Global ETD Search

1	"Lojala fruar" och "Harem masters" : En kvalitativ undersökning om hur djur representeras i naturfilm Samre, Marie-Christine January 2017 (has links) For many of us living in the West, wildlife films may be the primary source to watch and learn about the lives of animals like lions, monkeys, and other” far of reach” animals. But how much of what we see in wildlife films is really true? Does wildlife film fall under documentary or does it fall under the category fiction? And how is the answer to this question relevant for gender studies as a scientific field? The purpose of this essay is to investigate the way in which gender is being represented in wildlife films from a constructivist perspective. The essay is based on two wildlife films from different production companies: BBC and National Geographic. With the support of previous research by Hillevi Ganetz and Malin Ah-King, I conclude that the way animals are being represented in wildlife films shows connections to the Victorian age regarding ideas of gender, and even Darwinism when it comes to sexual reproduction.The result of the study indicates that the way in which animals are being represented in wildlife films is very relevant for how we understand gender and sexuality in modern society. Wildlife film representation gender narrative anthropomorphism Hillevi Ganetz Malin Ah-King Gender Studies Genusstudier
2	Hur naturfilm berättas : Narrativa strukturer och verklighetsbeskrivning i naturfilm Mathiasson, Jonatan January 2011 (has links) In our attempts to understand the world, wildlife films play a significant role. Wildlife films help us to see new places and learn about animals in remote locations, that we otherwise wouldn’t be able to do. Yet wildlife films have throughout history been criticized, mainly for the ambivalent relationship between science and storytelling. While the films give us a scientific impression and say something about the “reality”, they clearly have the intension to amuse, capture and entertain their audience. In doing this, the wildlife film shapes characters, plays dramatic music and creates narratives with beginnings and ends. In this essay I study the narrative structures in five chosen parts of the BBC production Life (2009). I attempt to show how the parts can be seen through the narrative scheme that Labov and Waletzky introduce in 1967. The results are leading to a discussion about the way in which the narrative structures affects the science in the film parts. Mainly through the narrative need of spectacular points and breach from normality, and the way in which narrative structures contribute to anthropomorphism. My intension is to show how the narrative structures are working in order to better, as a viewer, determine what´s fact and what´s fiction. Narrative wildlife film William Labov Joushua Waletzky Edward Branigan storytelling Life rhetoric anthropomorphism Narrativ naturfilm William Labov Joushua Waletzky Edward Branigan storytelling Life retorik antropomorfism
3	Un monde de silence : musique pour documentaires aquatiques Lavoie, Mathieu 08 1900 (has links) No description available. Musique Film Documentaire Sous-marin Aquatique Monde du silence Nature Film animalier Composition Music Wildlife film The silent world Documentary Underwater Aquatic Subaquatic
4	Producing Nature(s): A Qualitative Study of Wildlife Filmmaking Kennedy, Addison F. 12 August 2020 (has links) No description available. American Studies Environmental Studies Mass Media Wildlife Conservation Communication Film Studies wildlife film wildlife filmmaking nature and culture nature and society nature imagery nature representation production studies media industry analysis environmental film natural history film

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