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Queer na pokračování: Rozkvět trans ženské literatury v Severní Americe / Ongoing Queerness: The Flourishing of Trans Women's Literature in North AmericaRose, Jamie January 2020 (has links)
(English) This master's thesis describes how, within the space of a single decade (2010-2019), transgender women's literature underwent significant development when it came to the production of novels and literary production more broadly. Written to be accessible to those unfamiliar with transgender literature and the internal workings of trans communities as possible, this thesis begins by describing in detail the socio-political changes in how trans people lived and were perceived over the past decade, with particular attention paid to the changes in the media landscape, the recent surge of people coming out as transgender and the conservative backlash. Methodologically, this thesis utilises the viewpoint of transgender studies, which focuses to the material and socio-political conditions that facilitate trans cultural production and the ways in which trans literature engages with the politics of representation through the act of self- representation. It should be noted that this thesis only considers physically published literature written by trans women - a restriction that, the author acknowledges, helps reinforce the hegemony of the publishing industry - with special attention paid to the genre of the novel, and does not view works by cisgender authors that deal with transgender themes as...
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Transformationer : 1800-talets svenska translitteratur genom Lasse-Maja, C.J.L. Almqvist och Aurora LjungstedtHolmqvist, Sam January 2017 (has links)
Literary descriptions of shifting from and transgressing assigned sex were common in 19th Century Sweden. This thesis forms a contribution to the larger project of writing a history of Swedish trans literature, and develops new interpretations of certain works of fiction by applying a transgender studies perspective. Through trans readings the thesis also examines what potential and possible implications literature might have for trans people beyond the literary realm. Trans readings are able to supplement earlier research by providing a nuanced understanding of the production of trans- and cisgenders. The theoretical perspectives used in the thesis are drawn for the most part from queer and transgender studies. The thesis adopts a conceptual understanding of trans as a movement, and aims to widen the scope of what may be considered relevant to a history of trans literature. The primary objects of analysis are the 1833 autobiography of widely known thief and cross-dresser Lasse-Maja (Lars Molin), C.J.L. Almqvist’s Drottningens juvelsmycke (1834), and Aurora Ljungstedt’s Moderna typer (1874). In closing, two texts from the fin-de-siècle are also closely read; Amanda Kerfstedt’s Reflexer (1901) and Frida Stéenhoff’s “Ett sällsamt öde” (1911). A wide range of other fiction is additionally studied in order to establish a contextual pattern of trans literary traditions. The thesis demonstrates that trans permeates all kinds of fiction, and that the characters analysed construct both trans and cis gender categories. It concludes that trans is done in a variety of ways, and with a variety of meanings in 19th and early 20th century literature. Trans is often depicted as a positive, fruitful and desirable act, through trans characters who are both themselves subjects of erotic desire and who become symbols of liberty and emancipation. Other trans figures however are often counter images of what are considered to be correct sexes, and are depicted as threatening and/or ridiculous. Both these negative and positive representations of trans affirm the gender binary. At the same time, they also break and destabilize that same binary, and the trans characters in the study both can and cannot be interpreted as transgressing cis- and heteronormativity respectively.
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