The doctoral dissertation "Jiří Hálek and Jiřina Třebická: Acting at the Činoherní Klub in the 1960s" is dedicated to two outstanding figures of Czech theatre. Both born in 1930, Hálek and Třebická were members of the original Činoherní Klub (Drama Club) company fiounded in prague in 1965 who through their craft, especially in ground - breaking works by Ladislav Smoček, Alena Vostrá and PAvel landovský, helped determine the shape of modern Czech drama, which in the late 60s and early 70s came to be admired and acclaimed throughout Europe.

My work deals with the development of methodologies for French horn. I present the original sources and analyze importatnt methodist like Domnich, Duvernoy, Fröhlich, Farkas and Kaucký. Moreocer, I mention successful personalities of pedagogy . I translated materials that have not been published in Czech language yet and thereby created an overview of already forgotten and for hornplayers important books. Than, chapters from selected schools are compared with basic attributes of hornplaying. I mapped the methods of conterporary teaching at prestigious music schools in France, Germany and Prague. I created a list of issued schools, etudes and methodologies for French Horn wich available in Europe.

Dissertation thesis describes the evolution of popular musical theatre ? especially operetta and musical ? in Czechoslovakia after 1945. It analyses particular productions, follows important development periods of this kind of theatre as well as changes of attitude of communistic regime to its existence and artistic expressions ? not only in the overall context of changes in the theatre system or social and political situation in the country but also in the context of development abroad. Study mainly deals with events in major popular musical theatres (especially in the Karlín Musical Theatre in Prague) but it doesn´t neglect major productions of small or regional scenes. Dissertation proceeds both from existing literature and authentic historical sources, evidence and memories.

Definition of the conservation processes, which are appropriate and inappropriate for the conservation of secession albums in the reflection of photographic techniques, which are an integral part of the album. Another aim is to define an imaginary boundaries recommending to conservator of photos, what should be able done by himself, which intervations should have been consulting with a specialist of the issue and the intervations that should be done by a specialist of the issue. The work also contains descriptions of used materiál, their usual damage and especially the conservation techniques.

Diploma thesis deals with the phenomenon of theatre language, mainly its Western style which is basic instrument of understanding the world of theatre of a Western theatre maker. Relations between codification, conventions and poetics are described. Through model of dynamic relations between Eastern and Western theatre it tries to analyze dramaturgically and name the specifics of European- Western type of theatre practice and Western culture itself. Moreover, thesis finds its topic in intercultural tendencies in mutual influences of Western and Eastern theatre traditions in 20th century, it introduce main theatre artists of this movement, who are also protagonists of theatre anthropology.

The diploma thesis deals with an interpretation of a scenic movie environment in eighties of the twentieth century. In the beginning, I tried to recognize the cultural and historical context of the eighties that introduce us to the optical perception of this time. For a full picture serves listing movie frames with typical visual representation of these years. Particular attention is given to four feature films that could serve as a scenic genotype, which can be applied in the design of movie scenes of post normalization Prague environment. The greatest extent of the thesis is devoted to the performing processing of screenplay "Wenceslas Square" by Christopher Marcus and Stephen MrFreely, which was created by the story of Arthur Philipse. It is an unconventional love story, set in Prague in the eighties of the twentieth century and ending with "Velvet Revolution", over which no one of the protagonists is enthusiastic. Attached is a draft screenplay point of each scene, including indicative floor plans and reference photos. Keywords: film rendering, Prague in eighties of the twentieth century, processing stage design scenarios of "Wenceslas Square ". Keywords: film rendering, Prague in eighties of the twentieth century, processing stage design scenarios of "Wenceslas Square ".

The thesis focuses on the icons of the czech brutalism who are nowadays often a subject of discussion. It aims to provide coherent outlook to the reader, not just a technical description of the building but more so the process of its construction from the idea on the paper to the its final state. It observes how the views have been transformed and the perspective of the public, which is oftentimes dimmed by the stigma of the era in which these buildings were created. The goal of this thesis is to extend the knowledge about qualities of the brutalist architecture among younger generation so they could make better judgement of what will happen to these buildings in the future. For this purpose there is a didactic elaboration that will introduce brutalism to the high school students. KEYWORDS architecture, 20th century architecture, brutalism, architecture in education

This diploma thesis focus on comparison of the management of 1st half of 20th century with present days. The main goal of thesis is to analyze a lurid career of Czech top manager Domink Cipera, his operation methods and usage of innovative management procedures (that were used during his business and politics career), based on the available published sources. Thesis is in addition comparing Cipera’s management style in context of that era with current acting managers and is concerning with Cipera’s profession heritage and his influence to modern management. Practical section of the thesis is dealing with sociological research on the sample of current acting managers. Design section is describing potential improvement in area of systematical managerial education of managers and executive project employees in the concrete company.

The diploma-thesis deals with the monograph of Architect Emil Kralik. Emphasis is placed on his pedagogical work. It will systematically proceed from Kralik's studies and first experiences, after the introduction of the architect's personality and critical literary research. Two chapters will be dedicated to Emil Kralik as a teacher. Character and importance of his didactic work will be demonstrated by the architectural activities of his pupils. In another part of thesis will be chronologically summarized the architectural Kralik's projects, both realized and unrealized constructions. The thesis will be completed by the evaluation of Emil Kralik's work and his position in the modern Czech architecture. Keywords architecture - 20th cent., art - 20th cent., Brno University of Technology, didactic; Exhibition of Contemporary Culture Brno 1928, pupils, projectsarchitecture - 20th cent., art - 20th cent., Brno University of Technology, didactic; Exhibition of Contemporary Culture Brno 1928, pupils, projects

This project was carried out using a product development process for Mitab, a furniture manufacturer in Tranås. The company mainly produce products for public spaces. RAL is a chair in their collections and it is designed mainly for public spaces. There is a need to assemble the chairs with each other at different context. The purpose of this project was to develop a link between the chair seats.   The main focus of the project was to come up with drawings and pictures that visualizes a solution to link RAL-chairs together.   The project started with Mitabs need to join a specific chair model, laterally together. This need generated questions and a product development process was performed to finally result in a production friendly product.   Inspiration and knowledge acquired through studying literature, observation of product development at the company, as well as visits to the furniture fair in Älvsjö. Interviews and tests were used in order to gather information about the problem. Several concepts were developed and evaluated together with the company.   Combining functionality with a design that is compatible with the chair's design as well as a simple and clear design has been the purpose of this project. The result is a coupling seat that is hidden under the seat, and that is easy to use.   The result was a concept of linking chairs together. The coupling is hidden under the chair seat when it is not in use. Plastic and steel was chosen as material and a prototype was produced which shows the form and function of the developed concept.   The resulting drawings has led to a prototype. This prototype meets the requirements Mitab has presented at the start of the project. A cost estimate based on the concept note has been submitted and the total production cost of the chair coupling is far below the company's cost requirements.   Work that remains is to test the prototype and evaluate the sustainability of the product and to evaluate any load requirements. Further detailed cost estimations should be done to obtain a more accurate pricing. / Arbetet har utförts som ett produktutvecklingsprojekt åt möbelföretaget Mitab. Företaget ligger i Tranås och jobbar huvudsakligen med möbeldesign och inredningsprodukter för offentlig miljö. Uppdraget har varit att ta fram ett lösningsförslag på en stolskoppling till en befintlig stolsmodell i företagets sortiment. Arbetets omfattning har innefattat framställning av en produkt från idé till ett färdigt förslag.   Målet med examensarbetet var att ta fram ritningar och bilder på en fungerande produktidé som kopplar samman RAL-stolar.   Vid projektstart delgav företaget ett behov av att kunna sammanfoga en specifik stolsmodell i sidled. Utifrån detta behov genererades frågeställningar och en produktutvecklingsprocess genomfördes för att slutligen resultera i en produktionsvänlig produkt.   Inspiration och kunskap har inhämtats genom att studera litteratur, observation av produktutveckling på företaget samt besök på möbelmässan i Älvsjö. Intervjuer och tester användes för att samla in information om problemet. Flera koncept har utvecklats och utvärderats tillsammans med företaget.   Att kombinera funktion med en formgivning som är kompatibel med stolens design samt en enkel och tydlig design har varit ett syfte med detta projekt. Resultatet är en koppling som är dold under stolsitsen och är enkel att använda.   Resultatet blev ett koncept för att länka stolar tillsammans. Kopplingen är dold under stolsitsen när den inte används. Plast och stål valdes som material och en prototyp tillverkades som visar formen och funktionen av det utvecklade konceptet.   De resulterande ritningarna har medfört att en prototyp har kunnat tas fram. Prototypen uppfyller de krav som Mitab har lagt fram vid examensarbetets projektstart. En kostnadsuppskattning baserad på konceptunderlag redovisas och den sammanlagda tillverkningskostnaden för stolskopplingen ligger långt under företagets kostnadskrav.   Arbete som kvarstår är att testa prototypen och vidare undersöka material för att kunna utvärdera hållbarheten i produkten och eventuella belastningskrav. Mer detaljerade kostnadsberäkningar bör genomföras för att få fram en mer exakt prisbild.