In popular culture, religious motifs often manifest through metaphors and symbols intertwined with religious terms and figures. Notably, the realm of hip hop music exhibits a profound resonance with religious themes, a resonance seen throughout history. How artists present these metaphors and symbols vary markedly, based on religious comprehensions and artistic expression. This study undertakes a textual analysis of religious references within the context of hip hop music. The material is based on songs by the artist Kendrick Lamar, a preeminent figure in the hip hop music industry. The primary objective of this essay is to examine Lamar's use of religious references in his music by addressing the following questions: what metaphors does he use, and what functions do they serve in his songs. To examine this, Robert Tinajero's hip hop thematization provides the theoretical framework for this essay. Lamar shows in his lyrics many similarities with Tinajeros themes, for instance his faith in God and mistrust in organized religion. The analysis also revealed new themes such as self-reflection and conflict between sin and forgiveness
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:hj-65299 |
| Date | January 2024 |
| Creators | Tingström, Marcus |
| Publisher | Jönköping University, Högskolan för lärande och kommunikation |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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