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The Relationship between the Hunter and the Hunted: Moby Dick, The Old Man and the Sea, and The BearEgner, Ruth Ann 08 1900 (has links)
The purpose of this thesis is to point out explicitly the rather startling fact that each of these three writers in a novel which is representative of his own art and world view had developed the hunt-quest theme in a pattern and manner which are almost identical.
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The Gentleman's Code in Selected Works of William FaulknerAlmond, Nancy Jo Kivett 01 January 1970 (has links)
This paper proposes to examine the concept of Faulkner's gentleman--his strengths and weaknesses, the reasons for his success or failure--in order to show Faulkner's belief that man is capable of reaching the highest in human existence if he understands and practices what the heart of the virtuous man knows.
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William Faulkner's The Sound and The Fury and Kateb Yacine's Nedjma : A Comparative Study of Style and Structure as Related to TimeBrahmi, Frances A. 01 January 1976 (has links)
No description available.
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A Study of Sibling Relationships in Selected Writings of William FaulknerRichey, Dauthor Jacqueline January 1965 (has links)
No description available.
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William Faulkner's The Town, Psychoanalysis and the Reassessment of LackJung, Daae 12 April 2011 (has links)
No description available.
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<b>Caught between Two Worlds: A Postcolonial Analysis of Faulkner's <i>The Sound and the Fury</i> </b>Soulier, Hannah M. January 2014 (has links)
No description available.
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I see, he says, perhaps, on time: vision, voice hypothetical narration, and temporality in William Faulkner’s fictionFitzSimmons, David Scott 17 October 2003 (has links)
No description available.
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Instants dialogiques et dynamique figurale : une approche de la communauté chez William Faulkner / Dialogical moments and dynamics of the figural : a study of community in William Faulkner’s workMedjoudj, Mohammed Saïd 05 December 2009 (has links)
Cette thèse propose une approche de la communauté dans l’œuvre de William Faulkner éclairée notamment par la notion bakhtinienne de dialogisme et de la réflexion contemporaine sur le figural. La communauté chez Faulkner s’avère une présence d’autant plus marquante qu’elle n’existe pas comme objet mais comme effet de discours au niveau de la diégèse comme au niveau du texte. Il s’agit d’abord d’examiner comment au cœur de la démarche faulknérienne l’écriture procède à une réinvention de la communauté. En un second temps la thèse explore les diverses stratégies grâce auxquelles le texte faulknérien se fait le lieu d’une élaboration avec le lecteur produisant une communauté esthétique exigeante. Les lectures de l’espace romanesques montrent ensuite les rapports étroits existant entre l’espace du texte et l’espace représenté et mettent à jour des jeux de mise en abyme qui, du reste, rendent difficile, voire impossible toute distinction entre l’un et l’autre. Enfin le corps est examiné comme enjeu d’inscription idéologique. La thèse met en lumière deux stratégies de représentation différentes, correspondant à deux types de rapport au langage. / This thesis addresses the issue of community in William Faulkner’s work in the light of Bakhtine’s theory of dialogism and of the contemporary reflection on the figural. In Faulkner’s work the community is all the more prominent as it does not exist as an object but as a discursive effect on the level of diegesis and on the level of the text. Our thesis first examines the place of community in relation to the ways in which Faulkner conceives his writing project, and to the creation of a « cosmos of his own ». Then it investigates the various strategies which define the Faulknerian text as the locus of a collaboration with the reader resulting in an esthetic community. The third section explores the space of the novel and shows the close relationship between diegetic (or passive) and textual (active) spaces. Eventually the issue of the body as a basic for ideological inscription is examined, and the thesis identifies two distinct strategies of representation related to two ways of approaching language.
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Cataclysm as catalyst the theme of war in William Faulkner's fiction /Nordanberg, Thomas. January 1983 (has links)
Thesis (Ph. D.)--Uppsala University, 1983. / Includes index. Bibliography: p. 159-169.
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Tempo e memória na ficção de William FaulknerGRANGEIRO, Alessandra Carlos Costa 27 June 2011 (has links)
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Previous issue date: 2011-06-27 / This is a study of William Faulkner s works concerning the saga Yonapatawpha. The
works were read from the themes of time and memory. We made a theoretical
trajectory over time and noted the conception assumed in the 18th century novel,
which has a singular and linear time, and in modern novel, in which time is
singular/plural. We consider the narrative, in a general way, as a poetic solution to
the aporetic of time and we point to the bond that the literary work has with the world
and with the reader. For that we made a trajectory on the threefold character of
mimesis, based on considerations of Paul Ricoeur. In this sense, firstly, we point out
the relationship of the saga and the weaving of the plot with the history of the
southern United States. This demonstration has assumed the intersection between
fiction and history, for they, taken together, have the power to refiguring time.
Secondly, we analyzed the novel The sound and the fury. At this point, we confined
ourselves to discussions of Gerard Genette and Robert Humphrey, for beyond
grasping the refiguration of time in the weaving of the plot, we wanted to seize it in
the level of the immanent structure of the narrative. We have used the assumption
that the narrative incorporated the concept of structure of social sciences, and
focusing on the concept of structure, concurrency, that we kept the relationship
between fiction and history. At this point, we demonstrate that the concept
singular/plural time was mimicked in the immanent structure of the narrative. Finally,
we bring to evidence that the relationship between time and memory points to the
historical issues and to metaphysical questions, and to eternity, which is, for Plato
and Augustine, the opposite of time of living, of experience. Moreover, we put into
evidence that both history and eternity also incorporate the concept of singular/plural
time. We return to the ideas of Ricoeur and undertake a discussion on the level of
mimesis III, through dialogue with major critics of the Faulknerian work. We did our
reading seeking convergence between the works The sound and the fury and
Absalom, Absalom. From our reading, this convergence occurs in the interest of the
Quentin for the history of Sutpen s family. These works, without releasing from the
most linear aspects of time, explore the hierarchical levels which constitute the depth
and the complexity of temporal experience. We finish the demonstration of the
character of the threefold character of mimesis, and the levels of critical reading of a
text which should point to two ways: to the configuration level of the work and to the
world that this configuration protrudes out of itself, which is a world vision related to a
temporal experience, which has its roots in the aporiae of St. Augustine, that is, in
great contrast between the distentio and the intentio animi. / Este trabalho é um estudo da obra de William Faulkner concernente à Saga de
Yonapatawpha. As obras foram lidas a partir das temáticas tempo e memória.
Fizemos um percurso teórico sobre o tempo e evidenciamos a concepção
pressuposta no romance do século XVIII, que é a de um tempo singular e linear, e
no romance moderno, que é singular/plural. Consideramos a narrativa de um modo
geral como uma solução poética para a aporética do tempo e apontamos para o
vínculo que a obra literária tem com o mundo e com o leitor. Para isso, fizemos um
percurso sobre o caráter tríplice da mimese, com base nas considerações de Paul
Ricoeur. Nesse sentido, apontamos, em primeiro lugar, a relação da saga, da
tessitura da intriga, com a história do sul dos Estados Unidos. Essa demonstração
tem pressuposto o entrecruzamento entre a ficção e a história, pois elas,
consideradas conjuntamente, têm o poder de refigurar o tempo. Em segundo lugar,
fizemos uma análise da obra O som e a fúria. Nesse ponto, nos ativemos às
discussões de Gerard Genette e de Robert Humphrey, pois, além de apreendermos
a refiguração do tempo na tessitura da intriga, quisemos apreendê-lo no nível da
estrutura imanente da narrativa. Valemo-nos do pressuposto de que a narrativa
incorporou o conceito de estrutura das ciências sociais e é com foco no conceito de
estrutura, de simultaneidade, que mantivemos a relação entre a ficção e a história.
Nesse ponto, demonstramos que a concepção de tempo singular/plural foi
mimetizada na estrutura imanente da narrativa. Finalmente, evidenciamos que a
relação entre tempo e memória aponta para as questões históricas e para questões
metafísicas, para a eternidade que é, para Platão e Agostinho, o oposto do tempo da
vivência, da experiência. Além disso, evidenciamos que tanto a história quanto a
eternidade também incorporam a concepção de tempo singular/plural. Retomamos
as ideias de Ricoeur e empreendemos uma discussão no nível de mimese III,
mediante o diálogo com grandes críticos da obra faulkneriana. Fizemos a nossa
leitura buscando a convergência entre as obras O som e a fúria e Absalão, Absalão.
Segundo nossa leitura, essa convergência dá-se no interesse de Quentin pela
história da família de Sutpen. Essas obras, sem se libertarem dos aspectos mais
lineares do tempo, exploram os níveis hierárquicos que constituem a profundidade e
a complexidade da experiência temporal. Finalizamos a demonstração do caráter
tríplice da mimese, bem como os níveis de leitura crítica de um texto que devem
apontar para dois caminhos: para o nível de configuração da obra e para o mundo
que essa configuração projeta para fora de si, que é uma visão de mundo
relacionada a uma experiência temporal, que tem suas raízes nas aporias de Santo
Agostinho, ou seja, na grande oposição entre a distentio e a intentio animi.
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