remarks had transformed Taiwan Shin Sheng Daily News（hereafter TSSDN）, Taiwan’s major publicly-owned newspaper at that time, on its viewpoints of the Feb.28 Incident. In addition, questions are asked about how this change has made an impact on Taiwan media accounts and remarks. Secondly, the motivation is mainly to understand why TSSDN altered its statement and remarks during the Feb.28 Incident. In observing this change, the author tries to discover how KMT ideology took advantage of the media and formed its hegemony as a reminder of present-day media ideological problems in Taiwan. At the same time, the researcher manifests the meaning and value of this thesis. The second chapter deals with“literature review”and“theory probing.”To begin with, the author reviews studies regarding the Feb.28 Incident and makes clear his own view on the Incident by means of a dialogue with the literature. Moreover, by inspecting Gramsci’s hegemony theory, the author ponders on TSSDN’s role as the Ideological State Apparatus and its accounts of the incident In the third chapter, the author scrutinizes TSSDN’s discourse to find out its perspective, accounts and layouts during the Feb.28 Incident in an attempt to understand the progress of TSSDN’s discursive hegemony built in the era of government intervention. In the fourth chapter, the author probes further into TSSDN’s discourse to identify several patterns under the summons of the specific ideology. In the concluding chapter, by interpreting the meaning of TSSDN’s hegemony discussion, the author points out the influence of KMT’s ideological hegemony on Taiwan media remarks and introspects on current problems of Taiwan media.