The Columbian Exposition of 1893 held in Chicago, Illinois has been the most influential World’s Fair held within the United States. It social, cultural, and architectural impact advanced America on a worldwide scale. There are only four buildings that still remain from this Exposition today: the Palace of Fine Arts, Dutch House, Norway Building, and Maine State Building. This thesis focuses on the Norway and Maine State Buildings since these are the only two that still remain with a majority of the original building materials still intact. An expanded history of both these buildings are explained, including their design, construction, impact at the Chicago World’s Fair, relocation(s), changes in ownership, what has happened to the buildings since the Fair, and what they are used for today. Further analysis includes why these buildings were saved and the importance of their historical inclusion in the 1893 Columbian Exposition / The Norway Building -- The Maine State Building -- Analysis & conclusion. / Department of Architecture

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Today, several interreligious organisations are publishing joint statements of obvious moral character. These may regard such things as environmental issues, peacebuilding, or freedom of thought. This raises the question of how such statements are to be justified and what role different theological and religious traditions play in justifying joint values. This study seeks to understand and critically examine these questions.  The theoretical foundation is derived from Marianne Moyaert's development of Paul Ricœur's critique of joint interreligious ethics. From this, three main areas are analysed in four interreligious documents. First, what space is given to individual traditions as a source of moral knowledge? Second, to what degree is an ethic of consensus or compromise expressed? Third, how are pluralism, particularism, and radical pluralism expressed?  The study suggests three conclusions for justifying interreligious statements. First, joint published documents should include both theological resources from different traditions and an explicit invitation to dialogue. Second, a dialogue that seeks common values but accepts tension, seen as a critical instance, should be appreciated. Third, interreligious dialogue and its statements could be understood as a way of, with the help of different faith traditions, examining their own and other instances' values.

This study investigates the first Woman's Department at a World's Fair in the Deep South. It documents conflicts and reconciliations and the reassessments that post-bellum women made during the World's Industrial and Cotton Centennial Exposition in New Orleans, the region's foremost but atypical city. It traces local women's resistance to the appointment of northern abolitionist and suffragist, Julia Ward Howe, for this “New South” event of 1884-1885. It also notes their increasing receptivity to national causes that Susan B. Anthony, Frances E. Willard, and others brought to the South, sometimes for the first time. This dissertation assesses the historical forces that goaded New Orleans women, from the comfort of their familiar city, to consider radical notions that would later strengthen them in civic roles. It asserts that, although these women were skilled and capable, they had previously lacked cohesive force and public strategies. It concludes that as local women competed and interacted with women from across the country, including those from pioneering western territories, they began to embrace progressive ideas and actions that, without the Woman's Department at the Exposition, might have taken years to drift southward. This is a chronological tale of the journey late-nineteenth-century women made together in New Orleans. It attempts to capture their look, sound, and language from their own writings and from journalists' interpretations of their ideals, values, and emotions. In the potent forum for exchange that the Woman's Department provided, participants and visitors questioned and revised false notions and stereotypes. They influenced each other and formed alliances. Although individuals spoke mainly for themselves, common themes emerged regarding education, jobs, benevolence, and even suffrage. Most women were aware that they were in a defining moment, and this study chronicles how New Orleans women seized the opportunity and created a legacy for themselves and their city. As the Exposition sought to (re)assert agrarian and industrial prowess after turbulent times, a shift occurred in the trajectory of women's public and political lives in New Orleans and, perhaps, the South more broadly. By 1885, southerners were ready to insinuate their voices into the national debate on women's issues.

At the World's Industrial and Cotton Centennial Exposition, the Woman's Department offered women of all regions of the country an opportunity to exhibit what they considered "woman's work." As women came together and attempted sectional reconciliation, controversy persisted, especially over the selection of northern suffragist Julia Ward Howe, author of the "Battle Hymn of the Republic," as the Department's president. However, during the course of the event, which lasted from December 16, 1884 to May 31, 1885, New Orleanians and other southern women learned skills and strategies from participants and famous women visitors, and these southerners insinuated their voices into the national debate on late-nineteenth-century women's issues.

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In 1971, Isaac Asimov observed in humanity, a science-important society. For this he credited the man who had been his editor in the 1940s during the period known as the golden age of American science fiction, John W. Campbell, Jr. Campbell was editor of Astounding Science-Fiction, the magazine that launched both Asimov's career and the golden age, from 1938 until his death in 1971. Campbell and his authors set the foundation for the modern sci-fi, cementing genre distinction by the application of plausible technological speculation. Campbell assumed the science-important society that Asimov found thirty years later, attributing sci-fi ascendance during the golden age a particular compatibility with that cultural context. On another level, sci-fi's compatibility with "science-important" tendencies during the first half of the twentieth-century betrayed a deeper agreement with the social structures that fueled those tendencies and reflected an explication of modernity on capitalist terms. Tethered to an imperative of plausibly extrapolated technology within an American context, sci-fi authors retained the social underpinnings of that context. In this thesis, I perform a textual analysis of stories published in Astounding during the 1940s, following the sci-fi as it grew into a mainstream cultural product. In this, I prioritize not the intentions of authors to advance explicit themes or speculations. Rather, I allow the authors' direction of reader sympathy to suggest the way that favored characterizations advanced ideological bias. Sci-fi authors supported a route to success via individualistic, competitive, and private enterprise. They supported an American capitalistic conveyance of modernity. / Master of Arts