The purpose of this study is to analyze and seek for a possible meaning and suggestion behind the soundscape in the first episode of True Detectives fourth season; Night Country. Four individual elements have been selected for deeper analysis and based upon those, six scenes where those elements are present were selected for the study. Each auditory element that was selected was then analyzed in depth looking at the more technical aspects of identifying and categorizing sound but also how it impacts the audience on an emotional and narrative level to explore, not only how the soundscape is established early on, but what effects this has on the viewers expectations and predictions for how the narrative could unfold. The results of this study points towards there being, for the first time in the series history, something paranormal happening in the world of the characters. Despite there being hints and suggestions that paranormal activity is part of the cinematic world of True Detective in the past, this has never been the case once the mysteries unfold but the soundscape in Night Country, as early as episode one, and the results of this study suggests that this is about to change. / The purpose of this media production is to be used as a base for discussion during seminars regarding honor related violence and oppression. The mateiral is the be used during education for proffesionals in the field of social work.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-68808 |
| Date | January 2024 |
| Creators | Rohde Vittsell, Måns |
| Publisher | Malmö universitet, Institutionen för konst, kultur och kommunikation (K3) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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