This dissertation investigates the question of transcendence and its relevance to my picture-making . process. The term 'transcendence' refers to any experience which surpasses the finite. In relation to the art-making process it refers to an opening up of the frame. Transcendence is not regarded as a fixed and unalterable state but as such that it encompasses paradox. The fragmentary nature of experience and" knowledge provides the point of departure for this investigation. The possibility of transcendence is partly explored through the concept of symbolic orders. I am using the term 'symbolic orders' to refer to any frameworks which shape human experience in general and the creative process specifically. Upon exploring the concept of transcendence as concerns the work of a number of artists and insofar as it has informed my own pictures it appears that there is a creative system pertaining to the artwork which is transcendent. / Art History, Visual Arts & Musicology / M.A. (Fine Arts)

It was certainly a primary concern of the Second Vatican Council, facing the Third World in a post-colonial era, to show a maximum respect for humanity's invincible cultural pluralism (GS, 44, 58). Hence the emphasis on the primordial and unique missionary principle of incarnation, is derived directly from the scandalous belief that God became one of us in everything except sin (cf Heb. 2:14-18; 4:15). The Christian understanding of the relationship between God and humankind is dominated by this incarnationcd theme, which takes seriously the meaning of finitude, flesh and history. The incarnational self-donation, through which humanity is embraced from within, involved an incomprehensible self-emptying (cf. Phil 2:6-8). In giving himself to us in this intrinsic manner the divine Logos discounts his divinity and humbles himself that he might become truly one of us. Jesus of Nazareth is not a disguise used by God, not a human outer garment covering the divinity, not something foreign to what we are. / Systematic Theology / M.Th. (Systematic Theology)

Selected aspects of Nicholas of Cusa's cosmology and anthropology This thesis targets selected topics of theology of creation and of man, that is, theological cosmology and anthropology in the work of a Renaissance philosopher, theologian, mathematician and scientist Nicholas of Cusa. I shall first introduce Cusanus' curriculum vitae, it's historical context and basic characteristics of theological anthropology in the work of Cusanus. After this, I shall present in greater detail selected topics of his mathematical theology, including historical context of this specific discourse on God, world and man using language of mathematics. This includes mathematical description of both created world and of theological reality, e.g. God's transcendence and immanence, the place of man in the universe, or the role of universe which has a mediating role between God and man in the works of Cusanus. Mathematical language used by Cusanus is part of a wide stream of Neoplatonist philosophical and theological tradition. Cusanus is inspired not only by pre-Christian philosophical traditions (Pythagorean school, Plotinus' concept of One), but also by Greek patristic writers like Gregory of Nyssa, Maximus the Confessor, Pseudo-Dionysius the Areopagite. In his concept of "great conjecture" Cusanus presents a model of...

Thesis (PhD)--Macquarie University, Faculty of Arts, Department of Media, Music, and Cultural Studies, 2009. / Bibliography: p. 303-332. / Carnal transcendence and sexual difference -- An amorous exchange -- Angels playing with placentas -- Fluid subjects -- Poetics -- Oneiric spaces -- Conclusion. / Carnal transcendence imagines a world in which the carnal has the weight and value of transcendence, and the divine is as liveable and readily evoked as the carnal. Carnal transcendence offers a means of thinking through difference in the work of Luce Irigaray, who asks: "why and how long ago did God withdraw from carnal love?" (1991a, p 16). This thesis argues that Irigaray enables her readers to explore the relationship between carnality, transcendence and difference, but resists elaborating it in her work. Carnal transcendence as difference risks remaining an exercise in rhetoric, rather than the transformative and creative philosophy that Irigaray imagines. -- Irigaray's resistance to the carnal is evident in her arguments for sexual difference, which offers our "salvation" if we think it through, and heralds "a new age of thought, art, poetry, and language: the creation of a new poetics" (1993a, p 5). Note the language of transcendence used here. When considered in the light of carnal transcendence, sexual difference imagines a differently sexed culture. This thesis argues that Irigaray's writing is contradictory on this point: it articulates the plurality of women's sexuality, but emphatically excludes theories of sex and gender that emphasise multiplicity. This thesis challenges these limitations by exploring the possibilities of the "other" couple in Irigaray's writing-mother and daughter - for thinking through carnal transcendence as difference. -- This thesis not only explicates a theoretical model for carnal transcendence as difference; it also attempts to put into practice a poetics - a playful rewriting of theory. This celebrates the carnality of Irigaray's writing - evident in her complex imagery of the two lips, mucus, the placenta and angels-and enables an exploration of the philosophical space of the "new poetics" that Irigaray is attempting to engender. / Mode of access: World Wide Web. / 332 p. ill (some col.)

This dissertation investigates the question of transcendence and its relevance to my picture-making . process. The term 'transcendence' refers to any experience which surpasses the finite. In relation to the art-making process it refers to an opening up of the frame. Transcendence is not regarded as a fixed and unalterable state but as such that it encompasses paradox. The fragmentary nature of experience and" knowledge provides the point of departure for this investigation. The possibility of transcendence is partly explored through the concept of symbolic orders. I am using the term 'symbolic orders' to refer to any frameworks which shape human experience in general and the creative process specifically. Upon exploring the concept of transcendence as concerns the work of a number of artists and insofar as it has informed my own pictures it appears that there is a creative system pertaining to the artwork which is transcendent. / Art History, Visual Arts and Musicology / M.A. (Fine Arts)

This research determines the ground for a Christian theological anthropology that makes provision for a doctrine that supports human self-realization. It is evident from the study that anthropological self-realization is an involved process of becoming truly human, not an isolated course founded solely on the biblical knowledge of being created in the image and likeness of God. All sciences, and in particular anthropological sciences, enjoy the prerogative of unraveling and analyzing the human person. Whether these sciences are neuro-biological, psychological, theological, philosophical, biblical, spiritual or mystical in character, each with its specific method legitimately attempts to explain the complexities of the human person. In the light of this neither philosophy nor theology possess the exclusive claim to authentic human wisdom. In truth most scientific insights have a combined impact on the self-realizing growth and development of humanity. The process of self-realization links theology to real life questions such as evil, suffering, hope, love, justice and freedom, as well as with the immanent, the transcendent, the human and the divine. This thesis holds to the opinion that a theology of self-realization would contribute to the 'humanization' of theology since it brings praxis and theory into close alignment. This study equally expresses the conviction that the doctrine of consecrated vowed life, an ecclesiastical structure in the Roman Catholic Church, is particularly in need of humanization, as the notion of 'self' as a strength has been notably absent from traditional treatises on the practices of religious life. Conventional forms of consecrated vowed life called the woman to suppress and spiritualize at least some of her femininity. This was due to the distorted theological anthropology that sustained consecrated life in which God was presented as an idea to be grasped intellectually, and not an experience to be lived. / Philosophy, Practical and Systematic Theology / Th. D. (Systematic Theology)

It was certainly a primary concern of the Second Vatican Council, facing the Third World in a post-colonial era, to show a maximum respect for humanity's invincible cultural pluralism (GS, 44, 58). Hence the emphasis on the primordial and unique missionary principle of incarnation, is derived directly from the scandalous belief that God became one of us in everything except sin (cf Heb. 2:14-18; 4:15). The Christian understanding of the relationship between God and humankind is dominated by this incarnationcd theme, which takes seriously the meaning of finitude, flesh and history. The incarnational self-donation, through which humanity is embraced from within, involved an incomprehensible self-emptying (cf. Phil 2:6-8). In giving himself to us in this intrinsic manner the divine Logos discounts his divinity and humbles himself that he might become truly one of us. Jesus of Nazareth is not a disguise used by God, not a human outer garment covering the divinity, not something foreign to what we are. / Systematic Theology / M.Th. (Systematic Theology)

This study postulates the existence of a notion of transcendence in immanence in the thought of Jacques Derrida. The deconstruction of, amongst others, Husserlian phenomenology and Saussurean structuralism, affords Derrida the opportunity of presenting a thought of contamination, haunting and impurity, which is a thought of transcendence in immanence. The hypothesis of a notion of transcendence in immanence in Derrida’s thought is refined by specifying it as temporal transcendence in immanence. Accordingly, the intimation of transcendence in immanence does not amount to the ontological acceptance of a separate transcendent realm. On the contrary, what appears is a monism: the infinite finitude of temporality. In conversation with the notion of temporal transcendence in immanence intimated in Derrida’s thought, this study proposes a notion of theological transcendence in immanence. Theological transcendence in immanence is presented as an inflected interpretive performance of salient themes from the tradition of Christian theology prior to the advent of modernity. From this perspective, all being is referred to God and finite creation is deemed to be a contingent, non-necessary participation, at an unquantifiable analogical remove, in the life and being of God. The notions of space, time and meaning that emerge from such a premise are subsequently explored, and brought into conversation with the corresponding notions in Derrida’s work. The study concludes by asking whether the conversation between the notions of temporal and theological transcendence in immanence can in any way be furthered, or whether the two positions should rather be regarded as irreconcilable, that is, as lying separatively transcendent to each other. In response, it is suggested that the notion of transcendence in immanence implies the attempt to relate juxtaposed positions after the fashion of transcendence in immanence. The possibility of temporal transcendence in immanence inhabiting theological transcendence in immanence after the fashion of transcendence in immanence is firstly considered and rejected. Thereupon, the reverse option, namely that of theological transcendence in immanence making use of temporal transcendence in immanence, iii while at the same time transcending it, is considered and judged to be a suitable provisional outcome of the conversation with Derrida. / Religious Studies and Arabic / D. Litt. et Phil. (Religious Studies)

Text in Afrikaans / Die bydrae van die lsraelitiese wysheidsliteratuur word in die teologiese nadenke oor die wese sowel as die regverdigheid van God in 'n groot mate onderbenut gelaat. Dit hoef egter nie so te wees nie. lndien die wysheid van Israel teen die agtergrond of breer konteks van die ontwikkeling in die konvensionele oud-Oosterse wysheid en vanuit 'n toepaslike orienteringspunt benader word, kan die betekenis daarvan histories en eksegeties op so 'n wyse ontsluit word dat die relevansie met betrekking tot die teologiese gesprek oor God en die teodisee aangetoon kan word. In die lig hiervan word die kritiese wysheid van Israel aan die hand van 'n elliptiese ordeningsbeginsel, wat enersyds die heerskappy van God en andersyds die moontlikheid van gemeenskap tussen God en mens as wentelpunte het, histories en eksegeties ondersoek. Verskillende reaksies op 'n gemeenskaplike ervaring van God se transendensie word in die lsraelitiese wysheid gehandhaaf en ontwikkel. Al word die terme 'transendensie', 'immanensie' en 'teodisee' nerens in die wysheidstekste van Israel gebruik nie, kom die motiewe nogtans voor. Die alternatiewe wat gehandhaaf en uitgewerk word, beklemtoon die verband tussen godsbeskouing en die ervaring van God as of verwyderd of immanent. Op soek na die balans tussen die transendensie en immanensie van God, bied die kritiese wysheid van Israel wel 'n perspektief waarin so 'n omvangryke ervaring van die wese van God moontlik is dat die beperkinge van rasionaliteit, en daarom ook vrae wat uit die teodisee-vraagstuk voortvloei, oorkom kan word. / The contribution of the sapiential literature of ancient Israel to theological reflection on both the essence and the justice of God is to a large extent neglected. This need not be the case. If Israelite wisdom is approached from a suitable vantage point and against the background or in the wider context of the sapiential movement in the ancient Near East, it becomes possible to historically and exegetically unravel the meaning and relevance of Old Testament wisdom in theological discussion of God and theodicy. In this light a historical and exegetical exploration of Israel's critical wisdom is undertaken with the aid of an elliptical guiding principle in which the supreme lordship of God is the one focal point, and the possibility of intimate communion between God and humans the other. Different reactions to a common experience of the transcendence of God are maintained and developed in the wisdom of ancient Israel. Although the terms 'transcendence', 'immanence' and 'theodicy' are never used in their wisdom texts, the motifs themselves did occur. The connection between the God concept and the experience of God as either remote or immanent, is emphasized by the alternatives which are developed in both the conventional and critical wisdom. In search of balance between the transcendence and immanence of God, the critical wisdom of Israel does offer a perspective within which comprehensive experience of the essence of God is possible to such an extent that the limitations of rationality, and therefore also the questions emanating from the riddle of theodicy, can be exceeded. / Biblical and Ancient Studies / Th. D. (Ou Testament)

Aus der Einführung: "Glaubt man euphorisch gestimmten Zeitgenossen der 1950er Jahre, verhieß das »Atomzeitalter« vor allem Gutes: »Die Welt von morgen erwartet uns! Schon stehen wir an der Schwelle, um durch die weit geöffnete Tür in ein neues Zeitalter hinein zu schreiten. Es wird beherrscht von der Atomtechnik und von der Eroberung des Weltalls über uns. Vieles in unserem Leben wird sich dann wandeln. «1 So lautet ein Text im Sammelbildalbum der Firma Birkel, das seit den frühen 1950er Jahren in der Bundesrepublik erschien. Die Atomtechnik wird hier ganz positiv an den Beginn eines neuen, besseren Zeitalters gesetzt, welches den Menschen seiner Erd-Bindung entheben und alte Menschheitsträume realisieren werde: die Eroberung des Weltalls und der Meere, die Überwindung von Zeitund Raumgrenzen sowie Wohlstand und Fortschritt. Mehrere Sammelbilder zeigen schließlich mögliche Einsatzgebiete der Atomtechnik: als Energielieferant, als Antriebstechnik und zur Ertragssteigerung in der Landwirtschaft."