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<b>Climate Solutions and Genre Politics in Contemporary Fiction</b>Matthew Raymond Morgenstern (20840879) 06 March 2025 (has links)
<p dir="ltr">Since the late 1980s, various authors from the US, UK, Australia, and elsewhere have contributed to a literary archive of climate change’s impacts, and charting these impacts has led to a proliferation of both realistic and speculative climate solutions. Because climate change cannot be “solved,” these climate solutions account for both pragmatic answers and considerations of both immediate and future problems. <i>Climate Solutions and Genre Politics in Contemporary Fiction</i> catalogues these climate solutions and their circulation in contemporary fiction. Literary representations of climate solutions enable ethical considerations of different climate solutions in different contexts while thinking through the unfolding impacts of climate change. Literary representations of climate solutions also prompt the formulation of genre politics as an analytical framework because they draw on conventions from climate fiction, science fiction, utopian fiction, and realism to engage readers. Conceiving of genre as a spectrum, <i>Climate Solutions and Genre Politics in Contemporary Fiction</i> identifies four categories (climate engineering, biodiversity work, care futures, and creative work) of climate solutions that speak to different elements of the climate, biodiversity, and care crises. Putting these crises into conversation through different climate solutions, the dissertation<i> </i>delineates new modes of engagement with literary representations of climate change, shifts conceptions of genre in literary studies, and provides insights into the future of climate justice efforts. The complexities of climate solutions, and the genre politics required to assess them, make them a compelling object of inquiry for literary studies, ecocriticism, and environmental humanities more broadly.</p>
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A Memory of Self in Opposition: Identity Formation Theory and its Application in Contemporary Genre FictionBasile, Jeffrey Allen 07 November 2022 (has links)
No description available.
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Mitchell's mandalas : mapping David Mitchell's textual universeHarris-Birtill, Rosemary January 2017 (has links)
This study uses the Tibetan mandala, a Buddhist meditation aid and sacred artform, as a secular critical model by which to analyse the complete fictions of author David Mitchell. Discussing his novels, short stories and libretti, this study maps the author's fictions as an interconnected world-system whose re-evaluation of secular belief in galvanising compassionate ethical action is revealed by a critical comparison with the mandala's methods of world-building. Using the mandala as an interpretive tool to critique the author's Buddhist influences, this thesis reads the mandala as a metaphysical map, a fitting medium for mapping the author's ethical worldview. The introduction evaluates critical structures already suggested to describe the author's worlds, and introduces the mandala as an alternative which more fully addresses Mitchell's fictional terrain. Chapter I investigates the mandala's cartographic properties, mapping Mitchell's short stories as integral islandic narratives within his fictional world which, combined, re-evaluate the role of secular belief in galvanising positive ethical action. Chapter II discusses the Tibetan sand mandala in diaspora as a form of performance when created for unfamiliar audiences, reading its cross-cultural deployment in parallel with the regenerative approaches to tragedy in the author's libretti Wake and Sunken Garden. Chapter III identifies Mitchell's use of reincarnation as a form of non-linear temporality that advocates future-facing ethical action in the face of humanitarian crises, reading the reincarnated Marinus as a form of secular bodhisattva. Chapter IV deconstructs the mandala to address its theoretical limitations, identifying the panopticon as its sinister counterpart, and analysing its effects in number9dream. Chapter V shifts this study's use of the mandala from interpretive tool to emerging category, identifying the transferrable traits that form the emerging category of mandalic literature within other post-secular contemporary fictions, discussing works by Michael Ondaatje, Ali Smith, Yann Martel, Will Self, and Margaret Atwood.
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