Gravity Fails is a collection of four short stories and two memoirs that explore the ways in which characters adjust and fit into to a world that is destructive, fragmented and sometimes alien. Many of these pieces deal not with the moment of crisis, but with the aftermath. In "Gravity Fails," the young Danielle struggles to feel safe after the violent murder of her mother. Eliza Morrison negotiates the disappearance of her husband in "More Colors." "Following Rebecca" chronicles a woman's return to normalcy after her alcoholic husband divorces her. These characters are not happy; they are not healthy. Their lives have, in some way, been fragmented. But they find ways to move on by whatever possible means, and at their core, they are searching not just for a way to survive, but for a way to put themselves back together and find wholeness.

Trackers is a collection of short stories that attest to the oddities and complexities found even in the non-exotic middle-class American suburbs. The characters in these stories experience disappointments that result from the physical and emotional distancing of families. In "Tokens," a woman's attempts at revenge on her cheating husband are unsatisfying because she ends up feeling more alone than before. In "Trackers," eleven-year old Richard hunts for Bigfoot as he and his family cope with the emotional aftermath of his sister's suicide attempt. In these stories people struggle to maintain normalcy in their lives--sometimes through inappropriate means. When their expectations are destroyed, they are forced to deal not only with specific abandonment, but also the reality that the world around them has no knowledge--let alone appreciation--of their personal struggles or fears. Occasionally, however, some good can come from this realization. In "Camilla," a ten-year-old girl learns that she can depend on her own experiences for strength rather than knowledge borrowed from fantasies inspired by a collection of obituaries. A woman recovering from the loss of a romantic relationship strengthens her bond with her young niece in "Cattywampus," and they are both strengthened by the world they share as women in different stages of self-discovery.

Half-Virgin. (Under the direction of Jocelyn Bartkevicius) Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, “half-virgin,” that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult. Ultimately, I believe, a “half-virgin” possesses all of these traits. One of the goals of the collection is to scramble the prototypical coming-of-age story into bits and parts and halves. Among the approaches included are earnest memoir (the real and metaphorical costumes a young couple wears on Halloween), character-driven fiction (the life story of Marlow, a college track star who ends up the unwitting inspiration for Super Mario Brothers), and narrative experiments (a tongue-in-cheek creative writing syllabus and a bullet pointed resume of sexual conquests). By exploring the untidy fragments in love, lust, and human connection in these works, Half-Virgin aspires to find wholeness through the jagged adventures of growing up.

The young men in The Boys’ Republic live in a world that is continually falling apart. Their houses collapse into sinkholes, forest fires carve out chunks of their towns, plague spreads through their communes, the money runs out on the construction project where they work. This decay mirrors their own collapsing identities, as they are forced to question their mastery of nature, their nostalgia for their youth, their relationships with others, and the value of masculinity itself. Drawing on the work of writers like Dennis Cooper, Flannery O’Connor, and Benjamin Percy, The Boys’ Republic depicts men in the midst of both an economic and an emotional recession. Some, like Carson in Hotel or Zachary in Ignus Fatuus, are trapped in their decaying suburbs by youth, poverty, or habit. Others, like Jared in Corona Radiata or Nick in The Boy’s Republic, have fled or been ejected from them. Either way, they are haunted by them, and by the selfish, insecure, destructive behavior that they learned there. The Boys’ Republic is about boys confronting their own selfishness, and each other’s, in a world that can no longer accommodate it but offers no easy replacement

This research is devoted to metaphysics of sex and love in the A. Platonovs’ mature short stories in the context of philosophy of the first half of the XX century. This topic is actual, because the question of the spiritual origins of love feelings in the Platonovs’ world is not developed systematically enough. At the same time, it is one of the most important to understanding the originality of the creative individuality of A.Platonov. The author substantiates the importance of love in the world of the writer and offers the original typology of love feelings, based on the mature short stories of Platonov which were written in 1930-1940-s. / Данная работа посвящена исследованию метафизики любви и пола в зрелых рассказах А. Платонова в контексте философской мысли первой половины XX века. Данная тема актуальна, поскольку вопрос о духовных истоках любовного чувства в платоновском мире разработан недостаточно системно. При этом он является одним из важнейших для понимания своеобразия творческой индивидуальности А. Платонова. Автор обосновывает значимость любви в художественном мире писателя и предлагает оригинальную типологию любовного чувства, опираясь на зрелые рассказы Платонова 1930-1940-х годов.

The Jubilant City Almanac is a collection of short stories set in the magical Jubilant City, a city founded by a group of Black women in 1736. These stories bridge the whimsical and magical with the realities of poverty, classicism, addiction, abuse and health disparities. “Got His Alligator” follows the journey of two codependent addicts as they try to get their fashion designs onto Jubilant City’s premiere drama, Girl, Please. The characters in “Carbon Copy” use a magical phone to bring Denzel Washington to the city. “Jeremiah the Conqueror” summons Black American folk legend, High John. THrough an exploration of magical realism and speculative fiction, The Jubilant City Almanac tells the stories of Black families and Black complexity.

A Floating World is a collection of short stories inspired by fairy tales. Often set in worlds where the mundane and the fantastic come together, these stories explore moments of strangeness that slip beyond the bounds of realist fiction. Fantastical events intrude into mundane reality as characters attempt to reconcile the known with the unknowable.

Potential Energy. (Under the direction of Pat Rushin.) Potential Energy is a collection of sixteen short stories. They range from the fictional to the autofictional to the entirely non-fictional. In all of them, characters both real and imagined struggle to live and define themselves in a world that is outside their control. They cope with the inevitability of loss, dangers both internal and external, and the passing of their own greatness. Some of these characters become lost while others learn to embrace life on its own terms'to accept 'without hope or expectation.' More often, they are not lost or enlightened, but simply survive to continue on, still uncertain. Though all the stories in Potential Energy are stand-alone, they are thematically connected. The themes of family and identity are most prominent in 'Potential Energy' and 'Eulogy to Maria Mamani, Fire-Eater.' Loss is confronted and the question of what comes next is asked in 'Oysters' and 'Slide.' The conflict between fate and the need for control rises to the surface in 'Threshold,' 'The Elizabeth Years,' and the non-fiction story of Charles Whitman's deadly rampage in 1966, 'Seed.' Themes of ambiguity, moral erosion, and literary exploitation appear in the non-fiction 'Bright and Loud and Then Gone,' about a landlord burned alive in Chicago in 2008, and 'What It Might Have Been Like If We Had Been There,' an apologetic for the writer's right to write inspired by the 2007 Al Mutanabbi Street car-bombing in Baghdad, Iraq. Most importantly all the content of Potential Energy tells stories of people trying to hold on to what is good when, tragically, everything must eventually come to an end.

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