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Violence et rebellion chez trois romancières de l'Algérie contemporaine Maissa Bey, Malika Mokeddem et Leila Marouane /Longou, Schahrazède. Ungar, Steven, January 2009 (has links)
Thesis advisor: Steven Ungar. Includes bibliographic references (p. 204-209).
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A comparative study of contemporary Canadian and Chinese women writersYan, Qigang, January 1900 (has links) (PDF)
Thesis (Ph.D.)--University of Alberta, 1997. / Includes bibliographical references.
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Why tell the truth when a lie will do? re-creations and resistance in the self-authored life writing of five American women fiction writers /Huguley, Piper Gian. January 2006 (has links)
Thesis (Ph. D.)--Georgia State University, 2006. / Title from title screen. Audrey Goodman, committee chair; Thomas L. McHaney, Elizabeth West, committee members. Electronic text (253 p.) : digital, PDF file. Description based on contents viewed May15, 2007. Includes bibliographical references (243-253).
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Women and the vernacular : the Yiddish tkhine of AshkenazKay, Devra January 1990 (has links)
No description available.
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Women, nation, narration : a comparative study of Japanese and Korean proletarian women's writing from the interwar years (1918-1941)Grace, Elizabeth Ellen January 2015 (has links)
No description available.
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"They say she is veiled": A rhetorical analysis of Judy Grahn's poetryHawkins, Damaris 01 January 1997 (has links)
No description available.
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Kuvhonelwe kwa vhaanewa vha vhafumakadzi nga vhanwali vha nganea dza Tshivenda dzo nwalwaho nga tshifhinga tsha tshitalula na dzo nwalwaho nga tshifhinga tsha zwinoBudeli, Pandelani Sylvia 12 February 2016 (has links)
MAAS / M. E. R. Mathivha Centre for Languages, Arts and Culture
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Deconstructing the image of the African women: A study of selected works by Yvonne VeraMabuto, Ann Marevanhema 21 September 2018 (has links)
MA (English) / Department of English / The prevalence of patriarchal norms and the privileging of the African man in African literary works gradually led to an erasure of women‘s identities, thereby leaving them to hold peripheral positions. This has motivated African women critics to engage in linguistic and performative methodologies to restructure African women‘s status in postcolonial writings. Using feminist literary theory, Marxist literary criticism and postcolonial theory, among others, this study explores the changing images of women as depicted in a selection of Yvonne Vera‘s works, namely: Butterfly Burning (1998); Under the Tongue (1996); Without a Name (1994) and Nehanda (1993). Close reading and textual analysis are employed in examining the strategies devised by Vera to assess patriarchal attitudes that suppress women as well as reconfiguring their identities. This study is inspired by the desire to investigate the techniques employed by an African woman writer in speaking against marginalisation, exploitation and oppression of women in a postcolonial literary environment. Of primary concern to this study, is an examination of how Vera unleashes, re-writes and re-negotiates the potential of an African woman in her novels. This study distinctly shows that, as a subaltern writer, Vera reconfigures her female characters‘ identities through social and economic liberalisation. It is clear in this study that economic liberty has a great impact on the life of an African woman. This study contributes to the growing body of works that appreciates women writers‘ efforts in transforming, reifying and reinstating the image of African women in fictional works. / NRF
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Eighteenth-century women writers and the tradition of epistolary complaintGarner-Mack, Naomi Jayne January 2013 (has links)
This thesis considers the presence of the epistolary tradition of female complaint in the writings of five late eighteenth-century women writers: Hester Thrale Piozzi, Mary Wollstonecraft, Charlotte Turner Smith, Mary Robinson, and Frances Burney D’Arblay. The epistolary female complaint tradition is premised on the suggestion that readers are permitted, through the literary endeavours of male authors/transcribers, a glimpse into the authentically felt woes of women; the writers in this study both question and exploit this expectation. Often viewed by critics like John Kerrigan as a tradition that stifled female creativity, epistolary female complaint proves, this thesis argues, a lively and enlivening tradition for women writers; it provided opportunities for literary experimentation and enabled them to turn their experiences into artistic form. Five themes central to the epistolary female complaint tradition are considered: betrayal, absence, suicide, falls, and authorship. Each chapter looks at one theme and one author specifically. Chapter 1 examines the narrative of betrayal Hester Thrale Piozzi established in her journals from 1764 to 1784. Chapter 2 turns to Mary Wollstonecraft and her accounts of absence in her private letters to Gilbert Imlay, and her epistolary travel account, A Short Residence in Sweden, Norway, and Denmark (1796). Chapter 3 discusses Charlotte Turner Smith’s engagement with the theme of suicide in her Elegiac Sonnets (1784) and her epistolary novel, Desmond(1792). Chapter 4 considers the strategies employed in Mary Robinson’s autobiographical, poetic, and fictional writings, which work to move beyond the moral fall the tradition implied. Chapter 5 focuses on the recurrent theme of authorial debt in Frances Burney D’Arblay’s journals, plays, and fiction. I conclude by considering Jane Austen’s appropriation of the tradition in her final novel, Persuasion (1818), and her transformation of the tradition by providing a resolution to the cause of complaint.
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New enemies: women writers and the First World WarChan, Lai-on., 陳麗安. January 2004 (has links)
published_or_final_version / English / Master / Master of Philosophy
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