Social science research has been slow to incorporate the international migration of skilled and educated women, and the impacts of their return migration. At the same time, Turkish female migrants have been negatively stereotyped in the literature. This exploratory and descriptive study aims to address these gaps by examining the impacts of emigration and return migration on the social and work lives of educated Turkish women who have returned to Turkey from Canada. Oral history interviews were conducted with six working-age, educated female returnees in Istanbul and Ankara between February and April 2007. Aside from some common features, the six women in this study differ greatly in terms of age, marital status, field of study and work, length of time in Canada and Turkey, and the opportunities and resources available to them throughout their migrations. From the interpretive examination of the women&amp / #8217 / s narratives, patterns in their subjective social and work life experiences emerged. The issue of gender was found to pervade all aspects of the women&amp / #8217 / s lives at all stages of their migrations as they negotiated their often contradictory social roles as mothers, wives, daughters, and professionals. This study also reveals that none of the women migrated as an individual actor. Rather, contextual and stratification factors such as marital status, family configuration, language skills, prior exposure to different cultures, socio-economic background, education and labour force participation were found to shape and influence their initial potential for migration, as well as the processes and outcomes of their migrations.

This thesis analyzes the analogy between woman and nature and ecofeminist theory that emphasizes the parallelism between man&#039 / s exploitation of woman and nature. It aims to make an ecofeminist analysis of three novels: Surfacing by Margaret Atwood, The Cleft by Doris Lessing and The Stone Gods by Jeanette Winterson. First, this thesis introduces the history and main principles of ecofeminist theory. These novels by different women writers investigate the embodiment of these main principles in three novels despite the fact that the same aspects of the theory can sometimes be interpreted differently in these novels. In analyzing these three novels as applications and/or the criticisms of ecofeminist theory, it was found that two theories, social ecology and Cyborg Theory, are also necessary. The later novels use ideas from these related theories alongside ecofeminist ideas. In order to undertake this analysis in each novel, this thesis also studies the assignment of determined social roles to man and woman and the duality resulting from this inequality. Next, it investigates the colonization of both nature and woman&#039 / s body by man&amp / #8217 / s intervention, that leads to the alienation of woman from herself and society. Furthermore, this thesis shows the exploitation process of females and nature by males who consider both as objects.

ABSTRACT MATURATION OF SHAVIAN WOMEN: A STUDY OF THE MATURATION PROCESSES OF FEMALE PRATOGONISTS IN PYGMALION AND MRS. WARREN&#039 / S PROFESSION M.A., Department of English Literature May, 2009, 112 pages George Bernard Shaw is a celebrated playwright for his depiction of emancipated women. His women, regardless of the conditions they are in at the beginning of the play, experience a maturation process in the flow of the events and especially discussions which direct the change in his characters. In this thesis, the maturation processes Vivie Warren and Eliza Doolittle experience are analyzed in the plays Mrs. Warren&#039 / s Profession and Pygmalion, respectively. Vivie is a typical Shavian heroine who is educated and free-spirited even at the beginning of the play. At the end, she chooses to start a professional life breaking with the domestic and social boundaries by rejecting to see her mother or marry Frank. Likewise, Eliza, who is a simple flower girl at the beginning of the play, seems to bear the free spirit Vivie has because she earns her living and makes her own decision of taking phonetics courses, which causes the events in the play to take place. At the end, she rejects marrying to support her life and chooses to pursue phonetics as a profession to earn her living. As a result, her free-spirited personality leads her to her maturation process. In this study, it is concluded that no matter what their starting point is, both Shavian women bear the characteristics of New Woman at the beginning of the play which facilitates their progress into New Women at the end of the plays.

The main purpose of the present study was to examine the possible factors that affect the adjustment to breakup of romantic relationships. Initiator status, certainty about the reasons of breakup, current relationship status, and perceived social support were examined in regard to adjustment to breakup. The sample of the study consisted of 397 participants (192 (48.4%) female, 205 (51.6%) male). At the beginning, the invited sample consisted of 561 (276 female, 285 male) participants / 164 of the participants who had not broken off their romantic relationship within the past two years were excluded. Data collection instruments of the study were demographic information form, Multidimensional Scale of Perceived Social Support, and Fisher&rsquo / s Divorce Adjustment Scale. One-way ANOVA and post-hoc test were conducted to determine the differences among initiator groups in terms of adjustment to breakup.Results showed that there were significant differences between the initiator and non-initiator groups and also between non-initiator and mutual decider groups. There wasn&rsquo / t significant difference between the initiator and the mutual decider groups. The results of t-tests showed that there was a significant difference between the groups who were certain about the reasons of breakup and those who were not in regard to adjustment to breakup. There was also significant difference between the groups who had another romantic relationship after the breakup and those who did not have regarding the adjustment to breakup. Besides these, bivariate correlation analysis indicated a significant relationship between perceived social support and adjustment to breakup.

This study was designed to examine the relationships of multiple types of domestic victimization (i.e., physical, psychological, sexual, and economic violence) to women&rsquo / s marital adjustment and psychological well-being, together with their socio-demographic characteristics and attachment, marital coping, and social support aspects. Altogether 524 married women provided data on domestic violence (Revised Conflict Tactics Scale), economic violence (Economic Violence Index), attachment (couples version of Experiences in Close Relationships-Revised), marital coping (Marital Coping Inventory), social support (Social Support Index), dyadic adjustment (Dyadic Adjustment Scale), psychological well-being (Brief Symptom Inventory), as well as demographic information. Results appeared to indicate a general tendency that women who have arranged marriages, more children, low education, low educated husbands, no or low income, and/or women who have more income compared to their husbands report higher levels of multiple types of domestic violence. Furthermore, the findings indicated that multiple types of domestic violence account for significant variances in marital adjustment and psychological well-being of married women, even after controlling for their attachment dimensions, marital coping strategies, and social support from different support groups. The findings were discussed in accordance with the relevant literature, and their implications for clinical practices and future studies were suggested.

The thesis commences an examination of Williams's divided nature and conflicted personality. The connection between the "hidden core" of Williams's life claimed in the Autobiography and his repressed sexual desire as divulged in his poetry is primarily concerned. From Chapter Two to Chapter Four, I attempt to demonstrate that Williams, in the poetic world, finds an outlet to release the suppression of his desire. Especially in his earlier poetry imbued with the poet's highly autobiographical elements, written from 1909 to1939, Williams projects his repressed sexual desire unto the images of nature, woman and little girl. In an essay "Vortex," Williams argues that he is entitled to take any object or even the entire world as a vehicle for self-expression. I employ this argument for approaching Williams's nature poems. The image of female can be deemed as one of the cardinal subjects in Williams's poetry. In exploring Williams's poems about women and little girls, I have two main concerns: first, I examine how he constructs the sexy nature of varied women to dissimulate his erotic nature and projection; second, I inspect how he deconstructs the innocence of little girls so as to exonerate his adult sexual deviation. The thesis concludes with a brief comparison between Williams and some contemporary poets for affirming the uniqueness of his sensual and even erotic nature as a Modernist poet. In a word, Williams is inspired to write poetry by the strong impulse of his repressed sexual desire.

Eine qualitativ vergleichende Studie: Vergleich der gesamten Problematik der Gewalt gegen Frauen in den zwei verschiedenen Kulturen Syrien und Deutschland. Vergleich der Gewalterfahrungen, Formen der Gewalt, Folgen der Gewalt und Maßnahmen von der Gewalt betroffener Frauen in den beiden Gesellschaften.

Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 198-[213]). Available also in a digital version from Dissertation Abstracts.

Thesis (D. Min.)--Abilene Christian University, 2001. / Includes abstract and vita. Includes bibliographical references (leaves 94-97).

Thesis (D. Min.)--Catholic Theological Union at Chicago, 2002. / Vita. Includes abstract. Includes bibliographical references (leaves 170-178).