In the second and first centuries BCE a series of three large-scale slave revolts erupted in Sicily and central Italy, each of which ravaged wide swathes of territory and were suppressed only after serious loss of life. These slave rebellions, which were unprecedented in Roman experience to that point, provoked horrified reactions from most ancient authors. Modern scholars have generally treated the late-Republican uprisings as isolated events, the unexpected consequence of military expansion. A focus on the label "slave," however, instead of on the social and economic roles of the specific rebels, has compartmentalized studies of the slave wars, allowing discussion only within the confines of Roman slavery studies. Since the rebel armies in each war were composed principally of agricultural laborers, a profitable comparison can be drawn from peasant uprisings and other manifestations of collective violence that occurred in throughout the Roman world. This study offers a new context for analyzing the slave wars, which re-integrates them into the broader sweep of Roman history and understands them as one manifestation of a broader pattern of social and cultural transformation.

Das Ziel dieser Masterarbeit ist es, in einer Fallstudie die Datenübergabe eines BIM-Gebäudemodells in den Betrieb zu simulieren. Dabei soll das Modell aus der Software „Autodesk Revit“ stammen, die Übergabe erfolgt zur CAFM-Software „Spartacus“. Die Simulation wird sich mit modellspezifischen, softwarerelevanten und vertragsbezogenen Voraussetzungen für die Modellübergabe befassen. Dabei sollen auch softwareneutrale Gesichtspunkt Beachtung finden. Anhand der Ergebnisse der Fallstudie werden allgemeine Voraussetzungen und Handlungsempfehlungen erarbeitet sowie mögliche Fehlerquellen aufgedeckt. Das Ergebnis soll ein Leitfaden sein, der bei der Implementierung des digitalen Gebäudebetriebs unterstützt.:Einleitung 1 Ziele 2 Begriffsdefinitionen 3 Das Facility Management 3.1 Funktionsbereiche des FM 3.2 Voraussetzung für den Einsatz von FM-Software 4 Building Information Modeling 5 Bedeutung des Building Information Modeling für das Facility Management 6 Software 6.1 FM-unterstützende Software am Markt 6.2 Unterschied CAFM (Computer-Aided Facility Management)/IWMS (Integrated Workplace Management Systems)/FMIS (Facility Management Information Systems) 6.3 Anforderungen an die Software 6.4 Ergänzende Software 7 Fallstudie 7.1 Zu verwendende Software 7.2 Ursprünglich zu verwendendes Gebäude 7.3 Verwendetes Gebäudemodell 7.4 Untersuchte Bauteile und Bereiche des Gebäudes 7.5 Vorstellung der verwendeten Software “Spartacus” 7.6 Übergabe des Modells in die FM-Software 7.7 Verbindung der Revit-Familien mit den Spartacus-Anlagenklassen 7.8 Übergabe eines IFC-Modells 8 Fehlermeldungen 8.1 Fehlermeldung bezüglich der Geschosse 8.2 Fehlermeldung bezüglich der Räume 8.3 Fehler beim IFC-Import in Spartacus 8.4 Untersuchung des Im- und Exports zwischen *.rvt und *.ifc 9 Vertragsrelevante Schlussfolgerungen 9.1 Übersicht über die BIM-relevanten Vertragsbestandteile 9.2 Implementierung der Erkenntnisse in bestehende BIM-Strukturen der Deutschen Bahn 10 Fazit 10.1 Anforderungen an BIM im Facility Management allgemein 10.2 Anforderungen an zukünftig zu übergebende Modelle 10.3 BIM-relevante Leistungsphasen der HOAI für das FM-Modell 10.4 Beispiele für Ausschreibungstexte 10.5 Anforderungen an den Bediener der CAFM-Software 10.6 Anforderungen an den Planer 10.7 Anforderungen an die Software 10.8 Erforderlicher Detaillierungsgrad für das FM-Programm 10.9 Kompatibilität von “Spartacus” mit “Autodesk Revit” 10.10 Anwendung der speziellen Parameter 11 Der Weg für die Implementierung der Spartacus-Software 12 Ausblick 13 Anhänge 14 Literaturverzeichnis Erklärung

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-06-04T12:34:46Z No. of bitstreams: 1 Neemias Oliveira da Silva.pdf: 12742091 bytes, checksum: 41af331a98c1be3780516d060d7a6551 (MD5) / Made available in DSpace on 2018-06-04T12:34:46Z (GMT). No. of bitstreams: 1 Neemias Oliveira da Silva.pdf: 12742091 bytes, checksum: 41af331a98c1be3780516d060d7a6551 (MD5) Previous issue date: 2018-03-23 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis proposes the investigation of the myth built regarding Spartacus figure, slaves revolution leader in Ancient Rome and the demystification of this character in contemporaneity. We also analyzed Spartacus uses and appropriations which from eighteenth century on became symbol of revolutions. Thus, Spartacus became part of the popular culture along the time, reviving the epic hero at the cinematographic work from Stanley Kubrick (1960). Resuming in the twenty-first century through the series Spartacus (2010 - 2013), from epic hero to hero of masses. The return of the mythic hero is seen as nostalgia, a hero's model that no longer exists. Based on this we studied how the cultural industry reinforces occidental beauty patterns based on a body model. The hero's body is muscled, considered virility synonym and sexual symbol. Technological and scientific advances contributed to disenchantment of myths, the super natural, demystifying the hero. New hero models were built, ordered and integrated to a globalized media. This way the sources analyzed were Spartacus series, classical and reference works. The methodology used consists on Spartacus iconography analysis as a cultural representative and product of mass culture. At last the fact that Spartacus series was chosen as audio visual source is justified by the symbolic form the body and hero are described as simulacra of contemporaneous man. Spartacus would unfold himself in his lots of myths: “Myths of Spartacus” / Esta tese tem como propósito investigar como se deu a construção do mito em torno da figura histórica de Espártaco, líder da revolta de escravos na Roma Antiga, e a desmistificação deste personagem na contemporaneidade. Também analisamos os usos e as apropriações de Espártaco, que a partir do século XVIII, fez-se símbolo de revoluções. Assim, ao longo do tempo, Espártaco tornou-se parte da cultura popular, revivendo o herói épico na obra cinematográfica Spartarcus de Stanley Kubrick (1960). E, ao ser retomado no século XXI, por meio do seriado Spartacus (2010-2013), passou de herói épico a herói das massas. O retorno do herói mítico é visto como saudosismo, um modelo de herói que não existe mais. Dessa forma, estudamos também como a Indústria Cultural reforça os padrões de beleza ocidental baseado em um modelo de corpo. O corpo do herói é musculoso, considerado sinônimo de virilidade e símbolo sexual. E com o avanço tecnológico e científico, ocorreu um desencantamento dos mitos e do sobrenatural, desfazendo o misticismo em torno do herói. Construiu-se novos modelos de heróis, encomendados e integrados a uma mídia globalizada. Neste sentido, as fontes analisadas foram o seriado Spartacus, obras clássicas e obras de referência. A metodologia utilizada consistiu na análise icnográfica de Espártaco como representante cultural e produto da cultura de massas. Por último, o fato do seriado Spartacus ter sido escolhido como fonte audiovisual, justifica-se pela forma simbólica em que o corpo e o herói foram abordados, como simulacros do homem contemporâneo. Com isto, Espártaco desdobrar ia-se em seus muitos mitos: “Os mitos de Espártaco”