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1	Personals förhållningssätt till sexualitet på gruppboenden. : En kvalitativ studie om utrymmet för sexualitet för vuxna personer med intellektuella funktionsnedsättningar. / Approaches to sexuality at group homes. : A qualitative study about the space for sexuality for adults with intellectual disabilities. Håkansson, Hanna January 2019 (has links) In Sweden there is a limited research about adults with intellectual disabilities and their sexuality through a social work perspective. This study aims to study how workers in group homes and their managers describes the residents sexuality and describes how they approaches their sexuality at work. And if there’s any facilities or hindrance that affects the sexual space. 5 semi-structured interviews with managers and coordinators, and 3 focus groups with carers where made. For analysis script theory and the charmed circle have been used. The result shows that people who works at group homes has no guidance or collective ways to approach sexuality in their work. They talk about an open approach but often describes the residents as asexual and connects sexuality with the level of disabilities. The respondents acknowledge that they need more knowledge. The conclusion is that there’s a need for more knowledge and guidance for people who work at group homes to extend the space for sexuality for adults with intellectual disabilities. Intellectual disabilities disability sexuality group homes sexual scripts the charmed circle the blessed circle social work Intellektuella funktionsnedsättningar funktionsvariationer sexualitet gruppboende gruppboenden sexuella script den välsignade cirkeln LSS socialt arbete Social Work Socialt arbete
2	Mirror, Mirror : Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012) Hjelm, Zara Luna January 2021 (has links) This thesis examines the embodiment of the sexed body and the struggle of fitting into the narrow frames of what a woman is supposed to behave and look like in Japanese cinema. Using the medium of film, I, therefore, seek to produce knowledge regarding the internalized gaze of the oppressor, and self-objectification, caused by the capitalist heteropatriarchy. Thus, I am drawing from cyborg feminism, and the second wave of sexual difference theory’s concept of becoming, expanded upon by the Italian-Australian philosopher Rosi Braidotti. I further use the French sociologist Pierre Bourdieu’s notion of masculine domination and the American philosopher Gayle Rubin’s charmed circle, in creating a theoretical framework, and using the methods of cultural and feminist film analysis to contextualize the films and locate the subjectification of the women. The movies that I will be analyzing are the Japanese director and poet Sion Sono’s Antiporno (アンチポルノ, 2016) and the Japanese director and photographer Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012), which both center around two women and their struggle in becoming-cyborg, in relation to power, trauma, sexuality, technology, and beauty ideals in ‘modernized’ Japan. In that sense, I will study the phenomenon of operating outside the lines of social norms of femininity and desire. internalized gaze of oppression Sion Sono Mika Ninagawa Antiporno Helter Skelter Japanese cinema film analysis gender plastic surgery beauty standards body commodification self-objectification Japan becoming cyborg feminism the charmed circle masculine domination j-horror pinku egia ego guro nansensu shojo manga BDSM Gender Studies Genusstudier

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Mirror, Mirror : Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012)