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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
61

Håller Sverige på att gå ifrån idéerna om folkhemmet? : En kvantitativ studie av svenska och brittiska välfärdsattityder under åren

Wikström, Anton January 2022 (has links)
This essay explores if and how welfare attitudes in Sweden and in the United Kingdom have changed since the 1990s. Due to an increase in privatization and globalisation during the last 20-30 years, Sweden has become more economically liberal or right wing, aligning more with countries like the United Kingdom. The question therefore is to see if Sweden’s welfare attitudes have changed to become more like the welfare attitudes in the United Kingdom. There is a lack of research on how welfare attitudes change over time, as earlier research has focused more on comparison between countries or between groups. This essay uses empirical data from The International Social Survey Programme, in which three surveys from the years of 1996, 2006 and 2016 has been selected. In these surveys respondent have been asked how much responsibility they think the government should have for its citizens. The results show that the development in welfare attitudes in Sweden and United Kingdom are remarkably similar to each other. The analysis of the empirical data showed no differences between Sweden and the United Kingdom in welfare attitudes across all time periods. Compared to 1996, most groups in these countries wanted less state intervention in welfare generosities which is meant to aid poorer and more economically vulnerable people in their own society.
62

Arbetarrörelsen inom den radikala konstmusikens tankekollektiv : En studie av relationen mellan det radikala musiklivet och arbetarrörelsen under svenskt 1960-tal / Labourism within the Thought Collective of Radical Art Music : A Study of the Relationship between the Radical Music Scene and the Labour Movement in Sweden during the 1960s

Petersson, Tobias January 2014 (has links)
Subject of this study is the evolvement of the radical art music scene in Sweden. In this development took the labour movement an active part during the 1960s. The purpose of this study is to examine how the relationship between the radical art music scene and the labour movement was constituted and what this relationship implied for the Swedish radical art music scene during the 1960s. During the 1960s radical music became an influencial part in the Swedish music scene of modern art music. In this development the artists’ society Fylkingen had a central position. In the early 1960s Fylkingen began to incorporate writers, engineers, scientists, sociologists, philosophers, economists, etc. in their work and a number of projects were initiated which interacted with common society. A proposal for a public record company was developed together with KSF (Social Democratic Association for Cultural Workers) and was presented to the Swedish parliament. In collaboration with ABF (Workers’ Educational Association) the first studio for electronic music was build in 1960 and the relationship between the labour movement and the radical art music scene was institutionalized as the Stockholm Electronic Music Studio Foundation. This thesis uses the terminology of Ludwik Fleck to examine the relationship between the radical art music scene and the labour movement. The concepts of Thought collective and Thought-style are used to draw conclusions about common values and objectives within the Thought-style. The radical art music scene and the labour movement are understood to be part of a common Thought collective with a common style of thought. Because of this relationship, projects initiated in the radical music scene came to emphasize the democratic and educational aspects of music. In the latter half of the 1960s it was conceived impossible to achieve these goals under the existing program, leading to the notion within the style of thought that technological advancement was a prerequisite for a democratic music scene.

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