Doctor of Philosophy / Department of History / James E. Sherow / This project examines ecological change in Lake Huron during the nineteenth and twentieth century and investigates the causative role of the commercial fisheries in that change. The repeated failures of various regional and international efforts designed to improve management of the lake’s fisheries are also examined. The fundamental argument is that economic considerations were the primary motivations for policy development related to the Great Lakes fisheries. Historically management programs and legislation were shaped by local and regional economic interests. The central focus of this project is Lake Huron. Anthropogenic changes in that lake’s environment dramatically affected the lives and relationships of its non-human inhabitants. The same changes also transformed relationships among human beings who relied on the lake’s resources. Commercial fishermen who operated in the waters of both the United States and Canada relied on the lake for their livelihood, but as the twentieth century commenced the supply of marketable fishes decreased. Competition accelerated and fishermen introduced new technologies and increased their quantity of fishing gear in an effort to maximize their catches in response to fluctuating returns. Economic considerations were of primary concern to both fishermen and government bureaucrats. Lake Huron’s status as an international borderland further complicated the situation. Analysts in both the United States and Canada recognized the dramatically changing conditions of the lakes as reflected through the woes of the commercial fishery. Nonetheless, the germane state, provincial and national governments repeatedly failed in their attempts to develop a cooperative management plan. By the second half of the twentieth century Lake Huron’s embattled biome stood in stark contrast to the once seemingly endless numbers of fishes and flora that sustained the lake’s web of life for hundreds of years.

This study examines changing conceptions of the Southern Gulf Islands, an archipelago on the coast of British Columbia, through the twentieth century. By drawing on ideas put forward by government officials, journalists, residents, and travellers it develops an explanation for how and why a conception of the Gulf Islands as a ‘special’ or ‘unique’ pastoral landscape emerged as a result of interactions between individuals and groups, and their political, social, economic, and physical environments. It then examines how these ideas in turn influenced the development of land-use policies and programs, and in particular how an innovative, overarching planning commission called the Islands Trust emerged in 1974 as a mechanism devoted to limiting development and defending the Islands as a pastoral landscape of leisure. More than reflecting such a pastoral depiction of the Islands, the initiatives undertaken by the newly formed Trust ascribed to the idea that a defining lifestyle, characterized by arcadian pursuits such as mixed farming, boutique logging, handicrafts, or the arts, was legitimate for such a landscape. By embracing such a conception of the Gulf Islands’ environment, the Islands Trust endeavoured to preserve and create this landscape through an agenda that supported farmland, forest, and open space retention, and encouraged those activities deemed to be in keeping with the unique ‘character’ of the Islands. The initial work of enshrining the pastoral ‘character’ of the Islands into land-use planning policies and programs by the Trust laid a framework for ongoing efforts to shape the landscape, economy, development, and identity of the region into the present day. / Graduate / 0334

This dissertation provides an ecocritical history of Robinson Forest, a southern Appalachian forest owned by the University of Kentucky. The objective of this dissertation is to examine the literary, environmental, and cultural history of Robinson Forest from its geologic formation to the present, paying particular attention to the production of Robinson Forest as a discrete space with evolving, contested articulations of meaning and value. It begins by tracing the natural history and Native American use of the old-growth forest before chronicling the massive environmental disruption of clear-cutting the forest during the 1910s by the Mowbray & Robinson Lumber Company of Cincinnati. Then, it explores the university's ownership of the forest through its research agenda and natural resource speculation, while also tracing student and environmental protest about the university's use of the forest. Specifically, this dissertation examines the work of foresters and academic researchers, lawyers and creative writers, university administrators and environmental activists whose labor has led to an array of literary productions - deeds, newspapers, academic publications, legal decisions, poems, non-fiction essays - that convey competing understandings and articulations of the forest's value: ecological, aesthetic, monetary. By probing these conflicting values, it complicates the progressive narratives of science, higher education, public policy, and environmentalism throughout the 20th and into the 21st Century. Ultimately, this dissertation argues that throughout the 20th Century, the university has repeatedly closed off the forest from "the people" of eastern Kentucky that the donor directed the land to serve. In the 21st Century, then, the university, with assistance from "the people," will need to rearticulate its use of the forest, encouraging the long-term economic, environmental, social, and cultural sustainability of Robinson Forest.

This dissertation, "Camille Was No Lady But Katrina Was A Bitch: Gender, Hurricanes & Popular Culture," uses the history of the hurricane naming process to compare the shifting environmental, scientific, and cultural changes taking place throughout the world during the twentieth century. It argues four major points: first, once gender is assigned to an object and adopted publicly en mass, it cannot be removed. Second, hurricane names have segregated hurricanes from other natural disasters in public consciousness. From "witches" and "bitches" to "monsters" and "menaces," the hurricane in popular memory calls forward explicitly gendered imagery; earthquakes, typhoons, dust bowls, plagues of insects, and other natural disasters do not carry the same sort of gendered associations. Third, by tracing the development and acceptance of the U.S. state-implemented hurricane naming process, it is possible to trace the spread of American gendered terms throughout the world. As illustrated throughout, gendered American meteorological terms are also found in global references to storms proving that hurricane names and descriptions are a form of both ecological and soft-power cultural imperialism. Finally, and most importantly, the socio-political implications tied to name and descriptive choices used with hurricanes have had a profound impact on storm perception globally. Introduced in 1954 by the U.S. Weather Bureau as a female-only hurricane naming system, hurricane names were rapidly adopted by other countries under U.S. meteorological control in the post-World War II era. With fears over Cold War politics both abroad and at home, the feminized hurricane was not just a weapon of mass destruction to be harnessed but also a potential tool of cultural domination through descriptive means. By the 1970s, with a discussion of feminism worldwide, references to the female-named storms helped produce dualistic images of "stormy women" and the "Women's Lib Storm" that were politically useful to men and the state when they felt threatened by feminism. Meanwhile, today's references to Hurricane Katrina, and later Sandy, as a "bitch" on Twitter reappear in blogs around the world. Due to this, the feminization of hurricanes has created and sustained a misogynistic, pervasively American form of vilification of women in media portrayals that continues to this day. / acase@tulane.edu

Through Her Own Eyes: Environmental Rhetoric in Women’s Autobiographical Frontier Writing identifies frontier women, those who traveled overland to the West and those who homesteaded, as historical ecofeminists. The purpose of this study is to analyze frontier women’s environmental rhetoric in their journals and letters, which encouraged readers to become closer to nature and get to know it while encountering new land in the West. Promoting a close relationship with nature, frontier women’s writing also implied conserving and protecting nature for future generations, which demonstrates how they can be retroactively labeled ecofeminists. Frontier women’s environmental rhetoric reveals their alignment with Carolyn Merchant’s theory for harmony between humankind and nature: partnership ethics. Although many historians have mentioned frontier women’s emphasis on nature in their narratives, few have explored frontier women’s nature writing at length. Glenda Riley has completed a book-length study of early American women environmentalists, but she mentions only women whose environmental work led to documented activism or membership in conservation organizations. Annette Kolodny’s work focused on frontier women’s fantasies about the west, rather than their environmental rhetoric as a way of persuading readers, whereas my work uses frontier women’s daily writing to demonstrate an evolving environmental ethic that helps to categorize them as historical ecofeminists. An archival project, this study relies upon the archived overland journals of Sarah Sutton and Nancy Sherwin, both housed at UC Berkeley’s Bancroft Library as well as the letters of female homesteader Elinore Pruitt Stewart, archived at the Sweetwater County Museum. A visit to the archives at the Sweetwater County Museum yielded the treasure of Elinore Pruitt Stewart’s numerous unpublished letters. Frontier women’s philosophical alignment with ecofeminism made it possible for ecological philosophies to begin taking root in the American West. As historical ecofeminists, frontier women’s writing laid the foundation for the modern-day ecological conscience that makes individuals work to conserve nature for future generations.

This study is an urban history of Denver, Colorado, viewed through the lens of its constantly evolving physical, political, cultural and economic relationship with its mountain hinterland. From the town's early years as a 19th century mining and ranching depot to its 20th century emergence as a hub of tourism and technology, that relationship informs every aspect of the city's urban, cultural and environmental history. This study seeks, first, to analyze Denver's historical appropriation and utilization of its mountain hinterland, whether for water, wealth, recreation and cultural identity. Second, it highlights how access to and control over the Rocky Mountain hinterland shaped Denver's evolving political, class and racial landscapes throughout the city's history. Integrating the methodologies of environmental, urban, and social history, it demonstrates how different social groups competed for access, control, and the ability to vii assign value to the mountain hinterland. Every Denverite in the city's history, regardless of station, has lived within the context of this tense and constantly changing relationship. Since the city's founding, that relationship has been the constant object of human agency, accommodation, and change, and in it can be read the story of Denver itself.

In recent decades the canon of environmental aesthetics has expanded beyond its primary concern of understanding what is beautiful in the fine arts to the appreciation of natural and cultural landscapes. Corresponding with society's growing interest in conservation, environmental aesthetics has emerged as relevant to many conservation discussions. The preservation and interpretation of cultural landscapes is complicated by resources that are in a constant state of change. Traditional cultural landscape preservation practices have had mixed results. A focus on interpretation rather than preservation is generally considered a strategy for improving cultural landscape practices. Applying theories developed in the field of environmental aesthetics to cultural landscapes may lead to principles helpful to their preservation and interpretation. In this study, an environmental aesthetic framework is developed and applied to the Canoa Ranch, a historic property south of Tucson, Arizona, to evaluate the potential of using environmental aesthetics in appreciation of cultural landscapes.

This dissertation analyzes the creation of national parks in Mexico between 1934 and 1940 as a program of national unity and federal resource control on the heels of revolutionary upheaval. In radical new ways, national park formation marked a complementary relationship between revolutionary social change and the environment. The creation, administration, and defense of these parks symbolized larger processes reordering how regulatory legitimacy came about and what factors shaped policy implementation. The parks, mostly within one or two hours of Mexico City, protected temperate forests but overlapped with longstanding communities. While some scientists critiqued peasant forest use techniques, the inclusive politics of the revolutionary government and the vibrant opinions of residents prevented their eviction from these national spaces. By articulating visions of their patrimony and zealously debating their rights to national territory, peasants, scientists, industrialists, and bureaucrats transformed revolutionary reforms into conspicuous environmental policy. This purposeful inclusion allowed citizens to forge national identity with explicit attention to the natural world.To demonstrate the assertion that social change had an environmental component, I use four case studies of Lagunas de Zempoala, La Malinche, Popocatepetl and Iztacci­huatl, and Tepozteco National Parks. These examples demonstrate the similarities and differences among the parks and their particular social, political, economic, and cultural implications. Tourists to Zempoala, communal property holders in Malinche, resin collectors on Popo and Izta, and activists in Tepozteco remind us that environmental issues pervaded the life stories of thousands of people. Parks were not whimsical oases for wealthy urbanites--they became tangible representations of how revolutionaries nationalized their natural territory. Revolutionaries planned their agenda for change based on the endowments of nature, they envisioned overcoming differences through the wealth of their surroundings, and they configured a revolutionary state to oversee that process.My study engages Mexican historians who have failed to consider the environment as a crucial factor in the construction of the new regime and revises world histories that underestimated conservation efforts in lesser developed countries. Rather than a story of environmental declension, it provides fresh insight into the everyday working relationships among communities, governments, and their resources.

This thesis examines the early years of marine mammal captivity at Marineland of the Pacific and its impacts on the oceanarium industry, cetacean science, and public perceptions of whales. Opening in 1954, Marineland was the first oceanarium on the Pacific coast of North America, the largest oceanarium in the world, and the lead institution in cetacean capture, entertainment, and marine mammal research. In 1957, Marineland captured and displayed the first pilot whale, “Bubbles,” and ignited the whale capture industry that still exists sixty years later. Although often overlooked in scholarly work, Marineland developed innovative capture and display techniques while expanding animal husbandry knowledge. The park also revolutionized the marine mammalogy field by providing unprecedented opportunities for scientists to closely observe, study, and interact with live whales. Furthermore, Marineland’s capture, display, and portrayal of pilot whales in popular media generated public empathy toward cetaceans and transformed public perceptions of the animals. Through examinations of scientific papers, popular publications, interviews, and the Kenneth S. Norris Papers from the University of California Santa Cruz, a collection containing Norris’s personal scrapbooks, field notes, and unpublished research, this thesis will show that Marineland of the Pacific was the crucible of change for marine entertainment, cetacean research, and public perceptions of whales. / Graduate / 2019-07-27

Utgångspunkten för vårt arbete har varit att undersöka om ekologisk mat används som ett verktyg till undervisning i miljöhistoria. Dagens didaktiska forskning kring miljöhistoria motiverar ämnets betydelse på flera plan. I skolans verksamhet är det tänkt att ämnet ska kunna användas för tolkning av de lokala och globala förhållandena i världen. Vi börjar arbetet med att lyfta fram olika forskares motiv för miljöhistoria i skolans verksamhet. På fältet intervjuar vi verksamma lärare och elever för att se hur stora deras kunskaper kring ekologisk mat och svensk jordbrukskultur är. I arbetet lyfter vi fram och diskuterar begrepp som miljöhistoria, historiemedvetande, ekologiskt tänkande och lokalhistoria vilka är vanligt förekommande för oss som blivande lärare i historievetenskap och lärande. Resultaten i undersökningarna visade på ett svagt intresse för ekologisk mat och svensk jordbrukskultur bland lärare, elever och hushåll. I intervjuerna kom vi fram till att eleverna har ett visst historiemedvetande gällande koppling från dagens ekologiska jordbruk till hur jordbruk sköttes förr i tiden innan kemiska besprutningsmedel och konstgödsel fanns tillgängligt. / The starting-point for our study has been to investigate if organic food is used as a tool in the teaching of environmental history. The research of teaching in environmental history motivates it’s purpose in many levels. The subject is supposed to be used in schools for interpretation of the local and global environmental situations in the world. We begin our study by uplifting different researchers motive for teaching environmentalhistory in schools. By interviewing teachers and students on the field it’s possible to see how good their knowledge is in organic food and Swedish history of agriculture. In our study we discuss subjects like environmental history, historical consciousness, ecological thinking and local history which are common subjects for us as future history teachers. The result of our investigations showed that there is weak intrest for organic food and Swedish agriculture among teachers, students and households. From our interviews we could tell that our students has a certain history consciousness to the connection between organic farming and Swedish history of agriculture before pesticides and industrial fertilizers.