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1	Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen Siljeholm, Olof January 2009 (has links) Zugl.: Göteborgs Univ., Diss., 2009
2	Die verfremdete Videovernehmung : die optisch-akustisch veränderte Vernehmung von verdeckten Ermittlern und Vertrauenspersonen im Rahmen der Videovernehmung gemäß 247 a StPO / Schmenger, Lisa. January 2008 (has links) Universiẗat, Diss.--Heidelberg, 2007. / Literaturverz. S. [XVII] - XLII.
3	»– vergiß also das sogenannte populare nicht«: Grenzen und Grenzüberschreitungen in der Musik Fladt, Helmut 27 October 2023 (has links) In den vielfältigen Genres der Musikgeschichte gab und gibt es zahlreiche soziokulturell und politisch bestimmte Grenzen, die entscheidende Auswirkungen auf die Funktion, die Strukturierung und die Darbietungsweisen von Musik haben. Damit ist ein bis heute virulentes Problem benannt: Wie verfestigt sind solche Grenzziehungen, primär zwischen den ›popular‹ und den ›artifiziell‹ definierten Kulturen? Da musikalische Grenzüberschreitungen immer auch auf – partiell gravierende – soziale Spannungsverhältnisse verweisen, können diese nicht aus rein ästhetischer Sicht verstanden werden. / Throughout history, a multitude of musical genres have been shaped by numerous boundaries, set by political and socio-cultural constraints, which have had decisive consequences for the functions, structure, and modes of the presentation of music. This raises a problem still virulent today: how entrenched are such demarcations, primarily those between so-called »popular« vs. »high« cultures? Since transgressions of such generic boundaries always reflect social tensions, sometimes grave ones, these »border crossings« generally have relevance and meaning beyond the merely aesthetic. info:eu-repo/classification/ddc/780 ddc:780
4	Döblins Franz Biberkopf: Die erzählerische Gestaltung eines Außenseiters Moldrickx, Christopher January 2009 (has links) <p><strong>Abstract</strong></p><p>The novel <em>Berlin Alexanderplatz</em> by Alfred Döblin was published in 1929. It has subsequently been widely recognized as an important part of German Modernism due to its new conception of the hero, as well as its innovative narrative structure. The aim of this essay is both to determine the innovatory details in the concept of the hero and to describe the narrative structure, which is essential for a comprehensive understanding of the hero Franz Biberkopf. Hence, not only direct utterances by the hero and other narrative techniques are dealt with in the analysis, but also a wider context, including social interaction and the impact of the metropolis. In <em>Berlin Alexanderplatz</em> the concept of the hero is based on a fundamental criticism of the bourgeois view of the human being, a view which derives from the classical Homeric epic, stretching over the Enlightenment and into Döblin's time. However, the narrative innovation in <em>Berlin Alexanderplatz</em> is not only to be seen as the personal result of Döblin's critical reflections on the narrative tradition of the ʻbourgeois epicʼ, but also as one manifestation among others within the framework of Modernist criticism.</p> Döblin Franz Biberkopf underdog reality narrative techniques concept of the hero bourgeois epic Döblin Franz Biberkopf Außenseiter Erzähltechnik Montagetechnik Authentizitätsillusion Verfremdung Wirklichkeit German language Tyska språket
5	Döblins Franz Biberkopf: Die erzählerische Gestaltung eines Außenseiters Moldrickx, Christopher January 2009 (has links) Abstract The novel Berlin Alexanderplatz by Alfred Döblin was published in 1929. It has subsequently been widely recognized as an important part of German Modernism due to its new conception of the hero, as well as its innovative narrative structure. The aim of this essay is both to determine the innovatory details in the concept of the hero and to describe the narrative structure, which is essential for a comprehensive understanding of the hero Franz Biberkopf. Hence, not only direct utterances by the hero and other narrative techniques are dealt with in the analysis, but also a wider context, including social interaction and the impact of the metropolis. In Berlin Alexanderplatz the concept of the hero is based on a fundamental criticism of the bourgeois view of the human being, a view which derives from the classical Homeric epic, stretching over the Enlightenment and into Döblin's time. However, the narrative innovation in Berlin Alexanderplatz is not only to be seen as the personal result of Döblin's critical reflections on the narrative tradition of the ʻbourgeois epicʼ, but also as one manifestation among others within the framework of Modernist criticism. Döblin Franz Biberkopf underdog reality narrative techniques concept of the hero bourgeois epic Döblin Franz Biberkopf Außenseiter Erzähltechnik Montagetechnik Authentizitätsillusion Verfremdung Wirklichkeit Specific Languages Studier av enskilda språk
6	Tintamaresken- en folklig verfremdung! Björnsson, Hillevi January 2014 (has links) I en iterativ process i ett utforskande arbete undersöker jag om tintamaresken kan användas i fler sammanhang än inom den folkliga komiken. Genom litteraturstudium hittar jag en väg från den svenska bondkomiken till fjärmningseffekter i internationella teatertraditioner. Med hjälp av laborationer och kontrollexperiment prövar jag förhållningssättet och gestaltningar tillsammans med tintamaresken. Arbetet leder fram till begrepp och metoder man kan använda för att arbeta med tintamaresken i framförallt episk men också dramatisk teater. tintamaresk Tintamaresque tintamareskteater tintamarre bondkomik commedia dell arte fysisk teater dramapedagogik narren clown bouffon mask kuliss brecht verfremdung lecoq grotesken bachtin kasperteater shakespeare hamlet gestaltning sotie sottie episkteater amatörteater karneval mälhammar oreglia uno myggan ericson maskerad dödsdans dansemacabre danse macabre mumin moomin emond Arts Konst

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