<p>With a hermeneutical method using narratology this thesis is interpreting the auteure Lars von Trier´s discussed movie <em>Antichrist</em>. On one hand within the limits of the hermeneutic Paul Riceours analysis of structure is used to reconstruct the narrative of the film out of the different part of discourses that I have construed in my first reading to find out a deeper comprehension of the relation between the characters and their relations to the different discourses. On the other hand the discourses which extracts out of His and Hers actions and statements are related to the clues that I´ve found out from interviews with von Trier regarding <em>Antichrist</em> where he, among other things, touches upon philosophical work of Friedrich Nietzsche and his own disregard about protestantism and religion. All in all this first phase of interpretation is termed the different horizons which I finally interprete and coalesce with my subjects comprehension on a metadiegetic and meta-metadiegetic level. By this a ”fusion of horizons” in the sense of Hans-Georg Gadamer can take place, which directly leads into the big scene of Relevations. But ”Chaos reigns” in von Triers <em>Antichrist </em>as well as Nietzsches philosophy.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:sh-3056 |
| Date | January 2009 |
| Creators | Karlberg, Regina |
| Publisher | Södertörn University College, School of Gender, Culture and History |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
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