Diploma work Retuňk proti Antikristu a svodum jeho reminds a contemporary man of a need of Holy Writ and importance of freedom of opinion. Using another wording it means the importance of a centre in Christ a centre from and to which aal mortals' ways lead. The triad composed text will be a quide to historic period of Retuňk, a composed work just for itself and its message to contemporary living generations as well. All the roads offered here are Comenius's all-life attitudes with an attention intent on Comenius's world, light and hope. History instructs us on the same matter all the time. The good has been stolen, freedom being brought down, most honest individuals will be like outlaws, prisoners and clients of a execution squad. If our conscience tells us that all that is not right, we should not deny our world, light and hope that centre and all-round frankness. This work Retuňk proti Antikristu a svodum jeho will be that conscience. Keywords Antichrist, history, Comenius, theology.

<p>With a hermeneutical method using narratology this thesis is interpreting the auteure Lars von Trier´s discussed movie <em>Antichrist</em>. On one hand within the limits of the hermeneutic Paul Riceours analysis of structure is used to reconstruct the narrative of the film out of the different part of discourses that I have construed in my first reading to find out a deeper comprehension of the relation between the characters and their relations to the different discourses. On the other hand the discourses which extracts out of His and Hers actions and statements are related to the clues that I´ve found out from interviews with von Trier regarding <em>Antichrist</em> where he, among other things, touches upon philosophical work of Friedrich Nietzsche and his own disregard about protestantism and religion. All in all this first phase of interpretation is termed the different horizons which I finally interprete and coalesce with my subjects comprehension on a metadiegetic and meta-metadiegetic level. By this a ”fusion of horizons” in the sense of Hans-Georg Gadamer can take place, which directly leads into the big scene of Relevations. But ”Chaos reigns” in von Triers <em>Antichrist </em>as well as Nietzsches philosophy.</p>

With a hermeneutical method using narratology this thesis is interpreting the auteure Lars von Trier´s discussed movie Antichrist. On one hand within the limits of the hermeneutic Paul Riceours analysis of structure is used to reconstruct the narrative of the film out of the different part of discourses that I have construed in my first reading to find out a deeper comprehension of the relation between the characters and their relations to the different discourses. On the other hand the discourses which extracts out of His and Hers actions and statements are related to the clues that I´ve found out from interviews with von Trier regarding Antichrist where he, among other things, touches upon philosophical work of Friedrich Nietzsche and his own disregard about protestantism and religion. All in all this first phase of interpretation is termed the different horizons which I finally interprete and coalesce with my subjects comprehension on a metadiegetic and meta-metadiegetic level. By this a ”fusion of horizons” in the sense of Hans-Georg Gadamer can take place, which directly leads into the big scene of Relevations. But ”Chaos reigns” in von Triers Antichrist as well as Nietzsches philosophy.

The thesis "Mirroring of Motives of F. Nietzsche's Critique of Christianity in D. Bonhoeffer's Prison Theology" contemplates Bonhoeffer's thoughts on non-religious interpretation, that Bonhoeffer expands upon in his letters from prison, in the light of critique of Christianity that was expressed by Friedrich Nietzsche. Chapter I looks into the history of interpretation of Bonhoeffer's research and provides a brief overview of past and contemporary efforts to explain Bonhoeffer's approach to philosophy. Chapter II introduces basic principles and key topics of the critique of Christianity first in Nietzsche's work The Antichrist, followed by Bonhoeffer's Letters and Papers from Prison. Chapter III compares the most obvious motives in the thinking of Nietzsche and Bonhoeffer within the aforementioned scope. Selected themes in works of these two German thinkers overlap particularly in their philosophy of life, understanding of a man come of age, and their critiques of Christianity that is deflecting from this world towards the transcendent sphere of the world beyond (in German, it is expressed as a difference in the meaning of "Diesseits" and "Jenseits"). Bonhoeffer's thoughts on the preaching of Gospel to the man come of age who is free of false, religious misbeliefs, and who feels strong, capable,...

The thesis "Eschatological Discourse in Mark's Gospel and Possibilities of Its Interpretation" deals with traditions used by Mark, possible dating of pre-markan textual layer and the discourse itself, with historical context of its origination and also with the interpretation of individual verses. Also various authors' commentaries are presented and evaluated. In the last chapter, all the findings are summarized and appraised, on which basis a possible interpretation of the Eschatological discourse is proposed considering its historical context. Powered by TCPDF (www.tcpdf.org)

This paper deals with the anti-Semitic pamphlet The Protocols of the Elders of Zion, which is placed in the historical context of its origin, considering political and social causes behind the formulation of many previous conspiracy theories and anti-Jewish narratives and their motifs, which are eventually reflected in The Protocols. This complex conspiracy narrative is then subjected to structural analysis, which seeks to identify dominant themes structured into binary oppositions, through which it aims to capture a potential "meaning" or significance of the narrative that was relevant to readers of its time but also addresses contemporary conspiracy theorists. Finally, the work attempts to outline one of the root causes that makes Jews ideal adepts for a major role as conspirators in conspiracy narratives, that lies in their extraordinary, liminal state, defined by their relationship to the majority, in this case, Christian society.

ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries - Creative Individuality versus the Chaos of the Time is based on the assumption that dreams are inseparably linked to the concept of existence in human life (Michel Foucault). The study touches on the ways in which dreams are depicted in visual culture that does not coincide with chronologically organized historical events, but is an expression of a free alliance between artists in the European space and centuries of common experience. These works are generally socially critical, exposed to unimaginable pressure from public censorship. The artist must pretend it is only an innocent game, a crazy idea, a whim. At the same time, these paintings are not an expression of boundless imagination, but they are subject to the firm rules of spatial construction of the painting. This is due to the traditional delimitation of dark depths - the underworld of Virgil's Saturn myth of pre-Roman culture, alternating with the vertically felt open heavens as variants of the original Plato's The Myth of Er, which in the 20th century paintings is replaced by the idea of an open landscape with illumination on the low horizon. The work deals with the work of Albrecht Dürer, his copperplate Melancholia I (1514) and his so-called...