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Fenomenologie dotyku a touhy / The Phenomenology of Touch and DesireVojtěšková, Jitka January 2012 (has links)
Still life arise from interactions related to a particular situation, location and experience. They are composed of objects that are located on a given place, of my own and borrowed or donated by my "partners". Reflect the time memory. They are a physical reminder of the experience. Still Life is manipulated, staged, composed of various artifacts that are symbolic bearer of facts that preceded them, Images may affect the perception of emotions associated with the concept of beauty, transience, decay, evoking a feeling of emptiness, to reflect the time - an irreversible momentum. Photos show a banal, everyday objects, often so obvious and neglected, What remains for us ... What remains ... What goes around ... What is gone ... Similar scenarios acquire different meanings, finding what is already absent,
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Domov jako místo rituálů / Nevstupovat prosím! / Zóna domova / Home as Place of Rituals / Do not disturb! / Home ZoneKubátová, Veronika January 2019 (has links)
I have been dealing with the themes of prefabricated houses and housing estates until recently. I was especially interested in their aesthetics. Order, grid and certain regularity and repeatability. At the same time, I was always interested in his social connotations, mainly because I live in these places. Gradually I became more interested in topics related to my own home. So I moved from the general themes to my own experience. But what is my home? Home is a place of utmost importance in our society. Home is made up of people, family. People have it associated with many rituals that accompany their lives often without actually being considered for them. Thanks to these rituals, we manage, among other things, the everyday influx of positive and negative influences of the surroundings and deal with them in various ways. Morning coffee, brushing your teeth, lighting a candle, wiping dust, filling a bath, scattering water on flowers, etc. Balance is the key to everything we do. And I would like to analyze, document and process these home and personal rituals in this work. The final thesis will consist of a free series of paintings with possible interventions and overlaps into video or installation, etc.
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Jacques Linard, Une nature morte de 1640, marqueur de son tempsJoseph, Johanne 12 1900 (has links)
No description available.
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"My sense of my own identity is bound up with the past" / The Quest for a Female Identity in Historical Novels by British Women Writers: Penelope Lively, Margaret Drabble, A.S. Byatt, Esther FreudKoch, Jessica 02 July 2013 (has links)
No description available.
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Srovnání zátiší typu vanitas v italském, francouzském a holandském prostředí 17. století a dohledání případných vlivů na českou školu / A Comparison of Vanitas Still Life in Italian, French and Dutch 17th Century Environment and Searching for Influences on Czech SchoolPourová, Kristina January 2020 (has links)
My diploma thesis concerns itself with the depiction of the still life, in particular the type known as "vanitas", symbolizing the transience of human life. I focus on several artists working in Italy, France and Netherlands during the 17th century - Salvator Rosa, Simon Renard de Saint Andre, Jan Davidsz de Heem, and Nicolaes van Verendael - and explore their influence on the Czech artists Johann Adalbert Angermeyer, Jan Kaspar Hirschely, and Vaclav Vavrinec Reiner, who dealt with the same topic.
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Still Life HappensCrabtree, Mary Ann 12 April 2024 (has links) (PDF)
After dedicating over two years to pursuing an MFA degree focused on ceramics and sculpture, I find myself transported back to a familiar setting from my past: a tableau reminiscent of what remained in the dining space after four young children finished a meal and exited the room. Revisiting the scene recalls happy times despite the disorder. What helped maintain my sanity during the relentless repetition of the every-day-long task was the realization that every day, innocents are learning to become aware of the world around them. For my thesis exhibition, I created a tableau as a loud reminder of those messier times in my home. My exhibition features an oversized wooden toddler's chair and table, surrounded by scattered meal-time remnants exaggerated in scale predominantly crafted from ceramic. The food items are strewn about in seemingly random arrangements, creating a chaotic still life. Perhaps the disproportionate size of the furniture and the disorderliness subconsciously acknowledge the monumental challenge of caring for children, a task that once felt never-ending but has since become a distant memory. Viewers may find solace in the mundane subject matter and in the ease of recognizing the familiar elements on display.
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