The Wind River gold prospect is located in TSN, R7E of Skamania County, Washington, and is an epithermal gold-quartz vein system hosted in volcanic rocks of the Ohanapecosh Formation, a late Eocene to middle Oligocene unit of calcalkaline chemical composition. Andesitic pyroclastic rocks of the Ohanapecosh Formation are the host of mineralization in the study area, and form the lowest of several stratigraphic subunits. These pyroclastic rocks are overlain by two sequences of lava flows which cap the ridges and are folded by an anticlinal warp over the length of Paradise Ridge, plunging gently to the southeast. Toward the west, the number of flows decreases and the proportion of intercalated pyroclastic rocks increases. Numerous dikes cut the pyroclastic rocks at the Wind River prospect. Geochemical data show these dikes to have been feeders for the overlying lava flows. Differing degrees of alteration of the dikes relative to the most intensely altered pyroclastic rocks which they cut indicates a complex history of overlapping hydrothermal and volcanic activity at the prospect.

Despite active volcanism, few geothermal energy resources have been developed in the Cascades Range. Temperature Gradient Hole (TGH) MB 76-31 was drilled to approximately 440 m measured depth to probe for zones where fractures provide fluid conduits that transport deep volcanic heat to shallow depths that could support baseload, carbon neutral electrical generation. These zones were predicted by a Play Fairway assessment (PFA) of resource potential along a zone 11 km west-southwest of the summit of Mount Baker Volcano, Washington State. Rock core, temperature logs, and an acoustic image log were obtained. By comparison to outcrops, the core is interpreted as the Chilliwack Group, comprised of partially metamorphosed basaltic to andesitic volcanics, but due to similar physical and mineral composition may represent the Nooksack Formation. Mapping of core reveals complex, steeply dipping networks of fractures and brecciation along slickensided strike slip faults; clay alteration is common in many of these structures. Most fractures are thoroughly healed by layers of chlorite and calcite, whereas chlorites and vermiculite line open fractures. Fracture porosity is primarily hosted by very dense fractures a few centimeters or less in length. These small fractures are not clearly evident or interpretable in image logs, leading to under-estimated fracture density and secondary porosity, although the image log provides good insights into frequency and attitude of fractures that fully transect the core. The combination of complex, non-planar fracture zones containing many short fractures and healing promote misinterpretation of natural fracture attitude and density in the image log. The equilibrated measured temperature reaches a maximum temperature 32°C at 408 m measured depth along a conductive gradient of 64ºC/km and calculated heat flow of 145 mW/m2 which is more than twice the regional average of 30ºC/km. The presence of vermiculite and several chlorite minerals lining fractures is consistent with the conductive temperature gradient measured in the well below a shallow isothermal zone, although, several fractures are open or only partially healed and resulted in fluid entries into the well. Together, the temperature gradient and vermiculite formation in the fractures indicate local influence of the Mt Baker magmatic system at the Little Park Creek TGH site and that TGH MB 76-31 reaches the upper edge of a caprock above a much deeper hydrothermal system. Do you conclude that this site will/will not support electrical generation? Should have a sentence here describing this since you start your abstract with the idea that you’re testing viability. / Geology

Washington Square, like The Portrait of a Lady, is an open-ended Henry James novel that concludes ambiguously and unhappily, counter to the trend of many other Victorian novels. While many contemporary Victorian novels center on marriage and inheritance plots, concluding their protagonists' struggles with felicitous performative utterances of "I do" and "I bequeath," Catherine Sloper's future is less clear: at the conclusion of Washington Square, she remains both unmarried and disinherited. Both characters and readers alike seem stymied by Catherine's motivations at the end of the novel, as famously studied in Judith Butler's essay, "Values of Difficulty." Catherine seems calculable, submissive, and guileless at the beginning of the novel--both her father, Dr. Sloper, and her suitor, Morris Townsend, judge her to be good but "decidedly not clever." So what happens over the course of the novel to produce Catherine's infelicitous and incomprehensible outcome? This thesis's performative reading of Washington Square sheds light on the infelicitous and inscrutable conclusion to Catherine's story. At a critical moment in the novel, when her inheritance is at stake, Catherine refuses to be coerced into offering a promise that is demanded from her by her father. "I can't explain," says Catherine," "And I can't promise." This refusal to promise, or refusal to enact a felicitous performative--accompanied by an inability to explain her refusal--is a suspensive and powerful method of disinterpellation. Catherine unmakes herself as a subject in the capitalist ideology of the male antagonists in Washington Square--and thus, becomes incomprehensible to them--by insisting on infelicity. This powerful disinterpellation helps Catherine regain control over her future.

Black engineering and science students in colleges and universities have not been researched sufficiently to determine the reasons for their success or failure. This was an exploratory study focusing on those factors that influenced non-persistence of African-American science and engineering students at the University of the District of Columbia from 1987 to 1991. The subjects for this study were eight (8) African-American students who matriculated at the University of the District of Columbia from 1987 to 1991. The students were enrolled in the College of Physical Science, Engineering, and Technology during that period of time. A survey of 59 questions grouped into five categories was administered as an interview over the telephone and by mail. The survey revealed the following: (a) Students own experiences lead to mind changes about career aspirations, and these aspirations are not always in concert with parents; (b) academic success is no guarantee of persistence; (c) negative experiences do not dampen perceived need for further education; and (d) non-persistence is caused by lack of preparation, desire to transfer, disillusionment, financial difficulties, and changes in the environment. In that the study involved only eight students, the data was not sufficient to warrant definitive recommendations for curriculum changes, program changes, or approaches being used by pre-college programs to interest African-American students in selecting science or engineering related disciplines. However, two areas have promise for future research: learned helplessness syndrome-- how it and students' natural fear of failure may be related to non-persistence; and contextual learning--how it addresses a learning style not utilized regularly in teaching quantitative subjects. The data did point out the need for continued assessment of first-year students, as well as continuous monitoring of their concerns on a semester-by-semester basis. Individually oriented treatment is encouraged for these students. / Ed. D.

CARPET is a mystery, It is not just woven one knot after the other It is a POEM, written one word after the other A SONG, composed one note after the other A PAINTING, done one color after the other A WALL, stacked one brick after (on) another. My architectural thesis began with the question of the relationship between the realm of the world most ancient craft and craft of building : The textile art and architecture. Two branches of art which are said their inventions coincide with each other and both came from the same origin : a pen (fence),an interwoven partition. The question of thesis led me to start my research on textile arts and weaving in particular which first became a problematic quest, since the remnants of the textile products, which are still to be found diffuse almost everywhere,have only very recently started to attract attention and the existing information pertained to their history or complex technical aspects of this branch will not suffice the profound need of surveying on textiles. The Carpet Museum will become a shelter for the preservation of this ephemeral craft, protecting this forgotten branch of art. The art of weaving has always been presented within art collections that include other decorative/technical arts, without having a well-deserved position for itself. I began the thesis by weaving : I wove a small piece of rug to explore architecture through the structure of carpets, textiles and weaving. In the design of the carpet museum,each building element such as bearing wall,window,stair,ceiling or sitting area became an architectural manifestation of a woven craft. / Master of Architecture

Looking at Washington D.C.`s Downtown and observing its domination by office blocks, which contribute little to street life on weekends, my thesis is dealing with the broad topic of cultural sustainability. I began my thesis thinking about a project dealing with ecological sustainability, but not long after starting to research, I gained the knowledge that the cultural aspect is often forgotten or minor. Thus the design got inspired through the idea of reviving a site in D.C. and to give the different occupants of the building the chance to sense, hear, see and eventually interact with each other. The project is giving an opportunity for architecture to get involved in people's life, not just as a room to live, work and study but to lead their interaction with each other and with the city itself. To create such a mixed used building I decided to connect three main characters of a city in one building: Work Space, which includes retail and office space, Living Space for students and professors and Education, which is a literature department library. A labour intensive model making process helped me to develop the design for a mixed used building where the different programs penetrate into each other`s realm and where the city is not excluded from the building but takes part in it. / Master of Architecture

This thesis explores architecture's role as host and its relationship with guest through the research and design of a new youth hostel for Washington, D.C. The etymological duality of host is confronted in the project's structure, as well as its liminal spaces. This new hostel offers comfort, protection, affordable accommodation, learning opportunities, and moments of camaraderie to young guests of the nation's capital. / Master of Architecture

Between the National Gallery of Art and the National Museum of Natural History in Washington, D.C., the National Museum of Film and Photography design thesis explores issues of architecture at a scale of cultural significance. This thesis is the architectural manifestation of a museum as a research institution, separate from, yet contributing to an educational mission. It is inspired by the thin line between the two worlds, the public museum and the unseen, though often larger, private archive. In this thesis, a home for a treasury of artifacts was designed, so that they might be experienced, and for their intrinsic value. This design thesis explores the role of context, scale, and geometry in a building for the National Mall, as well as the critical requirements and specialized program of a museum. The orthogonal and radial geometry of the city are echoed in the plan. The building program, as well as the physical opportunities of the site, led to the form of the building. The simultaneous cycles of the artifact, the visitor, and the worker, and how they related to the role and amount of natural light also contributed to the form. The thesis is also developed based on the relationship between an object or a film, and a viewer. / Master of Architecture

Nowadays, the world is facing an ocean of social problems and different types of oppressions and systemic inequality from east Asia all the way to North America can be found regarding this issue. With pointing social oppression out, a long list of groups of people is considered including immigrants, religious people, LGBTQ, black society, native Americans, Latinos and etc. as well as the difficulty of relationship between these people with other groups. Many of these problems are the outcomes of the government behavior and written laws in the country's constitution which caused an inequality in society and daily life. Having said that, one of the most important questions is "what is the role of architecture here or what more can architecture do to solve any of those social problems?" In fact, the role of the governments is determinative and some of the social problems should be solved by the government, but architecture, in many different programs, could educate people to learn more about each other which in this case, in society scale, lots of social inequalities would be mitigated. While looking at several studies about social oppression and learning more about different types of groups in society, I decided to narrow down the strata to find an appropriate audience for my thesis project. In my opinion, one of the most interesting group of people in every society all around the world is women. My main focus in this research is to discuss more about women's future in society and argue political issues that women are facing nowadays. According to the rich history of the National Organization for Women (NOW) and the wide range of activities that this organization has done for women's rights, I decided to choose NOW as my case study to re-imagine a new Headquarter at the middle of the Washington D.C in a very fast growing Navy Yard neighborhood at the intersection of the M Street SE which is main corridor of this neighborhood and New Jersey Avenue SE which is a direct way to the U.S. Capitol Building . To sum up, my goal in this project is to bring architecture to help the oldest women's organization in the U.S. in a new decade of politics for women. / Master of Architecture / All around the world people must deal with social problems and systemic inequality issues. Women as the most vulnerable and valuable group of people in the world we live are the main audience for this thesis project. This study focuses on discussing more about the women's future in society regarding political issues that they are facing nowadays, also it emphasizes the role of architecture in solving any of these social problems. This project is about designing a new headquarters for the National Organization for Women (NOW), currently located in Washington D.C, as the main case study to help the oldest women's organization in the U.S. in a new decade of politics for women. The outcome of developing this research is to send a greater symbolic message about the women's future, a symbol that represents efforts and movements. In a way of educating people about future politics or trying to get the people together, hosting some of the most important conferences in the country, and making a platform to identify different cultures, this project is going to be a new landmark of the neighborhood.

Geological processes define every place on earth. They tell us their story of formation, of shaping events that have long passed and about current conditions that continue to form the place. Each place therefore reveals its historical events and points towards its future. Man manipulates these processes and often ends the dialog between the past and the future. I wanted to explore an architecture related to this dialog, that occupies a site but also enters its existence and future. Erosion is the all-encompassing term for the processes that constantly sculpt and ultimately wear down the landscape of the earth. It accompanies weathering, the break up of material at the earth`s surface through chemical, physical and biological processes. Gravity plays a vital role in these processes. It is urging all of the erosional debris downhill. Most of the material is carried by running water, transported downstream often to the world`s oceans. / Master of Architecture